<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4241318148819067983</id><updated>2012-02-14T18:08:39.828+03:00</updated><category term='Magazine'/><category term='GFX'/><category term='article'/><category term='Adjacent Topics'/><category term='warez'/><category term='Translation'/><category term='Projects'/><category term='e-book'/><title type='text'>Architecture : e-books , Magazines , Articles , warez</title><subtitle type='html'>e-books , Magazines , Articles , warez</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default?start-index=101&amp;max-results=100'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>289</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5936785818949265690</id><published>2010-12-30T13:04:00.000+03:00</published><updated>2010-12-30T13:04:00.750+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Complexity and Contradiction in Architecture:RE-UPLOADED</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SeLoxECFCvI/AAAAAAAAA64/zIFLmLVw1Ww/s1600-h/Complexity+and+Contradiction+in+Architecture.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5324073639099042546" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SeLoxECFCvI/AAAAAAAAA64/zIFLmLVw1Ww/s320/Complexity+and+Contradiction+in+Architecture.jpg" style="cursor: hand; cursor: pointer; display: block; height: 173px; margin: 0px auto 10px; text-align: center; width: 225px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #555544;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Author:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; Robert Venturi&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Publisher:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; The Museum of Modern Art, New York&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Size:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; 24.67 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Format:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Link:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: black; font-family: arial; white-space: pre;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://ifile.it/x7q1zm5"&gt;http://ifile.it/x7q1zm5&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Contents:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;1. Nonstraightforward Architecture: A Gentle Manifesto&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;2. Complexity and Contradiction vs. Simplification or Picturesqueness&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;3. Ambiguity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;4. Contradictory Levels: The Phenomenon of "Both-And" in Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;5. Contradictory Levels Continued: The Double-Functioning Element&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;6. Accommodation and the Limitations of Order: The Conventional Element&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;7. Contradiction Adapted&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;8. Contradiction Juxtaposed&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;9. The Inside and the Outside&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;10. Theobligation Toward the Difficult Whole&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: #555544; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: #339999;"&gt;11. Works&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5936785818949265690?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5936785818949265690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5936785818949265690&amp;isPopup=true' title='21 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5936785818949265690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5936785818949265690'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/complexity-and-contradiction-in.html' title='Complexity and Contradiction in Architecture:RE-UPLOADED'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SeLoxECFCvI/AAAAAAAAA64/zIFLmLVw1Ww/s72-c/Complexity+and+Contradiction+in+Architecture.jpg' height='72' width='72'/><thr:total>21</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8706221732911258255</id><published>2010-12-26T08:20:00.001+03:00</published><updated>2010-12-26T21:30:33.246+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Planning Middle Eastern Cities : An urban kaleidoscope in a globalizing world:RE-UPLOADED</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/Sdw1c629jrI/AAAAAAAAA6g/DT3SrTkLc-k/s1600-h/Planning+Middle+Eastern+Cities.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 226px; height: 286px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/Sdw1c629jrI/AAAAAAAAA6g/DT3SrTkLc-k/s320/Planning+Middle+Eastern+Cities.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322187630597476018" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=" ;font-family:'Times New Roman';"&gt;&lt;div style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 3px; padding-bottom: 3px; padding-left: 3px; width: auto; font: normal normal normal 100%/normal Georgia, serif; text-align: left; "&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Editor:&lt;/span&gt; Yasser Elsheshtawy&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Publisher:&lt;/span&gt; Routledge, First published 2004&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Size:&lt;/span&gt; 4.88 MB&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Format:&lt;/span&gt; SFXed pdf&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Link:&lt;/span&gt;&lt;span class="Apple-style-span" style="  white-space: pre; font-family:arial;font-size:13px;"&gt;&lt;a href="http://ifile.it/tp9zxnb"&gt;http://ifile.it/tp9zxnb&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Password:&lt;/span&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;Contents:&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;1 The Middle East City: Moving beyond the Narrative of Loss&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;2 The Merits of Cities’ Locations&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Overview and Developments&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;3 The Spatial Development and Urban Transformation of Colonial and Postcolonial Algiers&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;4 Globalization and the Search for Modern Local Architecture: Learning from Baghdad&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;5 Sana’a: Transformation of the Old City and the Impacts of the Modern Era&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Case Studies: Redrawing Boundaries&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;6 Lake Tunis, or the Concept of the Third Centre&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;7 Cairo’s Urban Déjà Vu: Globalization and Urban Fantasies&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;8 Redrawing Boundaries: Dubai, an Emerging Global City&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8706221732911258255?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8706221732911258255/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8706221732911258255&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8706221732911258255'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8706221732911258255'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/planning-middle-eastern-cities-urban.html' title='Planning Middle Eastern Cities : An urban kaleidoscope in a globalizing world:RE-UPLOADED'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/Sdw1c629jrI/AAAAAAAAA6g/DT3SrTkLc-k/s72-c/Planning+Middle+Eastern+Cities.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6578098425267677867</id><published>2009-11-10T11:19:00.003+03:00</published><updated>2009-11-10T11:57:33.837+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Image Of the City</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SvkjSPj3_qI/AAAAAAAAA7I/7tLsg4VbBMg/s1600-h/Image+Of+the+City.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SvkjSPj3_qI/AAAAAAAAA7I/7tLsg4VbBMg/s320/Image+Of+the+City.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5402388024329240226" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: tahoma, 'Trebuchet MS', lucida, helvetica, sans-serif; font-size: 13px; color: rgb(85, 85, 68); line-height: 18px; "&gt;&lt;strong&gt;Author&lt;/strong&gt;: Kevin Lynch&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Twentieth Printing 1990 by Massachusetts Institute Of Tecnology&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 17.5 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: RARed djvu&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial, helvetica, clean, sans-serif; line-height: normal; border-collapse: collapse; white-space: pre; "&gt;&lt;a href="http://ifile.it/5snceu6"&gt;http://ifile.it/5snceu6&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6578098425267677867?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6578098425267677867/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6578098425267677867&amp;isPopup=true' title='139 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6578098425267677867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6578098425267677867'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/11/image-of-city.html' title='Image Of the City'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SvkjSPj3_qI/AAAAAAAAA7I/7tLsg4VbBMg/s72-c/Image+Of+the+City.jpg' height='72' width='72'/><thr:total>139</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5140336900066193634</id><published>2009-04-20T12:36:00.003+03:00</published><updated>2009-04-20T12:51:15.698+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Evolution of Designs : Biological analogy in architecture and the applied arts</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SexEJjd4KxI/AAAAAAAAA7A/nAkp2Dblw0k/s1600-h/The+Evolution+of+Designs.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SexEJjd4KxI/AAAAAAAAA7A/nAkp2Dblw0k/s320/The+Evolution+of+Designs.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5326707390202522386" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Author&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: Philip Steadman&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Publisher&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: First published 1979 by the Syndics of Cambridge University Press, This revised edition published 2008 by Routledge&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Size&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: 2.5 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Format&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Link&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: &lt;/span&gt;&lt;span class="Apple-style-span"  style=" white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/cpvbs9l"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;http://ifile.it/cpvbs9l&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Password&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Contents&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;:&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153); "&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153); "&gt;1 Introduction&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;2 The organic analogy&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;3 The classificatory analogy: Building types and natural species&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;4 The anatomical analogy: Engineering structure and the animal skeleton&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;5 The ecological analogy: The environments of artefacts and organisms&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;6 The Darwinian analogy: Trial and error in the evolution of organisms and artefacts&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;7 The evolution of decoration&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;8 Tools as organs or as extensions of the physical body&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;9 How to speed up craft evolution?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;10 Design as a process of growth&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;11 ‘Biotechnics’: Plants and animals as inventors&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;12 Hierarchical structure and the adaptive process: Biological analogy in Alexander’s Notes on the Synthesis of Form13 The consequences of the biological fallacy: Functional determinism&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;14 The consequences of the biological fallacy: Historical determinism and the denial of tradition&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;15 What remains of the analogy? The history and science of the artificial&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5140336900066193634?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5140336900066193634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5140336900066193634&amp;isPopup=true' title='15 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5140336900066193634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5140336900066193634'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/evolution-of-designs-biological-analogy.html' title='The Evolution of Designs : Biological analogy in architecture and the applied arts'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SexEJjd4KxI/AAAAAAAAA7A/nAkp2Dblw0k/s72-c/The+Evolution+of+Designs.jpg' height='72' width='72'/><thr:total>15</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8406272708457573731</id><published>2009-04-19T08:03:00.000+03:00</published><updated>2009-04-19T09:18:47.708+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Integrated Strategies In Architecture-REUPLOADED</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo2RFuOgxI/AAAAAAAAAvw/zMZnSTGEVGA/s1600-h/Integrated+Strategies+in+Architecture.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272085981012329234" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 215px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo2RFuOgxI/AAAAAAAAAvw/zMZnSTGEVGA/s320/Integrated+Strategies+in+Architecture.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Editors&lt;/strong&gt;: Joan Zunde &amp;amp; Hocine Bougdah&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2006&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.94MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;span class="Apple-style-span" style="font-family: arial; font-size: 13px; white-space: pre; "&gt;&lt;a href="http://ifile.it/na3069m"&gt;http://ifile.it/na3069m&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;&lt;strong&gt;PART 1 THE PURPOSE OF BUILDINGS&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 1: Origins&lt;br /&gt;CHAPTER 2: Moderation of the environment&lt;br /&gt;CHAPTER 3: Use of available technology&lt;br /&gt;CHAPTER 4: The demands of the community&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 2 THE DESIGN TEAM&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 5: The specialists and how they work together&lt;br /&gt;CHAPTER 6: The client’s role&lt;br /&gt;CHAPTER 7: Communication&lt;br /&gt;CHAPTER 8: Professional responsibility&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 3 THE DESIGN PROCESS&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 9: Creative problem-solving&lt;br /&gt;CHAPTER 10: The problem&lt;br /&gt;CHAPTER 11: The process in action&lt;br /&gt;CHAPTER 12: Aesthetics&lt;br /&gt;CHAPTER 13: Evaluation&lt;br /&gt;CHAPTER 14: Completion&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 4 SPACE&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 15: Tailored versus loose-fit outcomes&lt;br /&gt;CHAPTER 16: Functional requirements&lt;br /&gt;CHAPTER 17: Anthropometrics and ergonomics&lt;br /&gt;CHAPTER 18: Relationships between spaces&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 5 ENVIRONMENTAL DESIGN&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 19: Principles of environmental design&lt;br /&gt;CHAPTER 20: Design strategies&lt;br /&gt;CHAPTER 21: Case studies&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;PART 6 STRUCTURAL CONSIDERATIONS&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;CHAPTER 22: Structural materials&lt;br /&gt;CHAPTER 23: Structures for domestic buildings&lt;br /&gt;CHAPTER 24: Design of structural elements&lt;br /&gt;Bibliography&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8406272708457573731?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8406272708457573731/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8406272708457573731&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8406272708457573731'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8406272708457573731'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/integrated-strategies-in-architecture.html' title='Integrated Strategies In Architecture-REUPLOADED'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo2RFuOgxI/AAAAAAAAAvw/zMZnSTGEVGA/s72-c/Integrated+Strategies+in+Architecture.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7109761257608925690</id><published>2009-04-09T08:30:00.003+03:00</published><updated>2009-04-09T09:06:58.790+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Reconstructing Architecture: Critical Discourses and social Practice</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_yu1gYz6PiBk/Sd2Id9wb4JI/AAAAAAAAA6w/9LcTKqrekhs/s1600-h/Reconstructing+Architecture.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 207px; height: 320px;" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/Sd2Id9wb4JI/AAAAAAAAA6w/9LcTKqrekhs/s320/Reconstructing+Architecture.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322560382997094546" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="color: rgb(102, 102, 102);  line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Editor:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; Thomas A. Dutton and Lian Hurst Mann &lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Publisher:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; University of Minnesota Press, 1996&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Size:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; 20.7 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Format:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Link: &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: arial; line-height: normal; white-space: pre; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;a href="http://ifile.it/c1q6o2m"&gt;http://ifile.it/c1q6o2m&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Password:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Contents:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(102, 102, 102); font-family: tahoma; font-weight: bold; line-height: 14px;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Modernism, Postmodernism, and Architecture's Social Project&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Thomas A. Button and Lian Hurst Mann&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;1 The Suppression of the Social in Design: Architecture as War &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Anthony Ward&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;2 The F Word in Architecture: Feminist Analyses in/of/for Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Sherry Ahrentzen&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;3 Second Nature: On the Social Bond of Ecology and Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;Richard Ingersoll&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;4 Cultural Studies and Critical Pedagogy: Cultural Pedagogy and Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Thomas A. Button&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;5 Accommodation and Resistance: The Built Environment and the African American Experience&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Bradford C. Grant&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;6 Deconstruction and Architecture&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Margaret Soltan&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;7 Subverting the Avant-Garde: Critical Theory's Real Strategy&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;Lian Hurst Mann&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7109761257608925690?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7109761257608925690/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7109761257608925690&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7109761257608925690'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7109761257608925690'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/reconstructing-architecture-critical.html' title='Reconstructing Architecture: Critical Discourses and social Practice'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/Sd2Id9wb4JI/AAAAAAAAA6w/9LcTKqrekhs/s72-c/Reconstructing+Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-718396702119366684</id><published>2009-04-08T08:29:00.004+03:00</published><updated>2009-04-08T09:19:02.310+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Professional Practice for Interior Designers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_yu1gYz6PiBk/Sdw4oSjcspI/AAAAAAAAA6o/lYU_myJytBw/s1600-h/Professional+Practice+for+Interior+Designers.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/Sdw4oSjcspI/AAAAAAAAA6o/lYU_myJytBw/s320/Professional+Practice+for+Interior+Designers.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5322191124471526034" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: rgb(102, 102, 102); "&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Editor:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; Christine M. Piotrowski&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Publisher:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; John Wiley &amp;amp;Sons, Inc., 2002&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Size:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; 10 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Format:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Link: &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);   white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/ls1rmio"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;http://ifile.it/ls1rmio&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Password:&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Contents:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(102, 102, 102); font-weight: bold;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=""&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part I An Introduction to the Profession of Interior Design&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;1. The Profession&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;2. Ethics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;3. Personal Goal Setting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style=""&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part II How to Establish an Interior Design Practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;4. Planning a New Interior Design Practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;5. Advice and Counsel&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;6. Business Formations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;7. Legal Filings&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;8. On Your Own&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;9. Business Organization and Management&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;10. The Planning Function&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;11. Personnel Management&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;12. Legal Issues of Employment&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;13. Legal Responsibilities&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;14. Warranties and Product Liability&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;15. Financial Accounting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;16. Financial Management&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;17. Determining Design Fees&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;18. Preparing Design Contracts&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;19. Product Pricing Considerations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;20. The Sale of Goods and the Uniform&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;21. Marketing Interior Design Services&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;22. Promoting the Interior Design Practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;23. Advanced Promotional Tools&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;24. Selling Your Services&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;25. Design Presentations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;26. Personal Power&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;27. Project Management Techniques&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;28. Working with Trade Sources&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;29. Contract Documents and Specifications&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;30. Contract Administration&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;31. Contract Administration: Delivery and Project Closeout&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;32. Career Options&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;33. Getting the Next—or First—Job 577&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-718396702119366684?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/718396702119366684/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=718396702119366684&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/718396702119366684'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/718396702119366684'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/04/professional-practice-for-interior.html' title='Professional Practice for Interior Designers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/Sdw4oSjcspI/AAAAAAAAA6o/lYU_myJytBw/s72-c/Professional+Practice+for+Interior+Designers.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7184295412482599294</id><published>2009-02-10T09:57:00.004+03:00</published><updated>2009-02-10T10:05:10.663+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Identity by Design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SZEmOc8WArI/AAAAAAAAA5E/Eej7vzqm0rk/s1600-h/Identity+by+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5301060266121102002" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 284px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SZEmOc8WArI/AAAAAAAAA5E/Eej7vzqm0rk/s320/Identity+by+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Georgia Butina Watson and Ian Bentley&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Elsevier Ltd., 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 26.84 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/yljgmw7"&gt;http://ifile.it/yljgmw7&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1&lt;/strong&gt; Prague:The pursuit and perils of national identity&lt;br /&gt;&lt;strong&gt;2&lt;/strong&gt; Pleˇcnik’s Ljubljana: The social relevance of a personal vision&lt;br /&gt;&lt;strong&gt;3&lt;/strong&gt; Mexico: Complexities of culture and landscape&lt;br /&gt;&lt;strong&gt;4&lt;/strong&gt; The London Underground: A way for all&lt;br /&gt;&lt;strong&gt;5&lt;/strong&gt; Red Bologna&lt;br /&gt;&lt;strong&gt;6&lt;/strong&gt; Rossi in Perugia: Designing with layers of history&lt;br /&gt;&lt;strong&gt;7&lt;/strong&gt; Malaysia: Layering ecology and culture&lt;br /&gt;&lt;strong&gt;8&lt;/strong&gt; Reinforcing Boston’s Emerald Necklace&lt;br /&gt;&lt;strong&gt;9&lt;/strong&gt; The beginnings of a synthesis:The responsive environments approach&lt;br /&gt;&lt;strong&gt;Conclusions&lt;/strong&gt;: Pulling the threads together&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7184295412482599294?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7184295412482599294/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7184295412482599294&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7184295412482599294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7184295412482599294'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/identity-by-design.html' title='Identity by Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SZEmOc8WArI/AAAAAAAAA5E/Eej7vzqm0rk/s72-c/Identity+by+Design.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8424147294679356797</id><published>2009-02-10T09:49:00.003+03:00</published><updated>2009-02-10T09:57:35.021+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Intelligent Skins</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SZEjmbt8KiI/AAAAAAAAA48/_weS8DfO0x8/s1600-h/Intelligent+Skins.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5301057379574229538" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 291px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SZEjmbt8KiI/AAAAAAAAA48/_weS8DfO0x8/s320/Intelligent+Skins.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Michael Wigginton and Jude Harris&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher:&lt;/strong&gt; Butterworth-Heinemann, 2002&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.1 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/l39mnk8"&gt;http://ifile.it/l39mnk8&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Preface The origins of this book&lt;br /&gt;Picture acknowledgements&lt;br /&gt;&lt;strong&gt;Chapter 1&lt;/strong&gt; Introduction&lt;br /&gt;&lt;strong&gt;Chapter 2&lt;/strong&gt; The environmental context and the design imperative&lt;br /&gt;&lt;strong&gt;Chapter 3&lt;/strong&gt; Buildings and intelligence: metaphors and models&lt;br /&gt;&lt;strong&gt;Chapter 4&lt;/strong&gt; The intelligent skin: the deepening metaphor&lt;br /&gt;&lt;strong&gt;Chapter 5&lt;/strong&gt; Method&lt;br /&gt;&lt;strong&gt;Chapter 6&lt;/strong&gt; Features&lt;br /&gt;&lt;strong&gt;Chapter 7&lt;/strong&gt; The future&lt;br /&gt;&lt;strong&gt;Chapter 8&lt;/strong&gt; The case studies&lt;br /&gt;&lt;strong&gt;Case study 1&lt;/strong&gt; GSWHeadquarters&lt;br /&gt;&lt;em&gt;Berlin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 2&lt;/strong&gt; Debis Building&lt;br /&gt;&lt;em&gt;Berlin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 3&lt;/strong&gt; Commerzbank Headquarters&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Frankfurt-am-Main&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Case study 4&lt;/strong&gt; Stadttor (City Gate)&lt;br /&gt;&lt;em&gt;Düsseldorf&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 5&lt;/strong&gt; GlaxoWellcome House West&lt;br /&gt;&lt;em&gt;Greenford&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 6&lt;/strong&gt; The Environmental Building&lt;br /&gt;&lt;em&gt;Garston&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 7&lt;/strong&gt; Helicon&lt;br /&gt;&lt;em&gt;London&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 8&lt;/strong&gt; Tax Office Extension&lt;br /&gt;&lt;em&gt;Enschede&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 9&lt;/strong&gt; Headquarters of Gِtz&lt;br /&gt;&lt;em&gt;Würzburg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 10&lt;/strong&gt; Phoenix Central Library&lt;br /&gt;&lt;em&gt;Phoenix, Arizona&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 11&lt;/strong&gt; The Brundtland Centre&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Toftlund Sّnerjylland&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Case study 12&lt;/strong&gt; The Green Building&lt;br /&gt;&lt;em&gt;Dublin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 13&lt;/strong&gt; Heliotrop®&lt;br /&gt;&lt;em&gt;Freiburg-im-Breisgau&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 14&lt;/strong&gt; Villa Vision&lt;br /&gt;&lt;em&gt;Taastrup&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 15&lt;/strong&gt; Business Promotion Centre&lt;br /&gt;&lt;em&gt;Duisburg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 16&lt;/strong&gt; School of Engineering and Manufacture&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Leicester&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Case study 17&lt;/strong&gt; SUVA Insurance Company&lt;br /&gt;&lt;em&gt;Basel&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 18&lt;/strong&gt; Solar House Freiburg&lt;br /&gt;&lt;em&gt;Freiburg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 19&lt;/strong&gt; Design Office for Gartner&lt;br /&gt;&lt;em&gt;Gundelfingen/Donau&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 20&lt;/strong&gt; TRON– Concept Intelligent House&lt;br /&gt;&lt;em&gt;Tokyo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Case study 21&lt;/strong&gt; Super Energy Conservation Building&lt;br /&gt;Tokyo&lt;br /&gt;&lt;strong&gt;Case study 22&lt;/strong&gt; Occidental Chemical Center&lt;br /&gt;&lt;em&gt;Niagara Falls, New York&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8424147294679356797?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8424147294679356797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8424147294679356797&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8424147294679356797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8424147294679356797'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/intelligent-skins.html' title='Intelligent Skins'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SZEjmbt8KiI/AAAAAAAAA48/_weS8DfO0x8/s72-c/Intelligent+Skins.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-932064509366828490</id><published>2009-02-05T08:31:00.003+03:00</published><updated>2009-02-05T08:36:24.127+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Healthy Living Centres - A Guide to Primary Health Care Design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp6F2ebyfI/AAAAAAAAA40/ucIZolWHGys/s1600-h/Healthy+Living+Centres+-+A+Guide+to+Primary+Health+Care+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5299182152495909362" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 285px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp6F2ebyfI/AAAAAAAAA40/ucIZolWHGys/s320/Healthy+Living+Centres+-+A+Guide+to+Primary+Health+Care+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Geoffrey Purves&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2002&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 35.99 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/xysjk9u"&gt;http://ifile.it/xysjk9u&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 1&lt;/strong&gt; An outline review of the issues&lt;br /&gt;&lt;strong&gt;Chapter 2&lt;/strong&gt; Architecture and medicine: is it art and science or illusion and reality?&lt;br /&gt;&lt;strong&gt;Chapter 3&lt;/strong&gt; Policy issues&lt;br /&gt;&lt;strong&gt;Chapter 4&lt;/strong&gt; Design issues&lt;br /&gt;&lt;strong&gt;Chapter 5&lt;/strong&gt; Financial issues&lt;br /&gt;&lt;strong&gt;Chapter 6&lt;/strong&gt; Briefing issues&lt;br /&gt;&lt;strong&gt;Chapter 7&lt;/strong&gt; Measurement of design quality&lt;br /&gt;&lt;strong&gt;Chapter 8&lt;/strong&gt; Procurement routes&lt;br /&gt;&lt;strong&gt;Chapter 9&lt;/strong&gt; International trends&lt;br /&gt;&lt;strong&gt;Chapter 10&lt;/strong&gt; A strategy for the future&lt;br /&gt;&lt;strong&gt;Chapter 11&lt;/strong&gt; Case studies (see over for details)&lt;br /&gt;&lt;strong&gt;Chapter 12&lt;/strong&gt; The way forward&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-932064509366828490?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/932064509366828490/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=932064509366828490&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/932064509366828490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/932064509366828490'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/healthy-living-centres-guide-to-primary.html' title='Healthy Living Centres - A Guide to Primary Health Care Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp6F2ebyfI/AAAAAAAAA40/ucIZolWHGys/s72-c/Healthy+Living+Centres+-+A+Guide+to+Primary+Health+Care+Design.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7455619021385773910</id><published>2009-02-05T08:15:00.004+03:00</published><updated>2009-02-05T08:31:00.732+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>ETFE Technology and Design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp5Z-XrhjI/AAAAAAAAA4s/XvB3GXZTUQs/s1600-h/ETFE+Technology+and+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5299181398700820018" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 299px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp5Z-XrhjI/AAAAAAAAA4s/XvB3GXZTUQs/s320/ETFE+Technology+and+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Annette LeCuyer&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Birkhauser, 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 46.86 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/9vgdfau"&gt;http://ifile.it/9vgdfau&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: &lt;a href="http://www.discuss-tect.blogspot.com/"&gt;www.discuss-tect.blogspot.com&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Ian Liddell // Sustaining new technologies&lt;br /&gt;Introduction: Pleasure. Power and Payload&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;The Pneumatic Imagination: Architectural Ideas and Application&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Material Matters: ETFE&lt;br /&gt;Stefan Lehnert II Risk and RAliilhilitv&lt;br /&gt;Soft Structure&lt;br /&gt;The Performative Skin&lt;br /&gt;Environmengery : The Variable Skin&lt;br /&gt;Life Safety&lt;br /&gt;The Communicative Skin&lt;br /&gt;The Climatic Envelop&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Ben Morris // ETFE Futures&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7455619021385773910?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7455619021385773910/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7455619021385773910&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7455619021385773910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7455619021385773910'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/etfe-technology-and-design.html' title='ETFE Technology and Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYp5Z-XrhjI/AAAAAAAAA4s/XvB3GXZTUQs/s72-c/ETFE+Technology+and+Design.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6707031114992491993</id><published>2009-02-02T08:49:00.005+03:00</published><updated>2009-02-02T09:06:36.574+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Environmental Design : An introduction for architects and engineers</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaJcVQ1_tI/AAAAAAAAA4c/4Frz0iaSN2I/s1600-h/Environmental+Design.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 213px; height: 320px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaJcVQ1_tI/AAAAAAAAA4c/4Frz0iaSN2I/s320/Environmental+Design.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5298073131485101778" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Authors&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: Randall Thomas &amp;amp; Max Fordham &amp;amp; Partners &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Publisher&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;:E &amp;amp; FN Spon, Second edition 1999&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Size&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: 6.46 MB&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Format&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: SFXed pdf&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Link&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: &lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);   line-height: normal; white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/bek5f7g"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;http://ifile.it/bek5f7g&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Password&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Contents&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;:&lt;span class="Apple-style-span"  style="color: rgb(51, 153, 153);  font-weight: bold; line-height: 9px; font-size:11px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153); font-weight: bold; line-height: 9px; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Part One1 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Strategies&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;MAX FORDHAM&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;2 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Comfort, health and environmental physics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;BILL WATTS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;3 Buildings and energy balances&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;BILL WATTS and RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;4 Building planning and design&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;5 &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Site planning&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;6 Materials and construction&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;7 Energy sources&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RAMIRO GODOY&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;8 Lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;9 Engineering thermal comfort&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;10 Water, waste disposal and appliances&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;MIKE ENTWISLE and RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Summary&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Part Two&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;11 RMC International Headquarters&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;BART STEVENS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;12 Grove Road Primary Schoo&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;lBILL WATTS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;13 Queens Building, De Montfort University&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;EDITH BLENNERHASSETT&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;14 The Charles Cryer Studio Theatre&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;COLIN HAMILTON&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;15 Sutton House&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RICHARD QUINCEY&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;16 The Environmental Building, Building Research Establishment&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS and BART STEVENS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;17 The Millennium Centre, Dagenham&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;18 The Bedales Theatre&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Appendices&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;A Environmental data and the psychrometric chart&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;B Calculation procedures&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;RANDALL THOMASC &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Acoustics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;RANDALL &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;TH&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;OMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;D &lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 5px; "&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Photovoltaics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;RANDALL THOMAS&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style=" line-height: 14px; font-family:tahoma;"&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="line-height: 9px; "&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Illustration&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="color: rgb(85, 85, 68);  line-height: 14px;font-family:tahoma;"&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;span class="Apple-style-span"  style="font-family:arial;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6707031114992491993?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6707031114992491993/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6707031114992491993&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6707031114992491993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6707031114992491993'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/environmental-design-introduction-for.html' title='Environmental Design : An introduction for architects and engineers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaJcVQ1_tI/AAAAAAAAA4c/4Frz0iaSN2I/s72-c/Environmental+Design.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7317562715639011813</id><published>2009-02-02T08:38:00.002+03:00</published><updated>2009-02-02T08:47:25.028+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='GFX'/><title type='text'>Essential CG Lighting Techniques with 3ds Max</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaHS5KXEsI/AAAAAAAAA4U/8tqmS_oqARY/s1600-h/Essential+CG+Lighting+Techniques+with+3ds+Max.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 225px; height: 296px;" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaHS5KXEsI/AAAAAAAAA4U/8tqmS_oqARY/s320/Essential+CG+Lighting+Techniques+with+3ds+Max.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5298070770299638466" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Authors&lt;/span&gt;: Darren Brooker&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Publisher&lt;/span&gt;: Focal Press, Third edition 2008&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Size&lt;/span&gt;: 14.34 MB&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Format&lt;/span&gt;: SFXed pdf&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Link&lt;/span&gt;: &lt;span class="Apple-style-span" style="font-family: arial; font-size: 13px; white-space: pre; "&gt;&lt;a href="http://ifile.it/80wcirb"&gt;http://ifile.it/80wcirb&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Password&lt;/span&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Contents&lt;/span&gt;:&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 1 Introduction&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Who this book is for&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;How to use this book&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorials&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Software requirements&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 1 &gt; Theory&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 2 A little light theory&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Real world lighting explained&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The visible spectrum&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Color mixing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Our perception of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Color temperature&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Color balance&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The behavior of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Understanding the qualities of light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 3 CG lights examined&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lights in CG&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Standard lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunlight and Daylight systems&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Photometric lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The anatomy of a CG light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 4 Understanding shadows&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The importance of shadows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The technical side of shadows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Faking it&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;When to fake&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;To use shadows or not?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Shadow saturation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 2 &gt; Techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 5 Basic lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Learning to light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Basic three-point lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Key light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fill light&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Backlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Key-to-fill ratios&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Contrast&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; three-point lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 6 Further lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Making light work&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Other light types&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Area lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; area lights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Arrays&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; light arrays&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Skylights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;High Dynamic Range imaging&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; HDR skylight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 7 Radiosity techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Global illumination&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Light distribution&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Raytracing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Radiosity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Radiosity workflow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; radiosity workflow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 8 Indoor lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Indoor lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Outdoor light indoors&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; radiosity techniques&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; simulating global illumination&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; HDR lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Artificial lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; three-point artificial lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 9 Outdoor lighting techniques&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The great outdoors&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Skylight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Sunlight and skylight together&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; sunlight and skylight together&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Night time&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Moonlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; moonlight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Street lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; outdoor lighting fixtures&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; neon lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 10 Rendering with mental ray&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Physically-based lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; indirect illumination workflow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; Global Illumination&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Floating-point images&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; floating-point images&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; outdoor lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Ambient occlusion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; ambient occlusion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Caustics&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; caustics with mental ray&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Rendering options&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 11 Match lighting&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Background plates&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lighting reference data&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;HDR&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Match lighting in practice&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Match lighting without reference&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; match lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;mental ray production shaders&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; match lighting with mental ray&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 12 Lighting Analysis&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lighting analysis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Lighting Analysis Assistant&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; lighting analysis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 13 Lighting and lens effects&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Visual hooks&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Inside the lens&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Glows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; glows&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Lens flares&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; lens flares&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Highlights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; highlights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 14 Compositing&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Post production&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Compositing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Render Elements&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; Render Elements&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Combustion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Tutorial &gt; combustion&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Taking compositing further&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 3 &gt; Tips &amp;amp; tricks&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 15 In production&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Working efficiently&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The first step&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The key&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fills and backlights&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Rendering&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Revision&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Production pipelines&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Modeling issues&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Texturing issues&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;More revision&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Preparation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Pitching for business&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Experimentation&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Part 4 &gt; Taking it further&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 16 Composition and drama&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Visual storytelling&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Composition&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Unity&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Grouping&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Emphasis&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Depth&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Mood and drama&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Positive and negative space&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The rule of thirds&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 17 Camerawork and technicalities&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The camera in 3D&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Technical aspects&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Broadcast standards&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;PAL and NTSC&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Aspect ratios&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Film formats&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Reframing&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Overscan&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Fields and motion blur&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Chapter 18 Looking further&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Looking beyond lighting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Brazil&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;finalRender&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Maxwell Render&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;V-Ray&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;MAXScript&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Plug-in away&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Useful websites&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Studio websites&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7317562715639011813?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7317562715639011813/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7317562715639011813&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7317562715639011813'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7317562715639011813'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/02/essential-cg-lighting-techniques-with.html' title='Essential CG Lighting Techniques with 3ds Max'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SYaHS5KXEsI/AAAAAAAAA4U/8tqmS_oqARY/s72-c/Essential+CG+Lighting+Techniques+with+3ds+Max.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7490742895775612624</id><published>2009-01-29T10:53:00.002+03:00</published><updated>2009-01-29T11:00:59.519+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architecture in the United States Oxford History of Art</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SYFiJoHEI1I/AAAAAAAAA4M/DH0JQiyeVC4/s1600-h/Architecture+in+the+United+States+Oxford+History+of+Art.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 287px;" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SYFiJoHEI1I/AAAAAAAAA4M/DH0JQiyeVC4/s320/Architecture+in+the+United+States+Oxford+History+of+Art.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5296622554289808210" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"   style="color: rgb(85, 85, 68);   line-height: 18px; font-family:tahoma;font-size:13px;"&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Upton, Dell.&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Oxford University Press, 1998&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.65 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed content&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;span class="Apple-style-span"  style="color: rgb(0, 0, 0);  line-height: normal; white-space: pre; font-family:arial;"&gt;&lt;a href="http://ifile.it/rko18fc"&gt;http://ifile.it/rko18fc&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;  &lt;table cellspacing="0" cellpadding="0" border="0"&gt; &lt;tbody&gt; &lt;tr&gt;&lt;td&gt;&lt;span style="font-family:Times New Roman, Times, Serif;font-size:100%;"&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Introduction&lt;br /&gt;Chapter 1 An American  Icon&lt;br /&gt;Chapter  2 Community &lt;/span&gt;&lt;/span&gt;             &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  3 Nature&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  4 Technology&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  5 Money&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Chapter  6 Art&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Notes&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;List of  Illustrations&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Bibliographic  Essay&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span&gt;&lt;span&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 153, 153);"&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Timeline&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7490742895775612624?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7490742895775612624/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7490742895775612624&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7490742895775612624'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7490742895775612624'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/architecture-in-united-states-oxford.html' title='Architecture in the United States Oxford History of Art'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SYFiJoHEI1I/AAAAAAAAA4M/DH0JQiyeVC4/s72-c/Architecture+in+the+United+States+Oxford+History+of+Art.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7688856444372746005</id><published>2009-01-22T08:38:00.004+03:00</published><updated>2009-01-22T08:46:12.553+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Designer's Workspace : ultimate office design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgGwdOL14I/AAAAAAAAA3o/4E0u8LdUHyk/s1600-h/DESIGNERâ€™S+WORKSPACE.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293988791521630082" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 297px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgGwdOL14I/AAAAAAAAA3o/4E0u8LdUHyk/s320/DESIGNER%E2%80%99S+WORKSPACE.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Douglas B. Caywood&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2004&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 17.97 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/sdm5f3g"&gt;http://ifile.it/sdm5f3g&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part One:&lt;/strong&gt; Small Firms (1^19 employees)&lt;br /&gt;&lt;strong&gt;Part Two:&lt;/strong&gt; Medium Sized Firms (20^49 employees)&lt;br /&gt;&lt;strong&gt;Part Three:&lt;/strong&gt; Large Firms (50 employees and larger)&lt;br /&gt;Reality of Design Overview&lt;br /&gt;Workspace Design Checklist&lt;br /&gt;Design Approach&lt;br /&gt;Where to Begin?&lt;br /&gt;Restoration or Adaptive Reuse&lt;br /&gt;Interior Design&lt;br /&gt;Landscape Architecture&lt;br /&gt;‘To Do Or Not To Do’&lt;br /&gt;After the Move . . .&lt;br /&gt;Graphics for Today’s Firm ^ Lasting Impressions&lt;br /&gt;&lt;strong&gt;Conclusion&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7688856444372746005?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7688856444372746005/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7688856444372746005&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7688856444372746005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7688856444372746005'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/designers-workspace-ultimate-office.html' title='The Designer&apos;s Workspace : ultimate office design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgGwdOL14I/AAAAAAAAA3o/4E0u8LdUHyk/s72-c/DESIGNER%E2%80%99S+WORKSPACE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4689950774301238085</id><published>2009-01-22T08:31:00.003+03:00</published><updated>2009-01-22T08:36:48.316+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architectural Model as Machine</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgFNP2kNKI/AAAAAAAAA3g/FQCsYeT32Ac/s1600-h/Architectural+Model+as+Machine.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293987087125853346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 293px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgFNP2kNKI/AAAAAAAAA3g/FQCsYeT32Ac/s320/Architectural+Model+as+Machine.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Albert C. Smith&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2004&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.31 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/z0igpv7"&gt;http://ifile.it/z0igpv7&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Define/Divine/Design&lt;br /&gt;2 The changing mechanism of the scale model&lt;br /&gt;3 Scale model as machine&lt;br /&gt;4 Machine as scale model machine&lt;br /&gt;5 Pandora and the modern scale model machine&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4689950774301238085?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4689950774301238085/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4689950774301238085&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4689950774301238085'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4689950774301238085'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/architectural-model-as-machine.html' title='Architectural Model as Machine'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SXgFNP2kNKI/AAAAAAAAA3g/FQCsYeT32Ac/s72-c/Architectural+Model+as+Machine.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4902459791318072775</id><published>2009-01-22T08:25:00.002+03:00</published><updated>2009-01-22T08:31:43.142+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Archeticture : Ecstasies of Space, Time, and the Human Body</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgEh2Bnf_I/AAAAAAAAA3Y/iRjDEd0jLO4/s1600-h/Archeticture+Ecstasies+of+Space.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293986341458509810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 240px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgEh2Bnf_I/AAAAAAAAA3Y/iRjDEd0jLO4/s320/Archeticture+Ecstasies+of+Space.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Krell, David Farrell&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: State University of New York Press, 1997&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 2.47 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed contents&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/5oxzksi"&gt;http://ifile.it/5oxzksi&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1- IntroductionArchetictureSpell it New?&lt;br /&gt;2- One.Tic-TalkSpace, Time, and Lovemaking in Plato's Timaeus&lt;br /&gt;3- Two.Ecstatic SpatialityLiberations of Space in Kant, Hegel, and Heidegger&lt;br /&gt;4- Three.Unhomelike PlacesArchetictural Sections of Heidegger and Freud&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4902459791318072775?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4902459791318072775/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4902459791318072775&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4902459791318072775'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4902459791318072775'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/archeticture-ecstasies-of-space-time.html' title='Archeticture : Ecstasies of Space, Time, and the Human Body'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgEh2Bnf_I/AAAAAAAAA3Y/iRjDEd0jLO4/s72-c/Archeticture+Ecstasies+of+Space.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8027759438334970812</id><published>2009-01-22T08:16:00.002+03:00</published><updated>2009-01-22T08:25:42.236+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Adjacent Topics'/><title type='text'>A Companion to Medieval Art: Romanesque and Gothic</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgDN0Gj6aI/AAAAAAAAA3Q/zTI2_t5OL-4/s1600-h/A+Companion+to+Medieval+Art.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293984897833363874" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 221px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgDN0Gj6aI/AAAAAAAAA3Q/zTI2_t5OL-4/s320/A+Companion+to+Medieval+Art.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Conrad Rudolph&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing Ltd., 2006&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 14.36 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/8rbs1to"&gt;http://ifile.it/8rbs1to&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art&lt;br /&gt;&lt;em&gt;Conrad Rudolph&lt;/em&gt;&lt;br /&gt;2 Vision&lt;br /&gt;&lt;em&gt;Cynthia Hahn&lt;/em&gt;&lt;br /&gt;3 Reception of Images by Medieval Viewers&lt;br /&gt;&lt;em&gt;Madeline Harrison Caviness&lt;/em&gt;&lt;br /&gt;4 Narrative&lt;br /&gt;&lt;em&gt;Suzanne Lewis&lt;/em&gt;&lt;br /&gt;5 Formalism&lt;br /&gt;&lt;em&gt;Linda Seidel&lt;/em&gt;&lt;br /&gt;6 Gender and Medieval Art&lt;br /&gt;&lt;em&gt;Brigitte Kurmann-Schwarz&lt;/em&gt;&lt;br /&gt;7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries&lt;br /&gt;&lt;em&gt;Herbert L. Kessler&lt;/em&gt;&lt;br /&gt;8 Art and Exegesis&lt;br /&gt;&lt;em&gt;Christopher G. Hughes&lt;/em&gt;&lt;br /&gt;9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art&lt;br /&gt;&lt;em&gt;Jill Caskey&lt;/em&gt;&lt;br /&gt;10 Collecting (and Display)&lt;br /&gt;&lt;em&gt;Pierre Alain Mariaux&lt;/em&gt;&lt;br /&gt;11 The Concept of Spolia&lt;br /&gt;&lt;em&gt;Dale Kinney&lt;/em&gt;&lt;br /&gt;12 The Monstrous&lt;br /&gt;&lt;em&gt;Thomas E. A. Dale&lt;/em&gt;&lt;br /&gt;13 Making Sense of Marginalized Images in Manuscripts and Religious Architecture&lt;br /&gt;&lt;em&gt;Laura Kendrick&lt;/em&gt;&lt;br /&gt;14 Romanesque Architecture&lt;br /&gt;&lt;em&gt;Eric Fernie&lt;/em&gt;&lt;br /&gt;15 Romanesque Sculpture in Northern Europe&lt;br /&gt;&lt;em&gt;Colum Hourihane&lt;/em&gt;&lt;br /&gt;16 Modern Origins of Romanesque Sculpture&lt;br /&gt;&lt;em&gt;Robert A. Maxwell&lt;/em&gt;&lt;br /&gt;17 The Historiography of Romanesque Manuscript Illumination&lt;br /&gt;&lt;em&gt;Adam S. Cohen&lt;/em&gt;&lt;br /&gt;18 The Study of Gothic Architecture&lt;br /&gt;&lt;em&gt;Stephen Murray&lt;/em&gt;&lt;br /&gt;19 Gothic Sculpture from 1150 to 1250&lt;br /&gt;&lt;em&gt;Martin Büchsel&lt;/em&gt;&lt;br /&gt;20 Gothic Manuscript Illustration: The Case of France&lt;br /&gt;&lt;em&gt;Anne D. Hedeman&lt;/em&gt;&lt;br /&gt;21 Glazing Medieval Buildings&lt;br /&gt;&lt;em&gt;Elizabeth Carson Pastan&lt;/em&gt;&lt;br /&gt;22 Toward a Historiography of the Sumptuous Arts&lt;br /&gt;&lt;em&gt;Brigitte Buettner&lt;/em&gt;&lt;br /&gt;23 East Meets West: The Art and Architecture of the Crusader States&lt;br /&gt;&lt;em&gt;Jaroslav Folda&lt;/em&gt;&lt;br /&gt;24 Gothic in the East: Western Architecture in Byzantine Lands&lt;br /&gt;&lt;em&gt;Tassos C. Papacostas&lt;/em&gt;&lt;br /&gt;25 Architectural Layout: Design, Structure, and Construction in Northern Europe&lt;br /&gt;&lt;em&gt;Marie-Thérèse Zenner&lt;/em&gt;&lt;br /&gt;26 Sculptural Programs&lt;br /&gt;&lt;em&gt;Bruno Boerner&lt;/em&gt;&lt;br /&gt;27 Cistercian Architecture&lt;br /&gt;&lt;em&gt;Peter Fergusson&lt;/em&gt;&lt;br /&gt;28 Art and Pilgrimage: Mapping the Way&lt;br /&gt;&lt;em&gt;Paula Gerson&lt;/em&gt;&lt;br /&gt;29 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals&lt;br /&gt;&lt;em&gt;Tina Waldeier Bizzarro&lt;/em&gt;&lt;br /&gt;30 The Modern Medieval Museum&lt;br /&gt;&lt;em&gt;Michelle P. Brown&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8027759438334970812?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8027759438334970812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8027759438334970812&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8027759438334970812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8027759438334970812'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/companion-to-medieval-art-romanesque.html' title='A Companion to Medieval Art: Romanesque and Gothic'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SXgDN0Gj6aI/AAAAAAAAA3Q/zTI2_t5OL-4/s72-c/A+Companion+to+Medieval+Art.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3990330796772789185</id><published>2009-01-18T09:16:00.003+03:00</published><updated>2009-01-18T09:22:17.468+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Innovations in Hospice Architecture</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SXLJymsFOfI/AAAAAAAAA3I/h8NJlurp8As/s1600-h/Innovations+in+Hospice+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5292514383329835506" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 319px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SXLJymsFOfI/AAAAAAAAA3I/h8NJlurp8As/s320/Innovations+in+Hospice+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Stephen Verderber and Ben J. Refuerzo&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2006&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 40.64 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/jfxklpg"&gt;http://ifile.it/jfxklpg&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 1 A HISTORY OF HOSPICE&lt;/strong&gt;&lt;br /&gt;1 An architectural history of hospice&lt;br /&gt;2 On dying, nature, and the machine&lt;br /&gt;&lt;strong&gt;Part 2 DESIGNING HOSPICE&lt;/strong&gt;&lt;br /&gt;3 Recent trends&lt;br /&gt;4 Designing for palliative care&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 3 CASE STUDIES&lt;br /&gt;&lt;/strong&gt;5 Case studies&lt;br /&gt;References and notes&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3990330796772789185?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3990330796772789185/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3990330796772789185&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3990330796772789185'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3990330796772789185'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/innovations-in-hospice-architecture.html' title='Innovations in Hospice Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SXLJymsFOfI/AAAAAAAAA3I/h8NJlurp8As/s72-c/Innovations+in+Hospice+Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6046439920767353797</id><published>2009-01-15T11:39:00.003+03:00</published><updated>2009-01-15T11:47:38.908+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Form and Fabric in Landscape Architecture</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SW72c1uVtUI/AAAAAAAAA3A/Hnxl7H_Jxuw/s1600-h/Form+and+Fabric+in+Landscape+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5291437587525121346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 253px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SW72c1uVtUI/AAAAAAAAA3A/Hnxl7H_Jxuw/s320/Form+and+Fabric+in+Landscape+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="COLOR: rgb(85,85,68); LINE-HEIGHT: 18pxfont-family:tahoma;font-size:13;"  &gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Author&lt;/strong&gt;: Catherine Dee&lt;br /&gt;&lt;strong&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;Publisher&lt;/span&gt;&lt;/strong&gt;: Spon Press, First published 2001&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.76 MB&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/kdp20tv"&gt;http://ifile.it/kdp20tv&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;div&gt;&lt;/span&gt;&lt;span style="font-size:85%;color:#339999;"&gt;1 Landscape fabri&lt;br /&gt;2 Spaces&lt;br /&gt;3 Paths&lt;br /&gt;4 Edges&lt;br /&gt;5 Foci&lt;br /&gt;7 Detail&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6046439920767353797?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6046439920767353797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6046439920767353797&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6046439920767353797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6046439920767353797'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/form-and-fabric-in-landscape.html' title='Form and Fabric in Landscape Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SW72c1uVtUI/AAAAAAAAA3A/Hnxl7H_Jxuw/s72-c/Form+and+Fabric+in+Landscape+Architecture.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5377960669002846187</id><published>2009-01-12T12:59:00.003+03:00</published><updated>2009-01-12T13:09:52.288+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Environment and Children - Passive Lessons from the Everyday Environment</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsVPqxggqI/AAAAAAAAA24/16yqAWAtq7c/s1600-h/Environment+and+Children+-+Passive+Lessons+from+the+Everyday+Environment.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290345546200941218" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsVPqxggqI/AAAAAAAAA24/16yqAWAtq7c/s320/Environment+and+Children+-+Passive+Lessons+from+the+Everyday+Environment.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Christopher Day &lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First edition 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.66 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/2rbcnvs"&gt;http://ifile.it/2rbcnvs&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;PARTI ENVIRONMENT FOR CHILDREN&lt;/strong&gt;&lt;br /&gt;1. Design by adults: experience by children&lt;br /&gt;Environment and child development&lt;br /&gt;Places as exploratoria&lt;br /&gt;Experience and learning&lt;br /&gt;Experience of place&lt;br /&gt;Different thinking: different learning: different needs&lt;br /&gt;Gender differences&lt;br /&gt;Design for children&lt;br /&gt;2. Childhood: a journey&lt;br /&gt;Childhood&lt;br /&gt;Children and environment: developing consciousness&lt;br /&gt;The in-between world&lt;br /&gt;Play: preparation for life&lt;br /&gt;Environment and development&lt;br /&gt;3. Developmental needs: challenge and certainty&lt;br /&gt;Conflicting needs&lt;br /&gt;Reassurance by design&lt;br /&gt;Security to venture out from&lt;br /&gt;Semi-protected play&lt;br /&gt;Stretching boundaries&lt;br /&gt;Adventure&lt;br /&gt;Creativity: known meeting unknown&lt;br /&gt;The known and the unknown&lt;br /&gt;&lt;strong&gt;PART II HEALTH: PHYSICAL, DEVELOPMENTAL AND SOCIAL&lt;/strong&gt;&lt;br /&gt;4. Social relationships and place&lt;br /&gt;School society&lt;br /&gt;Bullying&lt;br /&gt;Young and old&lt;br /&gt;Learning sociability&lt;br /&gt;Linking places&lt;br /&gt;Social identity and place&lt;br /&gt;5. Issues of health&lt;br /&gt;Dirt and hygiene: surfaces and textures&lt;br /&gt;Invisible factors&lt;br /&gt;Materials and air quality&lt;br /&gt;Indoor climate&lt;br /&gt;Outdoor air&lt;br /&gt;Electro-climate&lt;br /&gt;Geopathology&lt;br /&gt;Remedial action&lt;br /&gt;&lt;strong&gt;PART III ENVIRONMENT AS AN EDUCATIONAL AID&lt;/strong&gt;&lt;br /&gt;6. Our senses: meeting the world&lt;br /&gt;From sensory experience to integrated thinking&lt;br /&gt;Sensory stimulus and attention&lt;br /&gt;Our many senses&lt;br /&gt;The physical senses&lt;br /&gt;Scent&lt;br /&gt;Touch&lt;br /&gt;Warmth&lt;br /&gt;Sound&lt;br /&gt;Sight&lt;br /&gt;Balance&lt;br /&gt;Movement&lt;br /&gt;The finer senses&lt;br /&gt;The senses and thinking&lt;br /&gt;7. Light and darkness: age and situation&lt;br /&gt;Light and health&lt;br /&gt;Thinking and dreaming: openness and security&lt;br /&gt;Daylight&lt;br /&gt;Windows&lt;br /&gt;Artificial light&lt;br /&gt;Light and mood&lt;br /&gt;8. Colour and children&lt;br /&gt;Colour: what is it?&lt;br /&gt;Physiological and mood effects&lt;br /&gt;Colour experience&lt;br /&gt;Outdoor colour&lt;br /&gt;Light, substance and colour&lt;br /&gt;Colour for children&lt;br /&gt;9. Space: shape and quality&lt;br /&gt;Response to space&lt;br /&gt;Space-language: from life-energy to thought&lt;br /&gt;Function and space-mood&lt;br /&gt;Usability and space&lt;br /&gt;Classrooms&lt;br /&gt;Things and spaces&lt;br /&gt;&lt;strong&gt;PART IV PLACES FOR CHILDREN&lt;/strong&gt;&lt;br /&gt;10. What places teach: silent lessons&lt;br /&gt;Silent lessons&lt;br /&gt;Materials and mood&lt;br /&gt;Appearance messages&lt;br /&gt;Permeability and opacity&lt;br /&gt;Place messages&lt;br /&gt;Imprinted values&lt;br /&gt;Invisible education&lt;br /&gt;11. Welcoming arrival&lt;br /&gt;The journey experience&lt;br /&gt;Arrival: meeting a place&lt;br /&gt;Being there&lt;br /&gt;Indoor journeys&lt;br /&gt;Inner and outer journeys&lt;br /&gt;The arrival journey: pedagogical function&lt;br /&gt;Journeys of welcome&lt;br /&gt;&lt;strong&gt;PARTV ENVIRONMENT FOR CHILDREN&lt;/strong&gt;&lt;br /&gt;12. Outdoor places&lt;br /&gt;Outdoor need&lt;br /&gt;Gardens for the soul&lt;br /&gt;Vegetable gardens&lt;br /&gt;Kindergarten gardens&lt;br /&gt;Outdoor learning&lt;br /&gt;Educational benefits&lt;br /&gt;School grounds&lt;br /&gt;Greening playgrounds&lt;br /&gt;13. Environment for the developing child&lt;br /&gt;Children and environment&lt;br /&gt;Small children&lt;br /&gt;Mid-childhood&lt;br /&gt;Teenagers&lt;br /&gt;Nourishing children’s developmental journey&lt;br /&gt;&lt;strong&gt;PART VI SUSTAINABILITY LESSONS FROM SURROUNDINGS&lt;/strong&gt;&lt;br /&gt;14. Learning to care for the environment&lt;br /&gt;From reverence to conscious care&lt;br /&gt;Absorbing values&lt;br /&gt;15. Making nature’s cycles visible&lt;br /&gt;Cycles and nature&lt;br /&gt;Solar cycles&lt;br /&gt;Seasonal cycles&lt;br /&gt;The nutrient cycle&lt;br /&gt;Sewage&lt;br /&gt;The water cycle&lt;br /&gt;Cycles and life&lt;br /&gt;16. Living with the elements&lt;br /&gt;The elements and us&lt;br /&gt;The elements, one by one&lt;br /&gt;Earth&lt;br /&gt;Water&lt;br /&gt;Air&lt;br /&gt;Fire&lt;br /&gt;The elements and everyday life&lt;br /&gt;17. Levels of life&lt;br /&gt;Children and animals&lt;br /&gt;Animals and school&lt;br /&gt;Farm animals, food and the foundations of life&lt;br /&gt;Songbirds&lt;br /&gt;Insects&lt;br /&gt;Aquatic life&lt;br /&gt;Lessons from the living world&lt;br /&gt;18. Learning sustainability through daily experience&lt;br /&gt;Towards a sustainable lifestyle&lt;br /&gt;Facing the future: developing sustainability consciousness&lt;br /&gt;Energy use&lt;br /&gt;Recognizing the sun’s energy&lt;br /&gt;Thinking green&lt;br /&gt;Environmental audit&lt;br /&gt;School audit&lt;br /&gt;Sustainability in daily view&lt;br /&gt;Neighbourhood environmental audit&lt;br /&gt;19. Sustainable schools&lt;br /&gt;Hidden benefits&lt;br /&gt;Sustainability implications for schools&lt;br /&gt;Design for sustainability&lt;br /&gt;Heating, cooling and energy issues&lt;br /&gt;Energy conservative design&lt;br /&gt;Solar heating&lt;br /&gt;Cooling&lt;br /&gt;Ventilation&lt;br /&gt;Water issues&lt;br /&gt;How much water can we get from rain?&lt;br /&gt;Travel&lt;br /&gt;Eco-schools&lt;br /&gt;&lt;strong&gt;PART VII ENVIRONMENT TO SERVE AND INSPIRE&lt;/strong&gt;&lt;br /&gt;20. From ends to means&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5377960669002846187?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5377960669002846187/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5377960669002846187&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5377960669002846187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5377960669002846187'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/environment-and-children-passive.html' title='Environment and Children - Passive Lessons from the Everyday Environment'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsVPqxggqI/AAAAAAAAA24/16yqAWAtq7c/s72-c/Environment+and+Children+-+Passive+Lessons+from+the+Everyday+Environment.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7357829127009627748</id><published>2009-01-12T12:54:00.002+03:00</published><updated>2009-01-12T12:59:38.104+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Designing the City : Towards a more sustainable urban form</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsT2-2_YVI/AAAAAAAAA2w/4CsyXz-tiNY/s1600-h/Designing+the+City.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290344022584287570" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 212px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsT2-2_YVI/AAAAAAAAA2w/4CsyXz-tiNY/s320/Designing+the+City.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Hildebrand Frey&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: E &amp;amp; FN Spon, First published 1999&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.1 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/dm4haxo"&gt;http://ifile.it/dm4haxo&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part One&lt;/strong&gt; The Current Debate about the Sustainable City&lt;br /&gt;1. What Urban Design Is and Why it is so Important Today&lt;br /&gt;2. Compact, Decentralised or What? The Sustainable City Debate&lt;br /&gt;3. Micro- and Macro-structures of a More Sustainable City&lt;br /&gt;&lt;strong&gt;Part Two&lt;/strong&gt; Application of the Model Urban Structure to Glasgow&lt;br /&gt;4. Glasgow—A Typical Post-industrial City&lt;br /&gt;5. Application of Micro- and Macro-structure: the Case of Glasgow&lt;br /&gt;6. Strategic Design of Districts of the City of Glasgow&lt;br /&gt;Epilogue&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7357829127009627748?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7357829127009627748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7357829127009627748&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7357829127009627748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7357829127009627748'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/designing-city-towards-more-sustainable.html' title='Designing the City : Towards a more sustainable urban form'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SWsT2-2_YVI/AAAAAAAAA2w/4CsyXz-tiNY/s72-c/Designing+the+City.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8160725164237924634</id><published>2009-01-12T12:47:00.004+03:00</published><updated>2009-01-12T13:11:25.182+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Color Drawing  Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SWsSKloduwI/AAAAAAAAA2o/_Qbzg3yIOzw/s1600-h/Color+Drawing++Design+Drawing+Skills+and+Techniques+for+Architects,+Landscape+Architects,+and+Interior+Designers.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5290342160386603778" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 158px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SWsSKloduwI/AAAAAAAAA2o/_Qbzg3yIOzw/s320/Color+Drawing++Design+Drawing+Skills+and+Techniques+for+Architects,+Landscape+Architects,+and+Interior+Designers.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Doyle, Michael E&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: John Wiley &amp;amp; Sons, Inc. (US), 1999&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 25.65 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed HTMLs&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/bzotqnf"&gt;http://ifile.it/bzotqnf&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;Preface&lt;br /&gt;Introduction&lt;br /&gt;&lt;strong&gt;Part I&lt;/strong&gt; Color Drawing for Communication&lt;br /&gt;1 Initial Considerations&lt;br /&gt;Phenomena of Color and Light&lt;br /&gt;The Dimensions of Color&lt;br /&gt;2 Media and Paper&lt;br /&gt;Media&lt;br /&gt;Paper&lt;br /&gt;3 Technique&lt;br /&gt;Ways to Apply Color Media&lt;br /&gt;Impressions of Materials&lt;br /&gt;Creating the Effects of Light&lt;br /&gt;The Retrocolor Technique&lt;br /&gt;Toned Backgrounds&lt;br /&gt;4 Elements, Materials, and Finishes&lt;br /&gt;Interior Materials&lt;br /&gt;Space-Defining Planes&lt;br /&gt;Furnishing and Fixtures&lt;br /&gt;Lighting&lt;br /&gt;Accessories&lt;br /&gt;Exterior Materials&lt;br /&gt;Ground Plane Materials&lt;br /&gt;Wall Plane Materials and Windows&lt;br /&gt;The Overhead Plane: Roofs and Skies&lt;br /&gt;5 Scale Elements: Figures and Automobiles&lt;br /&gt;Drawing Figures in Color&lt;br /&gt;Automobiles&lt;br /&gt;&lt;strong&gt;Part II&lt;/strong&gt;Color Drawing for Presentation&lt;br /&gt;6 Color and Composition in Illustration&lt;br /&gt;How Colors Relate to One Another: The Contrast of Colors&lt;br /&gt;Color Contrast and Image Composition&lt;br /&gt;7 Approaches to Creating Color Design Drawings&lt;br /&gt;The First Consideration: Make the Line Drawing&lt;br /&gt;The Second Consideration: Create a Value Strategy&lt;br /&gt;The Third Consideration: The Transfer&lt;br /&gt;The Fourth Consideration: Paper and Color&lt;br /&gt;Additional Layers of Information&lt;br /&gt;Revisions and Repairs&lt;br /&gt;8 Presentation and Distribution of Color Design Drawings&lt;br /&gt;Presentation&lt;br /&gt;Distribution of Color Design Drawings: The Sketchpack&lt;br /&gt;Glossary&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8160725164237924634?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8160725164237924634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8160725164237924634&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8160725164237924634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8160725164237924634'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/color-drawing-design-drawing-skills-and.html' title='Color Drawing  Design Drawing Skills and Techniques for Architects, Landscape Architects, and Interior Designers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SWsSKloduwI/AAAAAAAAA2o/_Qbzg3yIOzw/s72-c/Color+Drawing++Design+Drawing+Skills+and+Techniques+for+Architects,+Landscape+Architects,+and+Interior+Designers.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6097579841926177472</id><published>2009-01-08T12:00:00.004+03:00</published><updated>2009-01-08T12:19:28.240+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Building Services Design Methodology : A practical guide</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWXD7515RII/AAAAAAAAA2g/eYdJR55-xg4/s1600-h/Building+Services+Design+Methodology.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5288848771323085954" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 311px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SWXD7515RII/AAAAAAAAA2g/eYdJR55-xg4/s320/Building+Services+Design+Methodology.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: David Bownass&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, 2001&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.1 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/9sviawh"&gt;http://ifile.it/9sviawh&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;1 Introduction&lt;/strong&gt;&lt;br /&gt;1.1 Chapter contents&lt;br /&gt;1.2 The aim of the book&lt;br /&gt;1.3 How to use the book&lt;br /&gt;&lt;strong&gt;2 The building services designer's role and responsibilities&lt;/strong&gt;&lt;br /&gt;2.1 Chapter contents&lt;br /&gt;2.2 Mechanical building services systems&lt;br /&gt;2.3 Building services design tools&lt;br /&gt;2.4 Legal responsibilities&lt;br /&gt;2.5 Contractual responsibilities&lt;br /&gt;2.6 Professional responsibilities&lt;br /&gt;2.7 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;3 Design in engineering construction&lt;/strong&gt;&lt;br /&gt;3.1 Chapter contents&lt;br /&gt;3.2 The design process&lt;br /&gt;3.3 Design responsibility&lt;br /&gt;3.4 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;4 Feasibility studies&lt;/strong&gt;&lt;br /&gt;4.1 Chapter contents&lt;br /&gt;4.2 Determining where you are in the development process&lt;br /&gt;4.3 The initial brief&lt;br /&gt;4.4 Feasibility studies&lt;br /&gt;4.5 Project evaluation and value management&lt;br /&gt;4.6 Feasibility reports&lt;br /&gt;4.7 The project brief&lt;br /&gt;4.8 Actual spend and cost committed&lt;br /&gt;4.9 Chapter review&lt;br /&gt;References&lt;br /&gt;Further readin&lt;br /&gt;&lt;strong&gt;5 Concept design stage&lt;/strong&gt;&lt;br /&gt;5.1 Chapter contents&lt;br /&gt;5.2 Introduction&lt;br /&gt;5.3 De®ning the requirements&lt;br /&gt;5.4 Sources of design information&lt;br /&gt;5.5 Hierarchy of legislation&lt;br /&gt;5.6 Develop the design options&lt;br /&gt;5.7 Evaluate the options and determine the best ®t solution&lt;br /&gt;5.8 Concept design report&lt;br /&gt;5.9 CDM requirements&lt;br /&gt;5.10 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;6 The design brief&lt;/strong&gt;&lt;br /&gt;6.1 Chapter contents&lt;br /&gt;6.2 The function of a design brief&lt;br /&gt;6.3 The contents of a typical design brief document&lt;br /&gt;6.4 Introduction&lt;br /&gt;6.5 Scope of engineering&lt;br /&gt;6.6 Interfaces&lt;br /&gt;6.7 Design standards and criteria&lt;br /&gt;6.8 Design deliverables&lt;br /&gt;6.9 Health and safety&lt;br /&gt;6.10 Environment&lt;br /&gt;6.11 Key acceptance criteria&lt;br /&gt;6.12 Design programme&lt;br /&gt;6.13 Procurement&lt;br /&gt;6.14 Design brief development&lt;br /&gt;6.15 Chapter review&lt;br /&gt;&lt;strong&gt;7 Scheme design stage&lt;/strong&gt;&lt;br /&gt;7.1 Chapter contents&lt;br /&gt;7.2 The design process 86&lt;br /&gt;7.3 Developing the design information&lt;br /&gt;7.4 Design work&lt;br /&gt;7.5 Value engineering&lt;br /&gt;7.6 CDM requirements&lt;br /&gt;7.7 Risk assessments&lt;br /&gt;7.8 Scheme design deliverables&lt;br /&gt;7.9 Scheme design responsibility&lt;br /&gt;7.10 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;8 Detail design stage&lt;/strong&gt;&lt;br /&gt;8.1 Chapter contents&lt;br /&gt;8.2 General&lt;br /&gt;8.3 Design activities&lt;br /&gt;8.4 Design margins&lt;br /&gt;8.5 Detail design good practice feedback&lt;br /&gt;8.6 Value engineering&lt;br /&gt;8.7 CDM requirements&lt;br /&gt;8.8 Improving construction productivity&lt;br /&gt;8.9 Detail design deliverables&lt;br /&gt;8.10 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;9 Construction design information&lt;/strong&gt;&lt;br /&gt;9.1 Chapter contents&lt;br /&gt;9.2 Construction design information&lt;br /&gt;9.3 The content of construction design information&lt;br /&gt;9.4 Managing the construction design information&lt;br /&gt;9.5 Chapter review&lt;br /&gt;&lt;strong&gt;10 Construction&lt;/strong&gt;&lt;br /&gt;10.1 Chapter contents&lt;br /&gt;10.2 Construction&lt;br /&gt;10.3 Health and safety&lt;br /&gt;10.4 Quality plan 135&lt;br /&gt;10.5 Inspection and testing&lt;br /&gt;10.6 Commissioning&lt;br /&gt;10.7 Handover&lt;br /&gt;10.8 Chapter review&lt;br /&gt;References&lt;br /&gt;Further reading&lt;br /&gt;&lt;strong&gt;11 Design feedback&lt;/strong&gt;&lt;br /&gt;11.1 Chapter contents&lt;br /&gt;11.2 Reasons for feedback&lt;br /&gt;11.3 The feedback process&lt;br /&gt;11.4 The design process summary&lt;br /&gt;11.5 Chapter review&lt;br /&gt;11.6 Feedback on the book&lt;br /&gt;References&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6097579841926177472?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6097579841926177472/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6097579841926177472&amp;isPopup=true' title='257 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6097579841926177472'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6097579841926177472'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2009/01/building-services-design-methodology.html' title='Building Services Design Methodology : A practical guide'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SWXD7515RII/AAAAAAAAA2g/eYdJR55-xg4/s72-c/Building+Services+Design+Methodology.jpg' height='72' width='72'/><thr:total>257</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5652858570046594559</id><published>2008-12-21T08:42:00.003+03:00</published><updated>2008-12-21T08:47:37.702+03:00</updated><title type='text'></title><content type='html'>&lt;p class="MsoNormal" dir="RTL" style="margin-top:5.0pt;margin-right:0cm;margin-bottom: 5.0pt;margin-left:0cm;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span lang="AR-SA"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span 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href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5652858570046594559&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5652858570046594559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5652858570046594559'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/subscription-waelsalman78gmail.html' title=''/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3585505638140212314</id><published>2008-12-17T08:35:00.007+03:00</published><updated>2008-12-21T09:00:37.432+03:00</updated><title type='text'>Attention</title><content type='html'>&lt;span style="color:#ff0000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;To All Followers....&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Our BLOG will be closed soon, in order to stay tuned send us an empty e-mail titled "&lt;em&gt;&lt;span style="color:#339999;"&gt;subscription&lt;/span&gt;&lt;/em&gt;" addressed to &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="mailto:waelsalman78@gmail.com"&gt;&lt;span style="font-size:130%;color:#339999;"&gt;&lt;strong&gt;waelsalman78@gmail.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:130%;color:#ff0000;"&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3585505638140212314?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3585505638140212314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3585505638140212314&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3585505638140212314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3585505638140212314'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/attention.html' title='Attention'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5764786544531839144</id><published>2008-12-17T08:10:00.005+03:00</published><updated>2008-12-17T08:20:23.097+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Construction Drawings and Details for Interiors : Basic Skills</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUiKkdWYDlI/AAAAAAAAA2Y/d_p2l9qkIHo/s1600-h/Construction+Drawings+and+Details+for+Interiors.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5280622922050309714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 228px; CURSOR: hand; HEIGHT: 176px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUiKkdWYDlI/AAAAAAAAA2Y/d_p2l9qkIHo/s320/Construction+Drawings+and+Details+for+Interiors.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: W. OTIE KILMER and ROSEMARY KILMER&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: John Wiley &amp;amp; Sons, Inc, 2003&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 23.66 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/zh3e984"&gt;http://ifile.it/zh3e984&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part I—Drawing, Equipment, and Fundamentals&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;CHAPTER 1 DRAWING AS COMMUNICATION&lt;/strong&gt;&lt;br /&gt;Drawing for Idea Generation&lt;br /&gt;Drawing as a Design and Presentation Media&lt;br /&gt;Drawing as Guide for Construction&lt;br /&gt;&lt;strong&gt;CHAPTER 2 DRAFTING EQUIPMENT AND ITS CARE&lt;/strong&gt;&lt;br /&gt;Drawing Tables and Surfaces&lt;br /&gt;Drawing Papers and Plastic Films&lt;br /&gt;Pencils, Leads, and Pens&lt;br /&gt;Parallel Bar, T-Square, and Drafting Machines&lt;br /&gt;Triangles, Templates, and Compasses&lt;br /&gt;Scales&lt;br /&gt;Erasers, Erasing Shields, and Brushes&lt;br /&gt;Additional Equipment&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;CHAPTER 3 DRAWING AND DRAFTING FUNDAMENTALS&lt;br /&gt;&lt;/strong&gt;Starting the Drawing&lt;br /&gt;Line Types&lt;br /&gt;Drafting Standards, Abbreviations, and Symbols&lt;br /&gt;Lettering&lt;br /&gt;&lt;strong&gt;CHAPTER 4 DRAWING CLASSIFICATION SYSTEMS&lt;/strong&gt;&lt;br /&gt;Multiview Drawings&lt;br /&gt;Single-view Drawings&lt;br /&gt;Perspective Drawings&lt;br /&gt;&lt;strong&gt;Part II—Contract Documents&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;CHAPTER 5 CONSTRUCTION DRAWINGS, SPECIFICATIONS, AND CONTRACTS&lt;/strong&gt;&lt;br /&gt;Specifications&lt;br /&gt;Contracts&lt;br /&gt;Construction Drawings&lt;br /&gt;Guidelines for Preparing Construction Drawings&lt;br /&gt;Drawing Conventions and Representations&lt;br /&gt;&lt;strong&gt;CHAPTER 6 FLOOR PLANS&lt;/strong&gt;&lt;br /&gt;Scale of Floor Plans&lt;br /&gt;Drafting Standards&lt;br /&gt;Dimensioning Floor Plans&lt;br /&gt;Designation of Materials&lt;br /&gt;Checklist for Floor Plans&lt;br /&gt;&lt;strong&gt;CHAPTER 7 ELEVATIONS&lt;/strong&gt;&lt;br /&gt;Exterior Elevations&lt;br /&gt;Interior Elevations&lt;br /&gt;Scale of Interior Elevations&lt;br /&gt;Drafting Standards for Interior Elevations&lt;br /&gt;Designation of Materials&lt;br /&gt;Dimensioning Elevations&lt;br /&gt;Checklist for Interior Elevations&lt;br /&gt;&lt;strong&gt;CHAPTER 8 SECTIONS&lt;/strong&gt;&lt;br /&gt;Types of Section Drawings&lt;br /&gt;Drafting Standards&lt;br /&gt;Building Sections&lt;br /&gt;Sections of Interior Spaces&lt;br /&gt;Wall Sections&lt;br /&gt;Detail and Object Sections&lt;br /&gt;Checklist for Section Drawings&lt;br /&gt;&lt;strong&gt;CHAPTER 9 SPECIALTY DRAWINGS AND DETAILS&lt;/strong&gt;&lt;br /&gt;Purpose of Specialty Drawings&lt;br /&gt;Stairs and Ramps&lt;br /&gt;Millwork&lt;br /&gt;Cabinetry&lt;br /&gt;Fireplaces&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;CHAPTER 10 SCHEDULES&lt;br /&gt;&lt;/strong&gt;Door Schedules&lt;br /&gt;Checklist for Door Schedules&lt;br /&gt;Window Schedules&lt;br /&gt;Checklist for Window Schedules&lt;br /&gt;Finish Schedules&lt;br /&gt;Checklist for Finish Schedules&lt;br /&gt;Other Schedules&lt;br /&gt;&lt;strong&gt;CHAPTER 11 FINISH PLANS&lt;/strong&gt;&lt;br /&gt;Scale of Finish Plans&lt;br /&gt;Drafting Standards for Finish Plans&lt;br /&gt;Designation of Materials in Finish Plans&lt;br /&gt;Dimensioning Finish Plans&lt;br /&gt;Checklist for Finish Plans&lt;br /&gt;&lt;strong&gt;CHAPTER 12 FURNITURE INSTALLATION PLANS&lt;/strong&gt;&lt;br /&gt;Scale of Furniture Installation Plans&lt;br /&gt;Drafting Standards for Furniture Installation Plans&lt;br /&gt;Dimensioning Furniture Installation Plans&lt;br /&gt;Designation of Materials&lt;br /&gt;Checklist for Furniture Installation Plans&lt;br /&gt;&lt;strong&gt;CHAPTER 13 FURNISHINGS AND EQUIPMENT PLANS&lt;/strong&gt;&lt;br /&gt;Scale of Drawings&lt;br /&gt;Drafting Standards&lt;br /&gt;Designation of Materials&lt;br /&gt;Dimensioning of Furnishings and Equipment Plans&lt;br /&gt;Checklist for Furnishings and Equipment Plans&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;CHAPTER 14 REFLECTED CEILING AND ELECTRICAL PLANS&lt;br /&gt;&lt;/strong&gt;Reflected Ceiling Plans&lt;br /&gt;Electrical Plans&lt;br /&gt;CHAPTER 15 MECHANICAL AND PLUMBING PLANS&lt;br /&gt;Mechanical (HVAC) Plans&lt;br /&gt;Plumbing Plans&lt;br /&gt;Drafting Standards for Plumbing Drawings&lt;br /&gt;&lt;strong&gt;CHAPTER 16 REPRODUCTION METHODS AND COMPUTERS&lt;/strong&gt;&lt;br /&gt;Reproductions of Drawings&lt;br /&gt;Using Computers for Design, Communication, and Drafting&lt;br /&gt;Appendix A MasterFormat™ Level Two Numbers and Titles&lt;br /&gt;Appendix B Section Format Outline&lt;br /&gt;Appendix C Sample ADA Guidelines&lt;br /&gt;Appendix D Abbreviations for Construction Drawings&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5764786544531839144?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5764786544531839144/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5764786544531839144&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5764786544531839144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5764786544531839144'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/construction-drawings-and-details-for.html' title='Construction Drawings and Details for Interiors : Basic Skills'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SUiKkdWYDlI/AAAAAAAAA2Y/d_p2l9qkIHo/s72-c/Construction+Drawings+and+Details+for+Interiors.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8490030442686259939</id><published>2008-12-17T08:01:00.004+03:00</published><updated>2008-12-17T08:10:21.969+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Urban Open Spaces</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUiIM_4g8UI/AAAAAAAAA2Q/VBE1oub7QBs/s1600-h/Urban+Open+Spaces.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5280620319980187970" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 235px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUiIM_4g8UI/AAAAAAAAA2Q/VBE1oub7QBs/s320/Urban+Open+Spaces.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Helen Woolley&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis e-Library, 2005&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.06 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/vdf7s4i"&gt;http://ifile.it/vdf7s4i&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SECTION ONE: The Benefits and Opportunities of Open Spaces&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Chapter 1: Social benefits and opportunities&lt;br /&gt;Chapter 2: Health benefits and opportunities&lt;br /&gt;Chapter 3: Environmental benefits and opportunities&lt;br /&gt;Chapter 4: Economic benefits and opportunities&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;SECTION TWO: Urban Open SpacesÐSpaces for All&lt;br /&gt;&lt;/strong&gt;Introduction: open space typologies&lt;br /&gt;Spaces for all&lt;br /&gt;Chapter 5: Domestic urban open spaces&lt;br /&gt;Chapter 6: Neighbourhood urban open spaces&lt;br /&gt;Chapter 7: Civic urban open spaces&lt;br /&gt;Chapter 8: A new deal for urban open spaces?&lt;br /&gt;&lt;strong&gt;SECTION THREE: Urban Open SpacesÐCase Studies&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Neighbourhood and recreational urban open spaces&lt;br /&gt;Sherwood, Longsands and Cottam, Preston, Lancashire&lt;br /&gt;Northwestern Gardens, Llandudno&lt;br /&gt;Stormont Estate Playpark, Belfast, Northern Ireland&lt;br /&gt;Redgates School Sensory Garden for Children with Special Educational Needs, Croydon&lt;br /&gt;Spring Gardens, Buxton, Derbyshire&lt;br /&gt;Stockley Golf Course, London&lt;br /&gt;Civic urban open spaces&lt;br /&gt;Victoria Square, Birmingham&lt;br /&gt;The Peace Gardens, Sheffield&lt;br /&gt;Edinburgh Park, Edinburgh&lt;br /&gt;Mold Community Hospita&lt;br /&gt;Heriot-Watt University, Riccarton Campus, Edinburgh&lt;br /&gt;Curzon Street Courtyard, London&lt;br /&gt;Marie Curie ‘Garden of Hope’, Finchley, London&lt;br /&gt;Dockside Regeneration at Chatham Maritime&lt;br /&gt;Black Country Route Sculptures&lt;br /&gt;Victoria Quays, Sheffield Canal Basin&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8490030442686259939?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8490030442686259939/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8490030442686259939&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8490030442686259939'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8490030442686259939'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/urban-open-spaces.html' title='Urban Open Spaces'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUiIM_4g8UI/AAAAAAAAA2Q/VBE1oub7QBs/s72-c/Urban+Open+Spaces.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-704438433324886665</id><published>2008-12-16T08:32:00.004+03:00</published><updated>2008-12-16T08:40:54.160+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Turning a Town Around : a proactive approach to urban design</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUc9vl4m4hI/AAAAAAAAA2I/lz9hewSjWGo/s1600-h/Turning+a+Town+Around.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5280256975947883026" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 150px; CURSOR: hand; HEIGHT: 196px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUc9vl4m4hI/AAAAAAAAA2I/lz9hewSjWGo/s320/Turning+a+Town+Around.jpg" border="0" /&gt;&lt;/a&gt; &lt;strong&gt;Author&lt;/strong&gt;: Tony Hall &lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing Ltd, 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 11.44 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/cwp9vr4"&gt;http://ifile.it/cwp9vr4&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Introduction and context&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part One: A Proactive Approach&lt;br /&gt;&lt;/strong&gt;1 Getting organised&lt;br /&gt;2 Urban design as spatial policy&lt;br /&gt;3 Guides, briefs and master plans&lt;br /&gt;4 The process of negotiation&lt;br /&gt;&lt;strong&gt;Part Two: Origins and Outcomes&lt;/strong&gt;&lt;br /&gt;5 Achieving residential quality&lt;br /&gt;6 Pursuing an urban renaissance&lt;br /&gt;7 Living in the centre&lt;br /&gt;Conclusion&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-704438433324886665?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/704438433324886665/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=704438433324886665&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/704438433324886665'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/704438433324886665'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/turning-town-around-proactive-approach.html' title='Turning a Town Around : a proactive approach to urban design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUc9vl4m4hI/AAAAAAAAA2I/lz9hewSjWGo/s72-c/Turning+a+Town+Around.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8035048527371513674</id><published>2008-12-16T08:22:00.004+03:00</published><updated>2008-12-16T13:48:05.363+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Principles Of Architectural Detailing</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUc7o-dfxlI/AAAAAAAAA2A/lJ8aDl4OCzE/s1600-h/Principles+of+Architectural+Detailing.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5280254663262717522" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 145px; CURSOR: hand; HEIGHT: 205px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUc7o-dfxlI/AAAAAAAAA2A/lJ8aDl4OCzE/s320/Principles+of+Architectural+Detailing.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Stephen Emmitt, John Olie and Peter Schmid&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing Ltd, 2005&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 21.55 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/qjinobg"&gt;http://ifile.it/qjinobg&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part A – Fundamental Issues&lt;/strong&gt;&lt;br /&gt;A1 Detailing – The Creative Link&lt;br /&gt;Unsettling matters&lt;br /&gt;The place and meaning of architectural details&lt;br /&gt;Supporting an ecological approach&lt;br /&gt;Agenda&lt;br /&gt;A2 The Philosophy of Detailing&lt;br /&gt;A philosophy&lt;br /&gt;Making choices&lt;br /&gt;Mechanisms to promote long-term thinking&lt;br /&gt;A3 Developing Details&lt;br /&gt;A suitable starting point&lt;br /&gt;Detailing joints&lt;br /&gt;Learning to detail&lt;br /&gt;(First) principles&lt;br /&gt;A collaborative approach&lt;br /&gt;Towards a framework 58&lt;br /&gt;A4 The Basic Model of Architectural Detailing&lt;br /&gt;A metaphysical journey&lt;br /&gt;The basic model&lt;br /&gt;Using the basic model&lt;br /&gt;Summary&lt;br /&gt;&lt;strong&gt;Part B – Guidelines&lt;/strong&gt;&lt;br /&gt;B1 Materials and Energy&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B2 Building Components and Structure&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B3 Morphological Factors&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B4 Process of Production&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B5 Goals and Performance&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B6 Indoor Climate&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B7 Ecological Factors&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B8 Human Factors&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Keywords&lt;br /&gt;B9 The Knot&lt;br /&gt;Underlying issues&lt;br /&gt;Guidelines&lt;br /&gt;Practical considerations and summary&lt;br /&gt;&lt;strong&gt;Part C – Developing Architectural Details&lt;/strong&gt;&lt;br /&gt;C1 Developing Details and Joints&lt;br /&gt;Introduction – why details?&lt;br /&gt;Joints&lt;br /&gt;The performance of joints&lt;br /&gt;The general building model&lt;br /&gt;The factors fl ower&lt;br /&gt;C2 The Language of Detail&lt;br /&gt;The language analogy&lt;br /&gt;Morphological language&lt;br /&gt;A typology of joints&lt;br /&gt;Style rules&lt;br /&gt;Comparison between two morphological principles&lt;br /&gt;Consequences&lt;br /&gt;C3 The Nine-Plus-One Step Procedure&lt;br /&gt;A morphological method&lt;br /&gt;Worked example 1: window in a cavity wall&lt;br /&gt;Worked example 2: wall/pitched roof junction&lt;br /&gt;Worked example 3: wall/fl at roof junction&lt;br /&gt;Refl ection&lt;br /&gt;C4 Managing the Detailing Phase&lt;br /&gt;An argument for effective management&lt;br /&gt;Design control&lt;br /&gt;The thinking organisation&lt;br /&gt;Developing creative clusters&lt;br /&gt;C5 Collaborative Working&lt;br /&gt;Co-operation and communication&lt;br /&gt;Holistic participation: the method&lt;br /&gt;Future developments&lt;br /&gt;Afterword&lt;br /&gt;Appendices&lt;br /&gt;1 Recommended Reading&lt;br /&gt;2 Guidance for Students&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8035048527371513674?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8035048527371513674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8035048527371513674&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8035048527371513674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8035048527371513674'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/principles-of-architectural-detailing.html' title='Principles Of Architectural Detailing'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SUc7o-dfxlI/AAAAAAAAA2A/lJ8aDl4OCzE/s72-c/Principles+of+Architectural+Detailing.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-2679308839871771574</id><published>2008-12-16T07:58:00.003+03:00</published><updated>2008-12-16T08:09:46.555+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Surrealism and Architecture</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUc2ugp28nI/AAAAAAAAA14/d6jGDX9embE/s1600-h/Surrealism+and+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5280249260782580338" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 219px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUc2ugp28nI/AAAAAAAAA14/d6jGDX9embE/s320/Surrealism+and+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editors&lt;/strong&gt;: Thomas Mical&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2005&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 21.55 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/3svapcr"&gt;http://ifile.it/3svapcr&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Introduction&lt;br /&gt;&lt;em&gt;Thomas Mical&lt;/em&gt;&lt;br /&gt;2 ‘Un salon au fond d’un lac’: the domestic spaces of surrealism&lt;br /&gt;&lt;em&gt;Krzysztof Fijalkowski&lt;/em&gt;&lt;br /&gt;3 Aragon’s armoire&lt;br /&gt;&lt;em&gt;Gray Read&lt;/em&gt;&lt;br /&gt;4 “Home poor heart”: the architecture of Cornell’s desire&lt;br /&gt;&lt;em&gt;Dickran Tashjian&lt;/em&gt;&lt;br /&gt;5 Matta’s lucid landscape&lt;br /&gt;&lt;em&gt;Bryan Dolin&lt;/em&gt;&lt;br /&gt;6 Menace: surrealist interference of space&lt;br /&gt;&lt;em&gt;Silvano Levy&lt;/em&gt;&lt;br /&gt;7 Daphne’s legacy: architecture, psychoanalysis and petrification in Lacan and Dali&lt;br /&gt;&lt;em&gt;Spyros Papapetros&lt;/em&gt;&lt;br /&gt;8 The ghost in the machine&lt;br /&gt;&lt;em&gt;Alexander Gorlin&lt;/em&gt;&lt;br /&gt;9 “. . . The gift of time”: Le Corbusier reading Bataille&lt;br /&gt;&lt;em&gt;Nadir Lahiji&lt;/em&gt;&lt;br /&gt;10 Introjection and projection: Frederick Kiesler and his dream machine&lt;br /&gt;&lt;em&gt;Stephen Phillips&lt;/em&gt;&lt;br /&gt;11 Invernizzi’s exquisite corpse: the Villa Girasole: an architecture of surrationalism&lt;br /&gt;&lt;em&gt;David J. Lewis, Marc Tsurumaki, and Paul Lewis&lt;/em&gt;&lt;br /&gt;12 The tangency of the world to itself: the Casa Malaparte and the metaphysical tradition&lt;br /&gt;&lt;em&gt;Jacqueline Gargus&lt;/em&gt;&lt;br /&gt;13 Modernist urbanism and its monsters&lt;br /&gt;&lt;em&gt;David Pinder&lt;/em&gt;&lt;br /&gt;14 Surrealism and the irrational embellishment of Paris&lt;br /&gt;&lt;em&gt;Raymond Spiteri&lt;/em&gt;&lt;br /&gt;15 Re-enchanting the city: the utopian practices of the Paris group of the surrealist movement&lt;br /&gt;&lt;em&gt;Jill Fenton&lt;/em&gt;&lt;br /&gt;16 Landscape surrealism&lt;br /&gt;&lt;em&gt;Fernando Magallanes&lt;/em&gt;&lt;br /&gt;17 Surreal city: the case of Brasilia&lt;br /&gt;&lt;em&gt;Richard J. Williams&lt;/em&gt;&lt;br /&gt;18 Latencies and imago: Blanchot and the shadow city of surrealism&lt;br /&gt;&lt;em&gt;M. Stone-Richards&lt;/em&gt;&lt;br /&gt;19 Surrealism’s unexplored possibilities in architecture&lt;br /&gt;&lt;em&gt;Jean La Marche&lt;/em&gt;&lt;br /&gt;20 The most architectural thing&lt;br /&gt;&lt;em&gt;Kari Jormakka&lt;/em&gt;&lt;br /&gt;21 Acropolis, now!&lt;br /&gt;&lt;em&gt;James Williamson&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-2679308839871771574?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/2679308839871771574/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=2679308839871771574&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/2679308839871771574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/2679308839871771574'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/surrealism-and-architecture.html' title='Surrealism and Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUc2ugp28nI/AAAAAAAAA14/d6jGDX9embE/s72-c/Surrealism+and+Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8335380085721637025</id><published>2008-12-15T14:20:00.004+03:00</published><updated>2008-12-15T14:28:55.243+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Primitive : Original Matters In Architecture</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUY96z1zlaI/AAAAAAAAA1w/SSUTfJpas3c/s1600-h/Primitive-+Original+Matters+in+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279975693696079266" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUY96z1zlaI/AAAAAAAAA1w/SSUTfJpas3c/s320/Primitive-+Original+Matters+in+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editors&lt;/strong&gt;: Odgers, Flora Samuel and Adam Sharr&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2006&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 7.53 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/b59zls6"&gt;http://ifile.it/b59zls6&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part 1: Original matters&lt;br /&gt;&lt;/strong&gt;1 Primitive: the word and concept&lt;br /&gt;&lt;em&gt;Adrian Forty&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 2: Negotiating origins&lt;/strong&gt;&lt;br /&gt;2 The primitive as modern problem: invention and crisis&lt;br /&gt;&lt;em&gt;Dalibor Vesely&lt;/em&gt;&lt;br /&gt;3 Origins redefined: a tale of pigs and primitive huts&lt;br /&gt;&lt;em&gt;Mari Hvattum&lt;/em&gt;&lt;br /&gt;4 The primitive hut: fantasies of survival in an all-white world&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Lorens Holm&lt;br /&gt;&lt;/em&gt;5 Gottfried Semper’s primitive hut: duration, construction and self-creation&lt;br /&gt;&lt;em&gt;Jonathan A. Hale&lt;/em&gt;&lt;br /&gt;6 Mineral matters: formation and transformation&lt;br /&gt;&lt;em&gt;Richard Weston&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 3: Questioning colonial constructs&lt;/strong&gt;&lt;br /&gt;7 Post-colonizing the primitive&lt;br /&gt;&lt;em&gt;Felipe Hernلndez and Lea Knudsen Allen&lt;/em&gt;&lt;br /&gt;8 Notes for an alternative history of the primitive hut&lt;br /&gt;&lt;em&gt;Stephen Cairns&lt;/em&gt;&lt;br /&gt;9 Reinventing ‘primitiveness’: Henri Lacoste and the Belgian Congo Pavilion at the 1931 International Colonial Exposition in Paris&lt;br /&gt;&lt;em&gt;Johan Lagae&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;10 The radicalization of the primitive in Brazilian modernism&lt;br /&gt;Styliane Philippou&lt;/em&gt;&lt;br /&gt;11 The need to be critical&lt;br /&gt;&lt;em&gt;Robert Brown&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 4: Urban myths&lt;/strong&gt;&lt;br /&gt;12 Practically primitive&lt;br /&gt;&lt;em&gt;David Leatherbarrow&lt;/em&gt;&lt;br /&gt;13 Giants and columns&lt;br /&gt;&lt;em&gt;Nicholas Temple&lt;/em&gt;&lt;br /&gt;14 The emblematic city: John Wood and the re-founding of Bath&lt;br /&gt;&lt;em&gt;Jo Odgers&lt;/em&gt;&lt;br /&gt;15 Alvar Aalto and the primitive suburb&lt;br /&gt;&lt;em&gt;Harry Charrington&lt;/em&gt;&lt;br /&gt;16 Metaphorical Manhattan – ‘Paradise Lost’&lt;br /&gt;&lt;em&gt;Lorna McNeur&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 5: Making marks&lt;/strong&gt;&lt;br /&gt;17 The perception of self-negation in the space of emptiness: the primitive in Tadao Ando’s architecture&lt;br /&gt;&lt;em&gt;Jin Baek&lt;/em&gt;&lt;br /&gt;18 The ‘primitive surface’: carving, modelling, marking and transformation&lt;br /&gt;&lt;em&gt;Stephen Kite&lt;/em&gt;&lt;br /&gt;19 The modern-day primitive hut? ‘Self-building’ with Jung, Aalto and Le Corbusier&lt;br /&gt;&lt;em&gt;Flora Samuel and Sarah Menin&lt;/em&gt;&lt;br /&gt;20 The wisdom of the sands&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Simon Unwin&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Part 6: Primitive futures?&lt;/strong&gt;&lt;br /&gt;21 Digital commerce and the primitive roots of architectural consumption&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Richard Coyne&lt;br /&gt;&lt;/em&gt;22 Primitive and the everyday: Sergison Bates, Lefebvre and the guilt of architectural expertise&lt;br /&gt;&lt;em&gt;Adam Sharr&lt;/em&gt;&lt;br /&gt;23 Heart of Darkness: air of comfort&lt;br /&gt;&lt;em&gt;Helen Mallinson&lt;/em&gt;&lt;br /&gt;24 Primitive: from which construction begins&lt;br /&gt;&lt;em&gt;Peter Salter&lt;/em&gt;&lt;br /&gt;25 The United Cultures of Britain&lt;br /&gt;&lt;em&gt;CJ Lim&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8335380085721637025?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8335380085721637025/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8335380085721637025&amp;isPopup=true' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8335380085721637025'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8335380085721637025'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/primitive-original-matters-in.html' title='Primitive : Original Matters In Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SUY96z1zlaI/AAAAAAAAA1w/SSUTfJpas3c/s72-c/Primitive-+Original+Matters+in+Architecture.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3278291919073213679</id><published>2008-12-15T14:14:00.003+03:00</published><updated>2008-12-15T14:20:50.872+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Mediating Modernism Architectural Cultures in Britain</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUY8kVhQeJI/AAAAAAAAA1o/kV8lx00CS2c/s1600-h/Mediating+Modernism+Architectural+Cultures+in+Britain.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279974208088078482" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 317px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUY8kVhQeJI/AAAAAAAAA1o/kV8lx00CS2c/s320/Mediating+Modernism+Architectural+Cultures+in+Britain.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Andrew Higgott&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.35 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/im7we8h"&gt;http://ifile.it/im7we8h&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1&lt;/strong&gt; Making it new: the discourses of architecture and modernism in Britain&lt;br /&gt;&lt;strong&gt;2&lt;/strong&gt; The mission of modernism: James Richards and the Architectural Review&lt;br /&gt;&lt;strong&gt;3&lt;/strong&gt; The forgetting of art: the Abercrombie Plan for post-war London&lt;br /&gt;&lt;strong&gt;4&lt;/strong&gt; The shift to the specific: the new interpretation of materiality in Brutalism and the Functional Tradition&lt;br /&gt;&lt;strong&gt;5&lt;/strong&gt; The opposite of architecture: Archigram and Architectural Design in the 1960s&lt;br /&gt;&lt;strong&gt;6&lt;/strong&gt; Searching for the subject: Alvin Boyarsky and the Architectural Association School&lt;br /&gt;&lt;strong&gt;7&lt;/strong&gt; Architecture as discourse: rethinking the culture of architecture&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3278291919073213679?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3278291919073213679/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3278291919073213679&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3278291919073213679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3278291919073213679'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/mediating-modernism-architectural.html' title='Mediating Modernism Architectural Cultures in Britain'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUY8kVhQeJI/AAAAAAAAA1o/kV8lx00CS2c/s72-c/Mediating+Modernism+Architectural+Cultures+in+Britain.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7907769064978508732</id><published>2008-12-15T14:08:00.002+03:00</published><updated>2008-12-15T14:14:34.101+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Inclusive Design : Designing and Developing Accessible Environments</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUY7Pn5XqiI/AAAAAAAAA1g/yvjTKXcIoy0/s1600-h/Inclusive+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279972752732170786" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 285px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUY7Pn5XqiI/AAAAAAAAA1g/yvjTKXcIoy0/s320/Inclusive+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Rob Imrie and Peter Hall&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, First published 2001&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 7.64 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/s8grnm6"&gt;http://ifile.it/s8grnm6&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;PART I&lt;/strong&gt;&lt;br /&gt;Debates&lt;br /&gt;1 Inclusive design and development in the built environment&lt;br /&gt;2 Barriers to disabled people’s inclusion in the built environment&lt;br /&gt;3 Access directives in the development and design process&lt;br /&gt;&lt;strong&gt;PART II&lt;/strong&gt;&lt;br /&gt;Illustrations&lt;br /&gt;4 Developers’ responses to the building needs of disabled people&lt;br /&gt;Case study: Bluewater, Dartford, UK&lt;br /&gt;5 Architects and disabling design practices&lt;br /&gt;Case study: Ikon Gallery, Birmingham, UK&lt;br /&gt;6 Shaping access through institutional and project team dynamics&lt;br /&gt;Case study: Crescent Theatre, Birmingham, UK&lt;br /&gt;&lt;strong&gt;PART III&lt;/strong&gt;&lt;br /&gt;Reflections&lt;br /&gt;7 Alternative directions in property development, disability and design&lt;br /&gt;Endnotes&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7907769064978508732?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7907769064978508732/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7907769064978508732&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7907769064978508732'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7907769064978508732'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/inclusive-design-designing-and.html' title='Inclusive Design : Designing and Developing Accessible Environments'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUY7Pn5XqiI/AAAAAAAAA1g/yvjTKXcIoy0/s72-c/Inclusive+Design.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5067066211113551839</id><published>2008-12-15T08:11:00.002+03:00</published><updated>2008-12-15T08:14:42.953+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Magazine'/><title type='text'>Hotel Design Magazine December 2008</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUXnalxsfXI/AAAAAAAAA1Y/pNJidIkODOQ/s1600-h/Hotel+Design+December+2008.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279880582164938098" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 273px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUXnalxsfXI/AAAAAAAAA1Y/pNJidIkODOQ/s320/Hotel+Design+December+2008.jpg" border="0" /&gt;&lt;/a&gt; &lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 20.84 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/t1uezdh"&gt;http://ifile.it/t1uezdh&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5067066211113551839?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5067066211113551839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5067066211113551839&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5067066211113551839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5067066211113551839'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/hotel-design-magazine-december-2008.html' title='Hotel Design Magazine December 2008'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUXnalxsfXI/AAAAAAAAA1Y/pNJidIkODOQ/s72-c/Hotel+Design+December+2008.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8343682609795268823</id><published>2008-12-15T08:06:00.003+03:00</published><updated>2008-12-15T08:11:51.742+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Elements of Visual Design in the Landscape</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUXmM7nVzSI/AAAAAAAAA1Q/gRLi3dm_xj0/s1600-h/Elements+of+Visual+Design+in+the+Landscape.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279879247997291810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUXmM7nVzSI/AAAAAAAAA1Q/gRLi3dm_xj0/s320/Elements+of+Visual+Design+in+the+Landscape.jpg" border="0" /&gt;&lt;/a&gt; &lt;strong&gt;Author&lt;/strong&gt;: Simon Bell&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, First published 1993 &lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 8.29 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/5b140hn"&gt;http://ifile.it/5b140hn&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Basic elements&lt;br /&gt;2 Variables&lt;br /&gt;3 Organization&lt;br /&gt;4 Case studies&lt;br /&gt;Glossary&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8343682609795268823?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8343682609795268823/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8343682609795268823&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8343682609795268823'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8343682609795268823'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/elements-of-visual-design-in-landscape.html' title='Elements of Visual Design in the Landscape'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SUXmM7nVzSI/AAAAAAAAA1Q/gRLi3dm_xj0/s72-c/Elements+of+Visual+Design+in+the+Landscape.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6247136954393936174</id><published>2008-12-15T07:58:00.004+03:00</published><updated>2008-12-15T08:06:28.744+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Design-Tech Building Science for Architects</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUXk2AEmy8I/AAAAAAAAA1I/ocAqzs1ynGk/s1600-h/Design-Tech+Building+Science+for+Architects.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279877754545163202" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 224px; CURSOR: hand; HEIGHT: 299px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SUXk2AEmy8I/AAAAAAAAA1I/ocAqzs1ynGk/s320/Design-Tech+Building+Science+for+Architects.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Jason Alread and Thomas Leslie&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First Edition 2007&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 21.71 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;:&lt;a href="http://ifile.it/zkigsj4"&gt;http://ifile.it/zkigsj4&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Introduction: Basic Design Parameters&lt;/strong&gt;&lt;br /&gt;I.1 Human factors: anthropomorphics&lt;br /&gt;I.2 Human factors: basic human comfort&lt;br /&gt;I.3 Environment: basic climatology&lt;br /&gt;I.4 Environment: solar geometry&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 1 – Pre-design&lt;br /&gt;&lt;/strong&gt;1.1 Programming and program/brief analysis&lt;br /&gt;1.2 Site analysis&lt;br /&gt;1.3 Site and building ecology&lt;br /&gt;&lt;strong&gt;Chapter 2 – Circulation&lt;/strong&gt;&lt;br /&gt;2.1 Life safety&lt;br /&gt;2.2 Accessibility&lt;br /&gt;2.3 Stairs&lt;br /&gt;2.4 Elevators and escalators&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 3 – Materials&lt;br /&gt;&lt;/strong&gt;3.1 Materials: wood&lt;br /&gt;3.2 Materials: masonry&lt;br /&gt;3.3 Materials: steel&lt;br /&gt;3.4 Materials: glass&lt;br /&gt;3.5 Materials: concrete&lt;br /&gt;3.6 Materials: aluminum&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 4 – Structural Design&lt;br /&gt;&lt;/strong&gt;4.1 Forces and loads&lt;br /&gt;4.2 Stresses&lt;br /&gt;4.3 Shear and bending&lt;br /&gt;4.4 Shape and strength: beams&lt;br /&gt;4.5 Column design&lt;br /&gt;4.6 Slabs and plates&lt;br /&gt;4.7 Foundations&lt;br /&gt;4.8 Frames&lt;br /&gt;4.9 Long-span structures&lt;br /&gt;4.10 Appendix: Structural sizing charts for preliminary design&lt;br /&gt;&lt;strong&gt;Chapter 5 – Building Components&lt;/strong&gt;&lt;br /&gt;5.1 Building envelope I: small scale&lt;br /&gt;5.2 Curtain walls&lt;br /&gt;5.3 Interior finish materials&lt;br /&gt;5.4 Site design and construction (written by Heidi Hohmann)&lt;br /&gt;5.5 Detailing&lt;br /&gt;5.6 Custom fabrication&lt;br /&gt;&lt;strong&gt;Chapter 6 – Building Services&lt;/strong&gt;&lt;br /&gt;6.1 Environmental control: passive ventilation&lt;br /&gt;6.2 Environmental control: active ventilation&lt;br /&gt;6.3 Environmental control: illumination&lt;br /&gt;6.4 Plumbing&lt;br /&gt;6.5 Environmental control: acoustics&lt;br /&gt;6.6 Electrical and data services&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6247136954393936174?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6247136954393936174/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6247136954393936174&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6247136954393936174'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6247136954393936174'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/design-tech-building-science-for.html' title='Design-Tech Building Science for Architects'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SUXk2AEmy8I/AAAAAAAAA1I/ocAqzs1ynGk/s72-c/Design-Tech+Building+Science+for+Architects.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-1825394021412837559</id><published>2008-12-14T14:23:00.004+03:00</published><updated>2008-12-14T14:35:41.769+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Stadia : A Design and Development Guide</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUTtHsre9BI/AAAAAAAAA1A/v_SMHxaOovQ/s1600-h/Stadia.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279605379693474834" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 224px; CURSOR: hand; HEIGHT: 282px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUTtHsre9BI/AAAAAAAAA1A/v_SMHxaOovQ/s320/Stadia.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Geraint John, Rod Sheard and Ben Vickery&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, Fourth edition 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 45.06 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;:&lt;a href="http://ifile.it/ktdxlwb"&gt;http://ifile.it/ktdxlwb&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 The stadium as a building type&lt;br /&gt;2 The future&lt;br /&gt;3 Masterplanning&lt;br /&gt;4 External planning&lt;br /&gt;5 Form and structure&lt;br /&gt;6 Security and anti-terrorism measures&lt;br /&gt;7 Activity area&lt;br /&gt;8 Sports and multi-purpose use&lt;br /&gt;9 Crowd control&lt;br /&gt;10 Providing for disabled people&lt;br /&gt;11 Spectator viewing&lt;br /&gt;12 Spectator seating&lt;br /&gt;13 Private viewing and facilities&lt;br /&gt;14 Circulation&lt;br /&gt;15 Food and beverage catering&lt;br /&gt;16 Toilet provision&lt;br /&gt;17 Retail sales and exhibitions&lt;br /&gt;18 The media&lt;br /&gt;19 Administrative operations&lt;br /&gt;20 Facilities for players and offi cials&lt;br /&gt;21 Services&lt;br /&gt;22 Maintenance&lt;br /&gt;23 Operation and funding&lt;br /&gt;24 Sustainable Design&lt;br /&gt;25 Stadia and tourism&lt;br /&gt;Appendix 1 Stadia briefi ng guide&lt;br /&gt;Appendix 2 Video screens and electronic scoreboards&lt;br /&gt;Appendix 3 Case studies of recent stadia developments&lt;br /&gt;Allianz Arena, Munich, Germany&lt;br /&gt;Amsterdam ArenA, Amsterdam, Netherlands&lt;br /&gt;Arizona Cardinals Stadium, Phoenix, Arizona, USA&lt;br /&gt;Ascot Racecourse, Berkshire, UK&lt;br /&gt;AT&amp;amp;T Park, San Francisco, USA&lt;br /&gt;Auf Schalke Arena, Gelsenkirchen, Germany&lt;br /&gt;Aveiro Municipal Stadium, Aveiro, Portugal&lt;br /&gt;Braga Municipal Stadium, Braga, Portugal&lt;br /&gt;BritOval Stadium, London, UK&lt;br /&gt;City of Manchester Stadium, Manchester, UK&lt;br /&gt;Emirates Stadium, London, UK&lt;br /&gt;Estadio da Luz, Lisbon, Portugal&lt;br /&gt;Heinz Field, Pittsburgh, USA&lt;br /&gt;Melbourne Cricket Ground, Melbourne, Australia&lt;br /&gt;Melbourne Telstra Dome, Melbourne, Australia&lt;br /&gt;Millennium Stadium, Cardiff, Wales, UK&lt;br /&gt;Nanjing Sports Park, Nanjing, China&lt;br /&gt;Oita Stadium, Oita, Japan&lt;br /&gt;PETCO Park, San Diego, California, USA&lt;br /&gt;Reliant Stadium, Houston, Texas, USA&lt;br /&gt;RheinEnergie Football Stadium, Cologne, Germany&lt;br /&gt;Salzburg Stadium, Salzburg, Austria&lt;br /&gt;Soldier Field, Chicago, USA&lt;br /&gt;Stade de France, Paris, France&lt;br /&gt;Stattegg Sports and Leisure Facility, Stattegg, Graz/Styria, Austria&lt;br /&gt;Telstra Stadium, Sydney, Australia&lt;br /&gt;Wembley Stadium, London, UK&lt;br /&gt;Westpac Stadium, Wellington, New Zealand&lt;br /&gt;Wimbledon AELTC Centre Court, London, UK&lt;br /&gt;Bibliography&lt;br /&gt;Index of architects and engineers&lt;br /&gt;Index of stadia and arenas&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-1825394021412837559?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/1825394021412837559/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=1825394021412837559&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1825394021412837559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1825394021412837559'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/stadia-design-and-development-guide.html' title='Stadia : A Design and Development Guide'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SUTtHsre9BI/AAAAAAAAA1A/v_SMHxaOovQ/s72-c/Stadia.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4863915239671321063</id><published>2008-12-14T13:31:00.002+03:00</published><updated>2008-12-14T13:35:49.068+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Brickwork</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUTg07KyHVI/AAAAAAAAA04/ISYOqT6BCHM/s1600-h/Brickwork.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279591863025802578" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUTg07KyHVI/AAAAAAAAA04/ISYOqT6BCHM/s320/Brickwork.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;:  John Carruthers&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Butterworth-Heinemann, First published 2000&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 3.44 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/a4sgpjb"&gt;http://ifile.it/a4sgpjb&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Contributing to the provision of a healthy and safe working environment&lt;br /&gt;2 Setting out a small building&lt;br /&gt;3 Brick walling details&lt;br /&gt;4 Walling details&lt;br /&gt;5 Access equipment&lt;br /&gt;6 Site drainage&lt;br /&gt;7 Decorative bonding&lt;br /&gt;8 Basic calculations&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4863915239671321063?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4863915239671321063/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4863915239671321063&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4863915239671321063'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4863915239671321063'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/brickwork.html' title='Brickwork'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SUTg07KyHVI/AAAAAAAAA04/ISYOqT6BCHM/s72-c/Brickwork.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5037040207559876703</id><published>2008-12-14T13:09:00.002+03:00</published><updated>2008-12-14T13:17:55.136+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architect's Essentials of Professional Development</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUTbroUP76I/AAAAAAAAA0o/St25DHFMTGg/s1600-h/Architect"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279586205788270498" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 164px; CURSOR: hand; HEIGHT: 254px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SUTbroUP76I/AAAAAAAAA0o/St25DHFMTGg/s320/Architect%27s+Essentials+of+Professional+Development.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Jean R. Valence&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: John Wiley &amp;amp; Sons, Inc., 2003&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.77 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/pc53efm"&gt;http://ifile.it/pc53efm&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Competitive Edge&lt;br /&gt;&lt;/strong&gt;Competitive Edge and Professional Development&lt;br /&gt;Improving Competitive Edge: The Purpose of This Book&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;2 Strategy&lt;/strong&gt;&lt;br /&gt;Strategic Principles&lt;br /&gt;FreemanWhite: Connecting Business and Educational Plans&lt;br /&gt;Moving from Strategic Principles to Strategic Plan&lt;br /&gt;The Lukmire Partnership: A Succinct Five-Year Plan&lt;br /&gt;Assessing Learning Strategy&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;3 Assessment&lt;/strong&gt;&lt;br /&gt;The Assessment Pyramid&lt;br /&gt;Using the Assessment Pyramid&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;4 Program Planning and Design&lt;/strong&gt;&lt;br /&gt;Planning: Means-to-Needs&lt;br /&gt;Designing the Umbrella Program&lt;br /&gt;Designing Individual Learning Units: Snapshots&lt;br /&gt;Mavericks and Sole Proprietors 109&lt;br /&gt;&lt;strong&gt;5 Curriculum&lt;/strong&gt;&lt;br /&gt;Curriculum Design&lt;br /&gt;Course Design&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;6 Coaching and Lessons Learned&lt;br /&gt;&lt;/strong&gt;Lessons Learned&lt;br /&gt;Variations on Lessons Learned&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;7 Mentoring&lt;/strong&gt;&lt;br /&gt;Finding Good Mentors&lt;br /&gt;Institutionalizing Mentoring&lt;br /&gt;Strategy&lt;br /&gt;Peer Mentoring&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;8 Implementation&lt;/strong&gt;&lt;br /&gt;Implementation Timeline&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;9 Evaluation&lt;/strong&gt;&lt;br /&gt;Evaluating the Learning System&lt;br /&gt;Evaluating Learning&lt;br /&gt;Mavericks and Sole Proprietors&lt;br /&gt;&lt;strong&gt;10 Learning from Learning&lt;/strong&gt;&lt;br /&gt;Learning for Competitive Advantage&lt;br /&gt;Learning Hard Lessons&lt;br /&gt;Three Beneficial Lessons&lt;br /&gt;The Third Lesson&lt;br /&gt;&lt;strong&gt;APPENDIX&lt;/strong&gt;&lt;br /&gt;Suggested Learning Objectives for&lt;br /&gt;Chapter 1: Competitive Edge&lt;br /&gt;Chapter 2: Strategy&lt;br /&gt;Chapter 3: Assessment&lt;br /&gt;Chapter 4: Program Planning and Design&lt;br /&gt;Chapter 5: Curriculum&lt;br /&gt;Chapter 6: Coaching and Lessons Learned&lt;br /&gt;Chapter 7: Mentoring&lt;br /&gt;Chapter 8: Implementation&lt;br /&gt;Chapter 9: Evaluation&lt;br /&gt;Chapter 10: Learning from Learning&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5037040207559876703?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5037040207559876703/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5037040207559876703&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5037040207559876703'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5037040207559876703'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/architects-essentials-of-professional.html' title='Architect&apos;s Essentials of Professional Development'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SUTbroUP76I/AAAAAAAAA0o/St25DHFMTGg/s72-c/Architect%27s+Essentials+of+Professional+Development.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6792354075409792105</id><published>2008-12-14T08:20:00.005+03:00</published><updated>2008-12-14T08:33:27.044+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Understanding The City</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSZIweJSgI/AAAAAAAAA0g/gWmA93G2LuQ/s1600-h/UNDERSTANDING+THE+CITY.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279513038914406914" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 240px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSZIweJSgI/AAAAAAAAA0g/gWmA93G2LuQ/s320/UNDERSTANDING+THE+CITY.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: John Eade and Christopher Mele&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishers Ltd, 2002&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.89 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/58vapho"&gt;http://ifile.it/58vapho&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part I: Introduction&lt;/strong&gt;&lt;br /&gt;1 Understanding the City&lt;br /&gt;&lt;em&gt;John Eade and Christopher Mele&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part II: A Middle Ground? Difference, Social Justice,and the City&lt;/strong&gt;&lt;br /&gt;2 Rescripting Cities with Difference&lt;br /&gt;&lt;em&gt;Ruth Fincher, Jane M. Jacobs, and Kay Anderson&lt;/em&gt;&lt;br /&gt;3 The Public City&lt;br /&gt;&lt;em&gt;Sophie Watson&lt;/em&gt;&lt;br /&gt;4 Social Justice and the South African City&lt;br /&gt;&lt;em&gt;David M. Smith&lt;/em&gt;&lt;br /&gt;5 The Dangerous Others: Changing Views on Urban Risks and Violence in France and the United States&lt;br /&gt;&lt;em&gt;Sophie Body-Gendrot&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part III: The Global and Local, the Information Age, and American Metropolitan Development&lt;/strong&gt;&lt;br /&gt;6 Power in Place: Retheorizing the Local and the Global&lt;br /&gt;&lt;em&gt;Michael Peter Smith&lt;/em&gt;&lt;br /&gt;7 Depoliticizing Globalization: From Neo-Marxism to the Network Society of Manuel Castells&lt;br /&gt;&lt;em&gt;Peter Marcuse&lt;/em&gt;&lt;br /&gt;8 Urban Analysis as Merchandising: The “LA School” and the Understanding of Metropolitan Development&lt;br /&gt;&lt;em&gt;Mark Gottdiener&lt;/em&gt;&lt;br /&gt;Part IV: Urban Research in Particular Regions of the Globe&lt;br /&gt;9 State Socialism, Post-socialism, and their Urban Patterns: Theorizing the Central and Eastern European Experience&lt;br /&gt;&lt;em&gt;Chris Pickvance&lt;/em&gt;&lt;br /&gt;10 The China Difference: City Studies Under Socialism and Beyond&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Dorothy J. Solinger and Kam Wing Chan&lt;br /&gt;&lt;/em&gt;11 Economic Miracles and Megacities: The Japanese Model and Urbanization in East and Southeast Asia 222&lt;br /&gt;&lt;em&gt;J. S. Eades&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part V: Urban Processes and City Contexts: India and the Middle East&lt;br /&gt;&lt;/strong&gt;12 Cities of the Past and Cities of the Future: Theorizing the Indian Metropolis of Bangalore&lt;br /&gt;&lt;em&gt;Smriti Srinivas&lt;/em&gt;&lt;br /&gt;13 The Syntax of Jerusalem: Urban Morphology, Culture, and Power&lt;br /&gt;&lt;em&gt;Shlomo Hasson&lt;/em&gt;&lt;br /&gt;14 Muslim Civil Society in Urban Public Spaces: Globalization, Discursive Shifts, and Social Movements&lt;br /&gt;&lt;em&gt;Paul M. Lubeck and Bryana Britts&lt;/em&gt;&lt;br /&gt;Part VI: Urban Processes and City Contexts: The United States&lt;br /&gt;15 The Bullriders of Silicon Alley: New Media Circuits of Innovation, Speculation, and Urban Development&lt;br /&gt;&lt;em&gt;Michael Indergaard&lt;/em&gt;&lt;br /&gt;16 Fear and Lusting in Las Vegas and New York: Sex, Political Economy, and Public Space&lt;br /&gt;&lt;em&gt;Alexander J. Reichl&lt;/em&gt;&lt;br /&gt;17 Efficacy or Legitimacy of Community Power? A Reassessment of Corporate Elites in Urban Studies&lt;br /&gt;&lt;em&gt;Leonard Nevarez&lt;/em&gt;&lt;br /&gt;18 Dream Factory Redux: Mass Culture, Symbolic Sites, and Redevelopment in Hollywood&lt;br /&gt;&lt;em&gt;Jan Lin&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6792354075409792105?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6792354075409792105/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6792354075409792105&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6792354075409792105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6792354075409792105'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/understanding-city.html' title='Understanding The City'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSZIweJSgI/AAAAAAAAA0g/gWmA93G2LuQ/s72-c/UNDERSTANDING+THE+CITY.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-1854682096551021666</id><published>2008-12-14T08:09:00.003+03:00</published><updated>2008-12-14T08:20:19.696+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Towards A New Architecture</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSVS5BtCQI/AAAAAAAAA0Y/PZkwZGsml74/s1600-h/Towards_A_New_Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279508814963214594" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSVS5BtCQI/AAAAAAAAA0Y/PZkwZGsml74/s320/Towards_A_New_Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Le Corbusier&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Doover Publications, First Published in 1986&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 27.1 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/58vapho"&gt;http://ifile.it/58vapho&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Introduction&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Argument&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;The Engineer's Aesthetic and Architecture&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;The Remunders Of Architecture:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  I Plan&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  II Surface&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  III Plane&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Regulating Lines&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Eyes Which Do Not see:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  I. Liners&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  II. Airplanes&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  III. Automobiles&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Architecture:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  I. The Lesson Of Rome&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  II. The Illusion Of  Plans&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;  III. Pure Creation and The Mind&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Mass Production Houses&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Architecture Of  Revolution&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-1854682096551021666?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/1854682096551021666/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=1854682096551021666&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1854682096551021666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1854682096551021666'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/towards-new-architecture.html' title='Towards A New Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSVS5BtCQI/AAAAAAAAA0Y/PZkwZGsml74/s72-c/Towards_A_New_Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8210921672185964346</id><published>2008-12-14T08:01:00.002+03:00</published><updated>2008-12-14T08:08:55.248+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Roman Villas : A Study in Social Structure</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSTasaKqiI/AAAAAAAAA0Q/I4Z6qLRHsg8/s1600-h/ROMAN+VILLAS.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5279506749991856674" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSTasaKqiI/AAAAAAAAA0Q/I4Z6qLRHsg8/s320/ROMAN+VILLAS.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: J.T. Smith&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: ,Routledge, First published 1997&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.41 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/2tqb80x"&gt;http://ifile.it/2tqb80x&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;PART I: AIMS AND METHODS&lt;/strong&gt;&lt;br /&gt;1 Aims and scope of the book&lt;br /&gt;2 Methods and assumptions&lt;br /&gt;&lt;strong&gt;PART II: TYPES OF PLAN&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;3 Hall houses&lt;br /&gt;4 Row-type houses&lt;br /&gt;5 Developed forms of row-house&lt;br /&gt;6 Developed forms of hall houses&lt;br /&gt;7 Problematic house types&lt;br /&gt;8 The porticus-with-pavilions: pavilions&lt;br /&gt;9 The porticus-with-pavilions: porticuses&lt;br /&gt;10 The elements and forms of villa complexes&lt;br /&gt;11 Palaces, peristyle houses and luxury villas&lt;br /&gt;12 The villas of south-east Europe&lt;br /&gt;&lt;strong&gt;PART III: THE VILLA SYSTEM IN OPERATION: MODES OF CHANGE&lt;/strong&gt;&lt;br /&gt;13 The late pre-Roman Iron Age background&lt;br /&gt;14 Modes of Romanisation&lt;br /&gt;15 Patterns of villa development&lt;br /&gt;16 A model of development&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8210921672185964346?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8210921672185964346/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8210921672185964346&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8210921672185964346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8210921672185964346'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/roman-villas-study-in-social-structure.html' title='Roman Villas : A Study in Social Structure'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SUSTasaKqiI/AAAAAAAAA0Q/I4Z6qLRHsg8/s72-c/ROMAN+VILLAS.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3409113316860117725</id><published>2008-12-09T11:42:00.002+03:00</published><updated>2008-12-09T11:52:08.644+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Renzo Piano : Sustainable Architecture</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/ST4wm55WdVI/AAAAAAAAA0I/F-NyJ7XiTew/s1600-h/Renzo_Piano_Arquitecturas_Sostenibles+(Pac.9).jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5277709258259330386" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 223px; CURSOR: hand; HEIGHT: 307px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/ST4wm55WdVI/AAAAAAAAA0I/F-NyJ7XiTew/s320/Renzo_Piano_Arquitecturas_Sostenibles+(Pac.9).jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 24.14 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/r5c3y46"&gt;http://ifile.it/r5c3y46&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3409113316860117725?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3409113316860117725/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3409113316860117725&amp;isPopup=true' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3409113316860117725'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3409113316860117725'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/renzo-piano-sustainable-architecture.html' title='Renzo Piano : Sustainable Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/ST4wm55WdVI/AAAAAAAAA0I/F-NyJ7XiTew/s72-c/Renzo_Piano_Arquitecturas_Sostenibles+(Pac.9).jpg' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4056211548438012551</id><published>2008-12-09T10:10:00.005+03:00</published><updated>2008-12-09T11:53:56.058+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Planning and Installing Photovoltaic Systems : A guide for installers, architects and engineers</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/ST4ahX96k7I/AAAAAAAAA0A/2zWVHHbHKS0/s1600-h/Planning+and+Installing+Photovoltaic+Systems.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5277684973996512178" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 223px; CURSOR: hand; HEIGHT: 315px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/ST4ahX96k7I/AAAAAAAAA0A/2zWVHHbHKS0/s320/Planning+and+Installing+Photovoltaic+Systems.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: The German Energy Society&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: First published by Earthscan in the UK and USA in 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 31.08 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/14cup2s"&gt;http://ifile.it/14cup2s&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;CHAPTER 1 Photovoltaic Basics&lt;br /&gt;&lt;/strong&gt;1.1 PV array systems and PV applications&lt;br /&gt;1.2 Solar radiation&lt;br /&gt;1.3 The photovoltaic effect and how solar cells work&lt;br /&gt;1.4 Solar cell types&lt;br /&gt;1.5 Electrical properties of solar cells&lt;br /&gt;&lt;strong&gt;CHAPTER 2 PV Modules and Other Component s of Gr id-Connected Systems&lt;/strong&gt;&lt;br /&gt;2.1 PV modules&lt;br /&gt;2.2 PV array combiner/junction boxes, string diodes and fuses&lt;br /&gt;2.3 Grid-connected inverters&lt;br /&gt;2.4 Cabling, wiring and connection systems&lt;br /&gt;2.5 Direct current load switch (DC main switch)&lt;br /&gt;2.6 AC switch disconnector&lt;br /&gt;&lt;strong&gt;CHAPTER 3 Si t e Surveys and Shading Analysis&lt;/strong&gt;&lt;br /&gt;3.1 On-site visit and site survey&lt;br /&gt;3.2 Consulting with the customer&lt;br /&gt;3.4 Shading analysis&lt;br /&gt;3.5 Shade analysis tools using software&lt;br /&gt;3.6 Shading, PV-array configuration and system concept&lt;br /&gt;3.7 Shading with free-standing/rack-mounted PV arrays&lt;br /&gt;3.7.1 Reducing the mutual shading losses of rack-mounted PV modules&lt;br /&gt;3.8 Checklists for building survey&lt;br /&gt;&lt;strong&gt;CHAPTER 4 Planning and Sizing Gr id-Connected Photovoltaic Systems&lt;/strong&gt;&lt;br /&gt;4.1 System size and module choice&lt;br /&gt;4.2 System concepts&lt;br /&gt;4.3 Inverter installation site&lt;br /&gt;4.4 Sizing the inverter&lt;br /&gt;4.5 Selecting and sizing cables for grid-tied PV systems&lt;br /&gt;4.6 Selection and sizing of the PV array combiner/junction box and the DC main disconnect/isolator switch&lt;br /&gt;4.7 Lightning protection, earthing/grounding and surge protection&lt;br /&gt;&lt;strong&gt;CHAPTER 5 System Sizing, Design and Simulation Sof tware&lt;/strong&gt;&lt;br /&gt;5.1 Use of sizing, design and simulation programs&lt;br /&gt;5.2 Checking the simulation results&lt;br /&gt;5.3 Simulation of shading&lt;br /&gt;5.4 Market overview and classification&lt;br /&gt;5.5 Programme descriptions&lt;br /&gt;&lt;strong&gt;CHAPTER 6 Mount ing Systems and Building Integration&lt;/strong&gt;&lt;br /&gt;6.1 Introduction&lt;br /&gt;6.2 Roof Basics&lt;br /&gt;6.2.1 The roofs tasks&lt;br /&gt;6.3 Sloping roofs&lt;br /&gt;6.4 Flat roofs&lt;br /&gt;6.5 Facade basics&lt;br /&gt;6.6 Photovoltaic facades&lt;br /&gt;6.9 Mounting systems for free-standing installations&lt;br /&gt;&lt;strong&gt;CHAPTER 7 Installing, Commissioning and Operat ing Gr id-Connected Photovol taic Systems&lt;/strong&gt;&lt;br /&gt;7.1 General installation notes&lt;br /&gt;7.2 Example installation of a grid-connected PV system&lt;br /&gt;7.3 Guarantee 283&lt;br /&gt;7.4 Breakdowns, typical faults and maintenance for PV systems&lt;br /&gt;7.5 Troubleshooting&lt;br /&gt;7.6 Monitoring operating data and presentation&lt;br /&gt;7.7 Long-term experience and quality&lt;br /&gt;&lt;strong&gt;CHAPTER 8 Stand-alone Photovoltaic Systems&lt;/strong&gt;&lt;br /&gt;8.1 Introduction&lt;br /&gt;8.2 Modules in stand-alone PV systems&lt;br /&gt;8.3 Batteries in stand-alone PV systems&lt;br /&gt;8.4 Charge controllers&lt;br /&gt;8.5 Stand-alone inverters&lt;br /&gt;8.6 Planning and designing stand-alone systems&lt;br /&gt;8.7 Measuring electricity consumption&lt;br /&gt;8.8 Sizing the PV array&lt;br /&gt;8.9 Sizing of the cable cross sections&lt;br /&gt;8.10 Battery sizing&lt;br /&gt;8.11 Use of an inverter&lt;br /&gt;8.12 Photovoltaics in decentral electricity grids/mini-grids&lt;br /&gt;&lt;strong&gt;CHAPTER 9 Economics and Envi ronmental Issues&lt;/strong&gt;&lt;br /&gt;9.1 Cost trends&lt;br /&gt;9.2 Technological trends&lt;br /&gt;9.3 Economic Assessment&lt;br /&gt;9.4 Environmental impact&lt;br /&gt;&lt;strong&gt;CHAPTER 10 Market ing and Promotion&lt;/strong&gt;&lt;br /&gt;10.1 Marketing PV: The basics&lt;br /&gt;10.2 Greater success through systematic marketing&lt;br /&gt;10.3 A good sales talk is fun&lt;br /&gt;10.3.1 What does 'successful selling' mean?&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4056211548438012551?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4056211548438012551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4056211548438012551&amp;isPopup=true' title='16 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4056211548438012551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4056211548438012551'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/planning-and-installing-photovoltaic.html' title='Planning and Installing Photovoltaic Systems : A guide for installers, architects and engineers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/ST4ahX96k7I/AAAAAAAAA0A/2zWVHHbHKS0/s72-c/Planning+and+Installing+Photovoltaic+Systems.jpg' height='72' width='72'/><thr:total>16</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4017139890553283074</id><published>2008-12-09T10:04:00.003+03:00</published><updated>2008-12-09T11:53:36.161+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Places of the Soul - Architecture and Environmental Design as a Healing Art</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/ST4Y9VYvyYI/AAAAAAAAAz4/5zsYWv_a2FY/s1600-h/Places+of+the+Soul+-+Architecture+and+Environmental+Design+as+a+Healing+Art.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5277683255316826498" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/ST4Y9VYvyYI/AAAAAAAAAz4/5zsYWv_a2FY/s320/Places+of+the+Soul+-+Architecture+and+Environmental+Design+as+a+Healing+Art.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Christopher Day&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, Second edition 2004&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 22.84 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/mrven4p"&gt;http://ifile.it/mrven4p&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Architecture: does it matter?&lt;br /&gt;2 Architecture with health-giving intent&lt;br /&gt;3 Architecture as art&lt;br /&gt;4 Building for planetary health&lt;br /&gt;5 Building for human health&lt;br /&gt;6 Qualities and quantities&lt;br /&gt;7 Conversation or conflict?&lt;br /&gt;8 Space for living in&lt;br /&gt;9 Design as a listening process: creating places with users and builders&lt;br /&gt;10 Ensouling buildings&lt;br /&gt;11 Building as a health-giving process&lt;br /&gt;12 Healing silence: the architecture of peace&lt;br /&gt;13 Children and environment&lt;br /&gt;14 The urban environment&lt;br /&gt;Sustainable values, murban pressures&lt;br /&gt;Urban life: urban needs&lt;br /&gt;Cities as places&lt;br /&gt;Cities for people&lt;br /&gt;Cities for life&lt;br /&gt;Eco-cities: Utopia or mpracticality?&lt;br /&gt;15 Building for tomorrow&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4017139890553283074?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4017139890553283074/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4017139890553283074&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4017139890553283074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4017139890553283074'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/places-of-soul-architecture-and.html' title='Places of the Soul - Architecture and Environmental Design as a Healing Art'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/ST4Y9VYvyYI/AAAAAAAAAz4/5zsYWv_a2FY/s72-c/Places+of+the+Soul+-+Architecture+and+Environmental+Design+as+a+Healing+Art.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3368703827663162868</id><published>2008-12-09T09:56:00.004+03:00</published><updated>2008-12-09T11:53:13.923+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Le Corbusier In Detail</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/ST4XLHSyRHI/AAAAAAAAAzw/yTgOpZLdnes/s1600-h/Le+Corbusier+in+Detail.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5277681293028639858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 224px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/ST4XLHSyRHI/AAAAAAAAAzw/yTgOpZLdnes/s320/Le+Corbusier+in+Detail.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Flora Samuel&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First edition 2007&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.2 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/k45a0lv"&gt;http://ifile.it/k45a0lv&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Introduction&lt;/strong&gt;&lt;br /&gt;1 Standardization and unity&lt;br /&gt;1.1 Standardization&lt;br /&gt;1.2 Standard materials&lt;br /&gt;1.3 Standard structures&lt;br /&gt;1.3.1 Concrete frames&lt;br /&gt;1.3.2 Steel structures&lt;br /&gt;1.3.3 Vaulted roofs&lt;br /&gt;1.4 Conclusion&lt;br /&gt;&lt;strong&gt;2 Somatic detail&lt;/strong&gt;&lt;br /&gt;2.1 Anthropomorphism&lt;br /&gt;2.2 Touch &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;2.2.1 Walls and pilotis&lt;br /&gt;2.2.2 Door handles and handrails&lt;br /&gt;2.2.3 Furniture&lt;br /&gt;2.2.4 Floors&lt;br /&gt;2.3 Colour&lt;br /&gt;2.4 Space&lt;br /&gt;2.5 Sound&lt;br /&gt;2.6 Conclusion&lt;br /&gt;&lt;strong&gt;3 Light and dark&lt;/strong&gt;&lt;br /&gt;3.1 Meaning&lt;br /&gt;3.2 Windows&lt;br /&gt;3.2.1 Horizontal windows&lt;br /&gt;3.2.2 Glass walls (pan de verre)&lt;br /&gt;3.2.3 Brise soleil&lt;br /&gt;3.2.4 Ondulatoires&lt;br /&gt;3.3 Rooflights&lt;br /&gt;3.4 Reflection&lt;br /&gt;3.5 Artificial lighting&lt;br /&gt;3.6 Conclusion&lt;br /&gt;&lt;strong&gt;4 Framing&lt;/strong&gt;&lt;br /&gt;4.1 Views&lt;br /&gt;4.2 Objects&lt;br /&gt;4.3 Space&lt;br /&gt;4.4 Conclusion&lt;br /&gt;&lt;strong&gt;5 Elements of the architectural promenade&lt;/strong&gt;&lt;br /&gt;5.1 Doors&lt;br /&gt;5.2 Stairs and ramps&lt;br /&gt;5.3 Conclusion&lt;br /&gt;&lt;strong&gt;6 Rituals&lt;/strong&gt;&lt;br /&gt;6.1 Altars&lt;br /&gt;6.2 Fire – the hearth&lt;br /&gt;6.3 Water&lt;br /&gt;6.4 Conclusion&lt;br /&gt;&lt;strong&gt;7 Clouds 1959&lt;/strong&gt;&lt;br /&gt;7.1 Brazil&lt;br /&gt;7.2 Geography lesson&lt;br /&gt;7.3 Perspective&lt;br /&gt;7.4 Interior urbanism&lt;br /&gt;Conclusion&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3368703827663162868?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3368703827663162868/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3368703827663162868&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3368703827663162868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3368703827663162868'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/le-corbusier-in-detail.html' title='Le Corbusier In Detail'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/ST4XLHSyRHI/AAAAAAAAAzw/yTgOpZLdnes/s72-c/Le+Corbusier+in+Detail.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7251499845573101832</id><published>2008-12-07T12:04:00.005+03:00</published><updated>2008-12-09T11:52:46.559+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Airport Planning &amp; Management</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/STuSeQGIhdI/AAAAAAAAAzo/SWjiVTLY5Co/s1600-h/Airport+Planning+&amp;amp;+Management.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5276972436809090514" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 228px; CURSOR: hand; HEIGHT: 286px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/STuSeQGIhdI/AAAAAAAAAzo/SWjiVTLY5Co/s320/Airport+Planning+%26+Management.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Alexander T. Wells &amp;amp; Seth B. Young&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: McGraw Hill, 5th edition 2004&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Size&lt;/strong&gt;: 4.15 MB&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;/span&gt;&lt;a href="http://ifile.it/4akvzsq"&gt;&lt;span style="font-size:100%;"&gt;http://ifile.it/4akvzsq&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part I: Airports and airport systems&lt;/strong&gt;&lt;br /&gt;1 Airports and airport systems: An introduction&lt;br /&gt;2 Airports and airport systems: Organization&lt;br /&gt;3 Airports and airport systems: A historical and legislative perspective&lt;br /&gt;&lt;strong&gt;Part II: The components of the airport&lt;/strong&gt;&lt;br /&gt;4 The airfield&lt;br /&gt;5 Airspace and air traffic control&lt;br /&gt;6 Airport terminals and ground access&lt;br /&gt;&lt;strong&gt;Part III: Airport operations and financial management&lt;/strong&gt;&lt;br /&gt;7 Airport operations management under FAR Part 139&lt;br /&gt;8 Airport security&lt;br /&gt;9 Airport financial management&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part IV: Airport public administration and planning&lt;br /&gt;&lt;/strong&gt;10 The economic, political, and social role of airports&lt;br /&gt;11 Airport planning&lt;br /&gt;12 Airport capacity and delay&lt;br /&gt;13 The future of airport management&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7251499845573101832?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7251499845573101832/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7251499845573101832&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7251499845573101832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7251499845573101832'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/airport-planning-management.html' title='Airport Planning &amp; Management'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/STuSeQGIhdI/AAAAAAAAAzo/SWjiVTLY5Co/s72-c/Airport+Planning+%26+Management.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-240312258845320046</id><published>2008-12-07T09:19:00.002+03:00</published><updated>2008-12-15T09:52:18.666+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Time Saver Standards For Interior Design and Space Planning ___ RE-UPLOADED</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/R-9LNuMyDoI/AAAAAAAAAS4/q9t2X7cqOmE/s1600-h/9780070162990.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5183444395238755970" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/R-9LNuMyDoI/AAAAAAAAAS4/q9t2X7cqOmE/s320/9780070162990.gif" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Editors:&lt;/strong&gt; Julius Panero; Editor-Martin Zelnik; Editor-Joseph De Chiara&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Publisher:&lt;/strong&gt; McGraw Hill, 1992&lt;br /&gt;&lt;strong&gt;Size:&lt;/strong&gt; 36.9MB&lt;br /&gt;&lt;strong&gt;Format:&lt;/strong&gt; SFXed djvu&lt;br /&gt;&lt;strong&gt;Link:&lt;/strong&gt; &lt;/span&gt;&lt;a href="http://ifile.it/2e4ch6a"&gt;&lt;span style="font-size:100%;"&gt;http://ifile.it/2e4ch6a&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="color:#ffffff;"&gt;..........&lt;/span&gt;DJVU Viewer link: &lt;a href="http://ifile.it/ekch15"&gt;http://ifile.it/ekch15&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password:&lt;/strong&gt; www.discuss-tect.blogspot.com&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-240312258845320046?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/240312258845320046/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=240312258845320046&amp;isPopup=true' title='10 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/240312258845320046'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/240312258845320046'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/03/time-saver-standards-for-interior.html' title='Time Saver Standards For Interior Design and Space Planning ___ RE-UPLOADED'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/R-9LNuMyDoI/AAAAAAAAAS4/q9t2X7cqOmE/s72-c/9780070162990.gif' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5671271573344006427</id><published>2008-12-07T08:24:00.004+03:00</published><updated>2008-12-07T08:31:59.784+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Innovation in Architecture</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/STte3LNoPdI/AAAAAAAAAzg/5Uyl59iV7Ok/s1600-h/Innovation+in+Architecture+A+Path+to+the+Future.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5276915690390437330" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 278px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/STte3LNoPdI/AAAAAAAAAzg/5Uyl59iV7Ok/s320/Innovation+in+Architecture+A+Path+to+the+Future.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Alan J.Brookes and Dominique Poole&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, First published 2004&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.96 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/f7pmkt1"&gt;http://ifile.it/f7pmkt1&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Introduction&lt;br /&gt;&lt;em&gt;Alan J.BrookesDominique Poole&lt;/em&gt;&lt;br /&gt;2 Exploring, rehearsing, delivering&lt;br /&gt;&lt;em&gt;Mike Davies&lt;/em&gt;&lt;br /&gt;3 Concept before calculation&lt;br /&gt;&lt;em&gt;Tony Hunt&lt;/em&gt;&lt;br /&gt;4 A process-oriented architecture&lt;br /&gt;&lt;em&gt;David Kirkland&lt;/em&gt;&lt;br /&gt;5 Material innovation and the development of form&lt;br /&gt;&lt;em&gt;Mark Lovell&lt;/em&gt;&lt;br /&gt;6 More than architecture: David Marks and Julia Barfield&lt;br /&gt;&lt;em&gt;Dominique Poole&lt;/em&gt;&lt;br /&gt;7 An engineer’s perspective&lt;br /&gt;&lt;em&gt;Mike Cook&lt;/em&gt;&lt;br /&gt;8 Touch the earth lightly: Richard Horden&lt;br /&gt;&lt;em&gt;Dominique Poole&lt;/em&gt;&lt;br /&gt;9 Production processes, sources and uses of materials: Eva Jiricna&lt;br /&gt;&lt;em&gt;Alan J.Brookes&lt;/em&gt;&lt;br /&gt;10 Constructing the ephemeral— innovation in the use of glass&lt;br /&gt;&lt;em&gt;Luke Lowings and James Carpenter&lt;/em&gt;&lt;br /&gt;11 The tradition of the primitive with modern materials— an Australian perspective 139&lt;br /&gt;&lt;em&gt;Chris Clarke&lt;/em&gt;&lt;br /&gt;12 A passion for building: Volkwin Marg&lt;br /&gt;&lt;em&gt;Alan J.Brookes&lt;/em&gt;&lt;br /&gt;13 The incredible lightness of being&lt;br /&gt;&lt;em&gt;Chris Wilkinson&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5671271573344006427?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5671271573344006427/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5671271573344006427&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5671271573344006427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5671271573344006427'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/authors-alan-j.html' title='Innovation in Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/STte3LNoPdI/AAAAAAAAAzg/5Uyl59iV7Ok/s72-c/Innovation+in+Architecture+A+Path+to+the+Future.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3730191579324022748</id><published>2008-12-07T08:05:00.002+03:00</published><updated>2008-12-07T08:11:47.478+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Disclosing Horizons : Architecture, perspective and redemptive space</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/STtZ75exu5I/AAAAAAAAAzQ/4FH640tZ3LQ/s1600-h/Disclosing+Horizons.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5276910273971731346" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/STtZ75exu5I/AAAAAAAAAzQ/4FH640tZ3LQ/s320/Disclosing+Horizons.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Nicholas Temple&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 7.13 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/dzmf28c"&gt;http://ifile.it/dzmf28c&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Order and chaos, or “What to leave out?”&lt;/strong&gt;&lt;br /&gt;Taking measures&lt;br /&gt;Nietzsche’s perspectivism&lt;br /&gt;Being-in-the-world&lt;br /&gt;Alterity and infinity&lt;br /&gt;Visible and invisible&lt;br /&gt;What to leave out?&lt;br /&gt;&lt;strong&gt;2 Number, geometry and dialectic&lt;/strong&gt;&lt;br /&gt;The origin of geometry&lt;br /&gt;Pythagoras and the unutterable&lt;br /&gt;The Meno&lt;br /&gt;The Timaeus&lt;br /&gt;Ad triangulum versus ad quadratum&lt;br /&gt;Triangulating perspective&lt;br /&gt;The School of Athens&lt;br /&gt;Louis Kahn’s Yale Art Gallery&lt;br /&gt;&lt;strong&gt;3 Light, memory and colour&lt;/strong&gt;&lt;br /&gt;Medieval transformations&lt;br /&gt;From memory to recorded document&lt;br /&gt;Light metaphysics&lt;br /&gt;Optical science&lt;br /&gt;Grosseteste’s light&lt;br /&gt;The Bishop’s Eye&lt;br /&gt;Light and perspective&lt;br /&gt;Light and the colour of experience&lt;br /&gt;Steven Holl’s Chapel of St Ignatius&lt;br /&gt;&lt;strong&gt;4 Topography, rhetoric and the vanishing point&lt;/strong&gt;&lt;br /&gt;Horizontal and vertical worlds&lt;br /&gt;Convivial settings&lt;br /&gt;Alberti’s eye&lt;br /&gt;Nicholas Cusanus&lt;br /&gt;The Papal Window&lt;br /&gt;ءlvaro Siza’s Galician Centre for Contemporary Art&lt;br /&gt;&lt;strong&gt;5 Unity in multiplicity&lt;/strong&gt;&lt;br /&gt;Baroque and universality&lt;br /&gt;Distentio animi and the dome&lt;br /&gt;Athanasius Kircher&lt;br /&gt;Leibniz and the monad&lt;br /&gt;J. B. Fischer von Erlach&lt;br /&gt;Hofbibliothek&lt;br /&gt;Peter Zumthor’s St Benedict’s Church&lt;br /&gt;&lt;strong&gt;6 Nature and immensity&lt;/strong&gt;&lt;br /&gt;Transgressing boundaries&lt;br /&gt;The picturesque and the sublime&lt;br /&gt;Chambers and oikoumene&lt;br /&gt;Boullée’s visionary perspectives&lt;br /&gt;Casper David Friedrich’s studio&lt;br /&gt;Rem Koolhaas’ EuraLille and “l’Espace Piranesien”&lt;br /&gt;&lt;strong&gt;7 Disjointed views&lt;/strong&gt;&lt;br /&gt;Attention and perspective&lt;br /&gt;Attention and distraction&lt;br /&gt;Illusion of a “mastering totalisation”&lt;br /&gt;Magnification and distortion&lt;br /&gt;Gustave Moreau’s house&lt;br /&gt;Eric Parry’s artists’ studios, London&lt;br /&gt;Conclusion: architecture that looks back at us&lt;br /&gt;Notes&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3730191579324022748?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3730191579324022748/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3730191579324022748&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3730191579324022748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3730191579324022748'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/disclosing-horizons-architecture.html' title='Disclosing Horizons : Architecture, perspective and redemptive space'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/STtZ75exu5I/AAAAAAAAAzQ/4FH640tZ3LQ/s72-c/Disclosing+Horizons.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-2326027907422108872</id><published>2008-12-04T08:12:00.003+03:00</published><updated>2008-12-04T08:19:02.532+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Building Acoustics</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/STdnIscXguI/AAAAAAAAAzI/sPXBun69v7o/s1600-h/Building+Acoustics.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275798887554581218" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/STdnIscXguI/AAAAAAAAAzI/sPXBun69v7o/s320/Building+Acoustics.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Tor Erik Vigran&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 4.33 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/h4tcnaq"&gt;http://ifile.it/h4tcnaq&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 1:Oscillating systems. Description and analysis&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 2:Excitation and response of dynamic systems&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 3:Waves in fluid and solid media&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 4:Room acoustics&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 5:Sound absorbers&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 6:Sound transmission. Characterization and properties of single walls and floors&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 7:Statistical energy analysis (SEA)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 8:Sound transmission through multilayer elements&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;CHAPTER 9:Sound transmission in buildings. Flanking sound transmission&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-2326027907422108872?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/2326027907422108872/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=2326027907422108872&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/2326027907422108872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/2326027907422108872'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/building-acoustics.html' title='Building Acoustics'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/STdnIscXguI/AAAAAAAAAzI/sPXBun69v7o/s72-c/Building+Acoustics.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5722458994484022076</id><published>2008-12-04T08:07:00.004+03:00</published><updated>2008-12-04T08:12:42.234+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architecture : Comfort and Energy</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/STdl_f3SMqI/AAAAAAAAAzA/Hp0xxJVFWj4/s1600-h/Architecture+-+Comfort+and+Energy.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275797630047367842" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 219px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/STdl_f3SMqI/AAAAAAAAAzA/Hp0xxJVFWj4/s320/Architecture+-+Comfort+and+Energy.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editors&lt;/strong&gt;: C. Gallo, M. Sala, A.A.M. Sayigh&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Elsevier Science Ltd, 1998&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.56 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/6fp4bxn"&gt;http://ifile.it/6fp4bxn&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Introduction&lt;br /&gt;Chapter 1—Thermal comfort and the development of bioclimatic concept in building design&lt;br /&gt;Chapter 2—Vernacular and contemporary buildings in Qatar&lt;br /&gt;Chapter 3—Principles of thermal comfort&lt;br /&gt;Chapter 4—Bioclimatism in vernacular architecture&lt;br /&gt;Chapter 5—The utilization of microclimate elements&lt;br /&gt;Chapter 6—Daylighting&lt;br /&gt;Chapter 7—Ventilation&lt;br /&gt;Chapter 8—Technology for modem architecture&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5722458994484022076?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5722458994484022076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5722458994484022076&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5722458994484022076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5722458994484022076'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/editors-c.html' title='Architecture : Comfort and Energy'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/STdl_f3SMqI/AAAAAAAAAzA/Hp0xxJVFWj4/s72-c/Architecture+-+Comfort+and+Energy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6682873815187928757</id><published>2008-12-04T07:59:00.003+03:00</published><updated>2008-12-04T08:07:08.826+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architectural Design and Ethics : Tools for Survival</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/STdkPCzJMCI/AAAAAAAAAy4/3nM7wSfp7gw/s1600-h/Architectural+Design+and+Ethics.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275795698100023330" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 221px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/STdkPCzJMCI/AAAAAAAAAy4/3nM7wSfp7gw/s320/Architectural+Design+and+Ethics.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Thomas Fisher&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First edition 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 6.98 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/eqz7jor"&gt;http://ifile.it/eqz7jor&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 1: Our collapsing global bridge&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;Earth&lt;br /&gt;Air&lt;br /&gt;Water&lt;br /&gt;Fire&lt;br /&gt;Principles&lt;br /&gt;Instead of superfl uous form, make everything count&lt;br /&gt;Instead of quantity, focus on qualities&lt;br /&gt;&lt;strong&gt;Chapter 2: How nature suffers in the naturalistic fallacy&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;Home&lt;br /&gt;Housing&lt;br /&gt;University&lt;br /&gt;School&lt;br /&gt;Principles&lt;br /&gt;Instead of throwing away, reuse or recycle&lt;br /&gt;Instead of ignoring sources, attend to the source of everything&lt;br /&gt;&lt;strong&gt;Chapter 3: Why having less is more&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;Cemetery&lt;br /&gt;Mounds&lt;br /&gt;Temple&lt;br /&gt;Cathedral&lt;br /&gt;Principles&lt;br /&gt;Instead of consuming things, treat everything as sacred&lt;br /&gt;Instead of wanting more, seek doing with less&lt;br /&gt;&lt;strong&gt;Chapter 4: When virtues are no vice&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;Hospital&lt;br /&gt;Healing garden&lt;br /&gt;Golf course&lt;br /&gt;Playground&lt;br /&gt;Principles&lt;br /&gt;Instead of expensiveness, focus on affordability&lt;br /&gt;Instead of excluding others, provide everyone a place&lt;br /&gt;&lt;strong&gt;Chapter 5: Drafting a new social contract&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;City&lt;br /&gt;Suburb&lt;br /&gt;Town&lt;br /&gt;Country&lt;br /&gt;Principles&lt;br /&gt;Instead of cutting us off from nature, connect us to it&lt;br /&gt;Instead of reducing the ecological diversity of a site, improve it&lt;br /&gt;&lt;strong&gt;Chapter 6: The needs of duty&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;Corporations&lt;br /&gt;Office&lt;br /&gt;Store&lt;br /&gt;Factory&lt;br /&gt;Principles&lt;br /&gt;Instead of creating objects to possess, build community&lt;br /&gt;Instead of specialized things that can only have one use, make them multi-functional&lt;br /&gt;&lt;strong&gt;Chapter 7: The consequences of ignoring consequences&lt;/strong&gt;&lt;br /&gt;Places&lt;br /&gt;Laboratory&lt;br /&gt;Museum&lt;br /&gt;Loft&lt;br /&gt;Fort&lt;br /&gt;Principles&lt;br /&gt;Instead of radical experiments, see everything in evolutionary terms&lt;br /&gt;Instead of focusing on abstractions, attend to what is real&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6682873815187928757?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6682873815187928757/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6682873815187928757&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6682873815187928757'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6682873815187928757'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/architectural-design-and-ethics-tools.html' title='Architectural Design and Ethics : Tools for Survival'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/STdkPCzJMCI/AAAAAAAAAy4/3nM7wSfp7gw/s72-c/Architectural+Design+and+Ethics.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8433158655154082403</id><published>2008-12-03T13:22:00.003+03:00</published><updated>2008-12-03T13:25:27.963+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Landscape and History since 1500</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/STZeEt263CI/AAAAAAAAAyw/1hwbIzJCAtY/s1600-h/Landscape+and+History+since+1500.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275507448633547810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 189px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/STZeEt263CI/AAAAAAAAAyw/1hwbIzJCAtY/s320/Landscape+and+History+since+1500.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Ian D. Whyte&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Reaktion Books Ltd, First published 2002&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.31 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/uenx27q"&gt;http://ifile.it/uenx27q&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;1 Landscape and History&lt;br /&gt;2 Early Modern Landscapes&lt;br /&gt;3 Enlightenment, Picturesque and Romantic Landscapes&lt;br /&gt;4 Industrial and Imperial Landscapes&lt;br /&gt;5 Modern and Post-Modern Landscapes&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8433158655154082403?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8433158655154082403/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8433158655154082403&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8433158655154082403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8433158655154082403'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/landscape-and-history-since-1500.html' title='Landscape and History since 1500'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/STZeEt263CI/AAAAAAAAAyw/1hwbIzJCAtY/s72-c/Landscape+and+History+since+1500.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4957299853888475502</id><published>2008-12-03T08:21:00.002+03:00</published><updated>2008-12-03T08:28:40.802+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Design Quality Manual</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/STYX-pqPLcI/AAAAAAAAAyo/7L2oRzZ7nLc/s1600-h/The+Design+Quality+Manual.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275430378613452226" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 240px; CURSOR: hand; HEIGHT: 240px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/STYX-pqPLcI/AAAAAAAAAyo/7L2oRzZ7nLc/s320/The+Design+Quality+Manual.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Martin Cook&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing Ltd, 2007&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 3.88 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/k7bdeti"&gt;http://ifile.it/k7bdeti&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Introduction&lt;/strong&gt;&lt;br /&gt;1.1 Overview of design quality and building performance&lt;br /&gt;1.2 Building procurement systems&lt;br /&gt;1.3 Chequered history of building procurement systems&lt;br /&gt;1.4 Cultural context of building procurement systems – public v. private?&lt;br /&gt;1.5 Architects and social status&lt;br /&gt;1.6 Architecture: art, profession or commercial enterprise?&lt;br /&gt;1.7 Client’s changing needs and objectives&lt;br /&gt;1.8 References&lt;br /&gt;&lt;strong&gt;2 Building procurement&lt;/strong&gt;&lt;br /&gt;2.1 Evolution of the building industry and professionalism&lt;br /&gt;2.2 Modern building procurement systems&lt;br /&gt;2.3 Traditional building procurement&lt;br /&gt;2.4 Variants of the traditional system&lt;br /&gt;2.5 Design and build&lt;br /&gt;2.6 Variants of design and build&lt;br /&gt;2.7 Management contracting&lt;br /&gt;2.8 Construction management&lt;br /&gt;2.9 Design and manage&lt;br /&gt;2.10 British Property Federation system&lt;br /&gt;2.11 Project management&lt;br /&gt;2.12 Professional development system&lt;br /&gt;2.13 New Engineering Contract&lt;br /&gt;2.14 Private Finance Initiative&lt;br /&gt;2.15 Building procurement guidance&lt;br /&gt;2.16 Chapter summary&lt;br /&gt;2.17 References&lt;br /&gt;&lt;strong&gt;3 Schools&lt;/strong&gt;&lt;br /&gt;3.1 Historical evolution of schools&lt;br /&gt;3.2 The modern era of school building&lt;br /&gt;3.3 Twentieth century schools&lt;br /&gt;3.4 Twenty-first century schools&lt;br /&gt;3.5 PFI schools in England and Wales – Introduction&lt;br /&gt;3.6 PFI schools in England and Wales – Design Quality Matrices&lt;br /&gt;3.7 PFI schools in England and Wales – Overall summary matrix&lt;br /&gt;3.8 PFI schools in England and Wales – Architecture&lt;br /&gt;3.9 PFI schools in England and Wales – Environmental engineering&lt;br /&gt;3.10 PFI schools in England and Wales – User comfort&lt;br /&gt;3.11 PFI schools in England and Wales – Whole life costs&lt;br /&gt;3.12 PFI schools in England and Wales – Detail design&lt;br /&gt;3.13 PFI schools in England and Wales – Conclusions&lt;br /&gt;3.14 PFI schools in England and Wales – Recommendations&lt;br /&gt;3.15 PFI schools in England and Wales – Summary&lt;br /&gt;3.16 PFI schools in Northern Ireland – Introduction&lt;br /&gt;3.17 PFI schools in Northern Ireland – Description of the project&lt;br /&gt;3.18 PFI schools in Northern Ireland – Design Quality Matrices&lt;br /&gt;3.19 PFI schools in Northern Ireland – Overall summary matrix&lt;br /&gt;3.20 PFI schools in Northern Ireland – Architecture&lt;br /&gt;3.21 PFI schools in Northern Ireland – Environmental engineering&lt;br /&gt;3.22 PFI schools in Northern Ireland – User comfort&lt;br /&gt;3.23 PFI schools in Northern Ireland – Whole life costs&lt;br /&gt;3.24 PFI schools in Northern Ireland – Detail design&lt;br /&gt;3.25 PFI schools in Northern Ireland – User satisfaction&lt;br /&gt;3.26 PFI schools in Northern Ireland – Conclusions&lt;br /&gt;3.27 PFI schools in Northern Ireland – Recommendations&lt;br /&gt;3.28 PFI schools in Northern Ireland – Summary&lt;br /&gt;3.29 International case studies&lt;br /&gt;3.30 Further international case studies&lt;br /&gt;3.31 References&lt;br /&gt;&lt;strong&gt;4 Hospitals&lt;/strong&gt;&lt;br /&gt;4.1 Historical evolution of hospitals&lt;br /&gt;4.2 The modern era of hospital building&lt;br /&gt;4.3 Twenty-first century hospitals&lt;br /&gt;4.4 Benchmarking hospitals – Introducing a design quality method&lt;br /&gt;4.5 Benchmarking hospitals – The Design Quality Matrices&lt;br /&gt;4.6 Benchmarking hospitals – Architecture&lt;br /&gt;4.7 Benchmarking hospitals – Environmental engineering&lt;br /&gt;4.8 Benchmarking hospitals – User comfort&lt;br /&gt;4.9 Benchmarking hospitals – Whole life costs&lt;br /&gt;4.10 Benchmarking hospitals – Detail design&lt;br /&gt;4.11 Benchmarking hospitals – User satisfaction&lt;br /&gt;4.12 Benchmarking hospitals – Building aspects of clinical safety&lt;br /&gt;4.13 Benchmarking hospitals – Recommendations&lt;br /&gt;4.14 Environmental sustainability&lt;br /&gt;4.15 International case studies&lt;br /&gt;4.16 Further international case studies&lt;br /&gt;4.17 Chapter summary&lt;br /&gt;4.18 References&lt;br /&gt;&lt;strong&gt;5 Housing&lt;/strong&gt;&lt;br /&gt;5.1 Historical evolution of housing&lt;br /&gt;5.2 The modern era of housing&lt;br /&gt;5.3 Twenty-first century housing&lt;br /&gt;5.4 Benchmarking housing – Introduction&lt;br /&gt;5.5 References&lt;br /&gt;Appendix BRE’s Design Quality Matrices&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4957299853888475502?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4957299853888475502/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4957299853888475502&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4957299853888475502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4957299853888475502'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/design-quality-manual.html' title='The Design Quality Manual'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/STYX-pqPLcI/AAAAAAAAAyo/7L2oRzZ7nLc/s72-c/The+Design+Quality+Manual.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3200437554950337486</id><published>2008-12-03T08:14:00.003+03:00</published><updated>2008-12-03T08:21:45.858+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Structures and Construction In Historic Building Conservation</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/STYW6AO85hI/AAAAAAAAAyg/Inqbmc3Z1pQ/s1600-h/Structures+and+construction+in+historic+building+conservation.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275429199262049810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 150px; CURSOR: hand; HEIGHT: 196px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/STYW6AO85hI/AAAAAAAAAyg/Inqbmc3Z1pQ/s320/Structures+and+construction+in+historic+building+conservation.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Michael Forsyth&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing Ltd, 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 2.36 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/r43v96e"&gt;http://ifile.it/r43v96e&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 What is conservation engineering? Dina F. D’Ayala and Michael Forsyth&lt;br /&gt;2 The philosophy of conservation engineering Ian Hume&lt;br /&gt;3 The Building Regulations and related legislation Peter Norris&lt;br /&gt;4 Metric survey techniques for historic buildings Bill Blake&lt;br /&gt;5 Investigating, monitoring and load testing historic structures Ian Hume&lt;br /&gt;6 Basic soil mechanics, foundations and repair of settlement damage David Cook&lt;br /&gt;7 Effects of induced movement Michael Bussell&lt;br /&gt;8 Repairs to historic structures Ian Hume&lt;br /&gt;9 Numerical modelling of masonry structures Dina F. D’Ayala&lt;br /&gt;10 Use of iron and steel in buildings Michael Bussell&lt;br /&gt;11 Conservation of concrete and reinforced concrete Michael Bussell&lt;br /&gt;12 Fire safety and historic buildings Steve Emery&lt;br /&gt;13 The effects of road traffic vibration on historic buildings Ian Hume&lt;br /&gt;14 Scaffolding and temporary works for historic structures Ian Hume&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3200437554950337486?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3200437554950337486/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3200437554950337486&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3200437554950337486'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3200437554950337486'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/structures-and-construction-in-historic.html' title='Structures and Construction In Historic Building Conservation'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/STYW6AO85hI/AAAAAAAAAyg/Inqbmc3Z1pQ/s72-c/Structures+and+construction+in+historic+building+conservation.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7394394686860081742</id><published>2008-12-03T08:03:00.003+03:00</published><updated>2008-12-03T08:14:04.783+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Housing : The Essential Foundations</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/STYTwirCm0I/AAAAAAAAAyY/n6Be_EFGF8w/s1600-h/Housing+The+Essential+Foundations.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275425738173094722" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 278px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/STYTwirCm0I/AAAAAAAAAyY/n6Be_EFGF8w/s320/Housing+The+Essential+Foundations.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Paul Balchin and Maureen Rhoden&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge,First edition 1998&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.88 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/t5wlcxb"&gt;http://ifile.it/t5wlcxb&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 AN OVERVIEW OF PRE-THATCHERITE HOUSING POLICY&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paul Balchin&lt;/em&gt;&lt;br /&gt;Introduction&lt;br /&gt;The Victorian origins of housing policy&lt;br /&gt;The development of housing policy, 1914–39&lt;br /&gt;Post-war housing policy, 1945–51&lt;br /&gt;The uneasy consensus, 1952–79&lt;br /&gt;Housing finance reform&lt;br /&gt;Changing patterns of tenure, 1913–79&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;2 THE ECONOMICS OF HOUSING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Gregory Bull&lt;/em&gt;&lt;br /&gt;Introduction&lt;br /&gt;Demand and supply and the determination of market equilibrium&lt;br /&gt;Price, income and supply elasticities&lt;br /&gt;Price controls and the market: an example of the effects of rent control and of short- and long-run supply elasticities&lt;br /&gt;The macro-economy&lt;br /&gt;Case study 2.1: An economic analysis of the problems of rent-setting in the social rented sector&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;3 HOUSING POLICY AND FINANCE&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paul Balchin, David Isaac and Maureen Rhoden&lt;/em&gt;&lt;br /&gt;Introduction&lt;br /&gt;Housing supply and housing need&lt;br /&gt;House-building&lt;br /&gt;The marketisation of the private rented sector&lt;br /&gt;Local authority housing: investment, rents and subsidies&lt;br /&gt;The changing role of local authorities: from providers to enablers&lt;br /&gt;Privatisation&lt;br /&gt;Housing associations and local housing companies: the new providers?&lt;br /&gt;Owner-occupation: intervention or liberalisation?&lt;br /&gt;Affordability and subsidisation&lt;br /&gt;Housing tenure&lt;br /&gt;Case study 3.1: The finance of private rented housing&lt;br /&gt;Case study 3.2: Earnings, rents and house prices&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;4 EQUAL OPPORTUNITIES AND HOUSING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Maureen Rhoden&lt;/em&gt;&lt;br /&gt;Housing and elderly people&lt;br /&gt;Women and housing&lt;br /&gt;Black and ethnic minority households&lt;br /&gt;Health and housing&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;5 TOWN PLANNING AND HOUSING DEVELOPMENT&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;John O’Leary&lt;/em&gt;&lt;br /&gt;Introduction&lt;br /&gt;Planning and housing: common history and common concerns&lt;br /&gt;Legislative developments, 1875–1930s&lt;br /&gt;Post-war legislation&lt;br /&gt;Planning, housing and design in the post-war years&lt;br /&gt;Planning and private sector house-building in the 1960s and 1970s&lt;br /&gt;Planning in the 1980s&lt;br /&gt;The planning system and housing in the 1990s&lt;br /&gt;Environmental assessment&lt;br /&gt;Planning and housing: the future agenda&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;6 HOUSING DESIGN AND DEVELOPMENT&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Jane Weldon&lt;/em&gt;&lt;br /&gt;Introduction&lt;br /&gt;The groups involved in design and development&lt;br /&gt;Case study 6.1: Housing development for Ujima Housing Association&lt;br /&gt;Case study 6.2: King’s Bridge Court, Isle of Dogs, London&lt;br /&gt;Maintenance policy and practice&lt;br /&gt;Building rehabilitation&lt;br /&gt;Case study 6.3: Extension to terraced Victorian housing&lt;br /&gt;Case study 6.4: Major refurbishment of two blocks of flats and maisonettes&lt;br /&gt;Case study 6.5: Hall and Braithwaite Tower, Paddington Green Estate, City of Westminster&lt;br /&gt;Case study 6.6: Conversion of redundant barns within the Peak District National Park&lt;br /&gt;Case study 6.7: Alteration and adaptation of a ground-floor flat for a disabled person&lt;br /&gt;Building failures&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;7 ENVIRONMENTAL HEALTH AND HOUSING&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Pauline Forrester&lt;/em&gt;&lt;br /&gt;Health and housing&lt;br /&gt;The legal background to environmental health control in the private sector&lt;br /&gt;Housing conditions&lt;br /&gt;Enforcement powers&lt;br /&gt;Unfit dwellings&lt;br /&gt;Disrepair and nuisance&lt;br /&gt;Houses in multiple occupation (HMOs)&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;8 LEGAL STUDIES, PROPERTY AND HOUSING LAW&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mark Pawlowski&lt;/em&gt;&lt;br /&gt;Legal studies&lt;br /&gt;Property and housing law&lt;br /&gt;Case study 8.1&lt;br /&gt;Case study 8.2&lt;br /&gt;&lt;strong&gt;9 MANAGEMENT AND ORGANISATION&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;R.Shean McConnell&lt;/em&gt;&lt;br /&gt;Introduction&lt;br /&gt;The economic and political contexts to housing management&lt;br /&gt;Accountability&lt;br /&gt;Tenant management of housing&lt;br /&gt;What is management?&lt;br /&gt;Organisations and their structure&lt;br /&gt;Governance, corporate planning and management&lt;br /&gt;The management of change&lt;br /&gt;Planning and decision-making&lt;br /&gt;Quality leadership&lt;br /&gt;Management by objectives (MbO)&lt;br /&gt;Human resource planning and management&lt;br /&gt;Motivation and morale at work&lt;br /&gt;Conflict and its resolution&lt;br /&gt;Communication&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;10 POLICY-MAKING AND POLITICS&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Maureen Rhoden&lt;/em&gt;&lt;br /&gt;Executive, legislative and judicial functions of central government&lt;br /&gt;Local policy-making processes&lt;br /&gt;Theories on local government politics&lt;br /&gt;Housing associations&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;11 CONCLUSION&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paul Balchin, Maureen Rhoden and John O’Leary&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7394394686860081742?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7394394686860081742/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7394394686860081742&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7394394686860081742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7394394686860081742'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/housing-essential-foundations.html' title='Housing : The Essential Foundations'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/STYTwirCm0I/AAAAAAAAAyY/n6Be_EFGF8w/s72-c/Housing+The+Essential+Foundations.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-1050695774265195310</id><published>2008-12-02T08:02:00.002+03:00</published><updated>2008-12-02T08:14:06.660+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Introduction To Residential Layout</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/STTDVPXZJoI/AAAAAAAAAyQ/0EkD1GX0tkk/s1600-h/Introduction.to.Residential.Layout.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5275055833227011714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 220px; CURSOR: hand; HEIGHT: 277px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/STTDVPXZJoI/AAAAAAAAAyQ/0EkD1GX0tkk/s320/Introduction.to.Residential.Layout.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Mike Biddulph&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Butterworth-Heinemann ,First edition 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 36.56 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/8kbtpac"&gt;http://ifile.it/8kbtpac&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;1 Introduction&lt;br /&gt;2 Ensuring commercial viability&lt;br /&gt;3 Building place and defining space&lt;br /&gt;4 Environmentally benign development and design&lt;br /&gt;5 Access and movement&lt;br /&gt;6 Integrating other uses&lt;br /&gt;7 Safe and easy to find your way around&lt;br /&gt;8 Contemporary residential townscape&lt;br /&gt;9 Social life in outdoor residential spaces&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-1050695774265195310?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/1050695774265195310/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=1050695774265195310&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1050695774265195310'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1050695774265195310'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/introduction-to-residential-layout.html' title='Introduction To Residential Layout'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/STTDVPXZJoI/AAAAAAAAAyQ/0EkD1GX0tkk/s72-c/Introduction.to.Residential.Layout.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6051230554861896052</id><published>2008-12-01T08:18:00.003+03:00</published><updated>2008-12-02T08:16:16.611+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Designing the Reclaimed Landscape</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/STN0RmcLtTI/AAAAAAAAAyI/ENohUBfFrzs/s1600-h/Designing+the+Reclaimed+Landscape.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5274687434306336050" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 208px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/STN0RmcLtTI/AAAAAAAAAyI/ENohUBfFrzs/s320/Designing+the+Reclaimed+Landscape.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Alan Berger&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 6.49 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/8kbtpac"&gt;http://ifile.it/8kbtpac&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;strong&gt;&lt;span style="color:#339999;"&gt;Part I Contextualizing landscape alteration through historic, systemic, and biologic perspectives&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;1 Valuing alteration&lt;br /&gt;&lt;em&gt;Frederick Turner&lt;/em&gt;&lt;br /&gt;2 Disturbance ecology and symbiosis in mine-reclamation design&lt;br /&gt;&lt;em&gt;Peter Del Tredici&lt;/em&gt;&lt;br /&gt;3 Gold and the gift: theory and design in a mine-reclamation project&lt;br /&gt;&lt;em&gt;Rod Barnett&lt;/em&gt;&lt;br /&gt;4 Mines and design in their natural context&lt;br /&gt;&lt;em&gt;Dorion Sagan&lt;/em&gt;&lt;br /&gt;5 Ecological succession and its role in landscape reclamation&lt;br /&gt;&lt;em&gt;Eric D. Schneider&lt;/em&gt;&lt;br /&gt;6 Interrogating a landscape design agenda in the scientifically based mining world&lt;br /&gt;&lt;em&gt;Belinda Arbogast&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part II Interdisciplinary responses and opportunities in reclamation&lt;/strong&gt;&lt;br /&gt;7 Science, art, and environmental reclamation: three projects and a few thoughts&lt;br /&gt;&lt;em&gt;T. Allan Comp&lt;/em&gt;&lt;br /&gt;8 The Wellington Oro mine-site cleanup: integrating the cleanup of an abandoned mine site with the community’s vision of land preservation and affordable housing&lt;br /&gt;&lt;em&gt;Victor Ketellapper&lt;/em&gt;&lt;br /&gt;9 Building partnerships for post-mining regeneration: Post-Mining Alliance at the Eden Project&lt;br /&gt;&lt;em&gt;Caroline Digby&lt;/em&gt;&lt;br /&gt;10 Community-based reclamation of abandoned mine lands in the Animas River watershed, San Juan County, Colorado&lt;br /&gt;&lt;em&gt;William Simon&lt;/em&gt;&lt;br /&gt;11 Case studies of successful reclamation and sustainable development at Kennecott mining sites&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Jon Cherry&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Part III Technology, representation, and information in reclamation design&lt;/strong&gt;&lt;br /&gt;12 Digital simulation and reclamation: strategies for altered landscapes&lt;br /&gt;&lt;em&gt;Alan Berger and Case Brown&lt;/em&gt;&lt;br /&gt;13 Open-pit opportunities: pre-mine design strategies&lt;br /&gt;&lt;em&gt;Alan Berger and Case Brown&lt;/em&gt;&lt;br /&gt;14 Reclaiming the woods: trail strategies for the Golden Horseshoe’s historic mining roads&lt;br /&gt;&lt;em&gt;Alan Berger and Bart Lounsbury&lt;/em&gt;&lt;br /&gt;15 Real-time coal mining and reclamation: the Office of Surface Mining’s Technical Innovation and Professional Services program&lt;br /&gt;&lt;em&gt;Billie E. Clark, Jr.&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part IV Future directions and programs in US reclamation policy and law&lt;/strong&gt;&lt;br /&gt;16 The land revitalization initiative: landscape design and reuse planning in mine reclamation&lt;br /&gt;&lt;em&gt;Edward H. Chu&lt;/em&gt;&lt;br /&gt;17 The legal landscape&lt;br /&gt;&lt;em&gt;Robert W. Micsak&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6051230554861896052?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6051230554861896052/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6051230554861896052&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6051230554861896052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6051230554861896052'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/editor-alan-berger-publisher-taylor.html' title='Designing the Reclaimed Landscape'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/STN0RmcLtTI/AAAAAAAAAyI/ENohUBfFrzs/s72-c/Designing+the+Reclaimed+Landscape.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3525586767113983484</id><published>2008-12-01T08:10:00.002+03:00</published><updated>2008-12-01T08:18:44.320+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Environmental Noise Barriers</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/STNyRpa8OTI/AAAAAAAAAyA/h3ukBEOVj5Q/s1600-h/Environmental+Noise+Barriers.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5274685236083177778" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 223px; CURSOR: hand; HEIGHT: 298px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/STNyRpa8OTI/AAAAAAAAAyA/h3ukBEOVj5Q/s320/Environmental+Noise+Barriers.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Benz Kotzen and Colin English&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: E &amp;amp; FN Spon, an imprint of Routledge, First published 1999&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 6.77 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/o5j672b"&gt;http://ifile.it/o5j672b&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Introduction&lt;/strong&gt;&lt;br /&gt;Background&lt;br /&gt;Environmental noise barrier terminology&lt;br /&gt;Noise is a landscape issue&lt;br /&gt;Barrier use: a contrast in provision&lt;br /&gt;References&lt;br /&gt;&lt;strong&gt;2 Defining the need for barriers&lt;/strong&gt;&lt;br /&gt;Legislation and policy&lt;br /&gt;Introduction&lt;br /&gt;The Land Compensation Act, 1973&lt;br /&gt;The Noise Insulation Regulations, 1975&lt;br /&gt;The Highways Act, 1980&lt;br /&gt;National Government policy&lt;br /&gt;Local government policy&lt;br /&gt;Alternative European approaches&lt;br /&gt;The Noise Insulation (Railways and Other Guided&lt;br /&gt;Transport Systems) Regulations, 1996&lt;br /&gt;European Union directives&lt;br /&gt;Risk to health&lt;br /&gt;Design process&lt;br /&gt;Acoustic assessment&lt;br /&gt;Landscape decision-making process&lt;br /&gt;Landscape assessment&lt;br /&gt;Assessment of visual intrusion&lt;br /&gt;DMRB assessment, consultation and design process&lt;br /&gt;Summary of mitigation design strategies&lt;br /&gt;References&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;3 Acoustic performance of barriers&lt;br /&gt;&lt;/strong&gt;Introduction&lt;br /&gt;Barrier theory&lt;br /&gt;Sound insulation&lt;br /&gt;Barrier placement&lt;br /&gt;Barrier length&lt;br /&gt;Bunds versus screens&lt;br /&gt;Dealing with reflections from barriers&lt;br /&gt;Reflections from high-sided vehicles&lt;br /&gt;Improving the acoustic performance of a screen&lt;br /&gt;Introduction&lt;br /&gt;Cantilevered barriers&lt;br /&gt;Tunnels&lt;br /&gt;Galleried barriers&lt;br /&gt;Louvred covers&lt;br /&gt;Diffracting-edge modifications&lt;br /&gt;Noise leakage through gaps&lt;br /&gt;Varying longitudinal profiles&lt;br /&gt;Noise screening by vegetation&lt;br /&gt;Acoustic performance testing&lt;br /&gt;References&lt;br /&gt;&lt;strong&gt;4 Barrier morphology and design&lt;/strong&gt;&lt;br /&gt;Anatomy of barriers – elements and characteristics&lt;br /&gt;Top section and top edge&lt;br /&gt;Middle sectio&lt;br /&gt;Bottom section and bottom edge&lt;br /&gt;Barrier façades&lt;br /&gt;Ends&lt;br /&gt;Vertical profile – angled and cantilevered barriers&lt;br /&gt;Support structures, transitions and foundations&lt;br /&gt;Fixings&lt;br /&gt;Other considerations&lt;br /&gt;Viewing at speed&lt;br /&gt;Two-faced barriers&lt;br /&gt;Barriers: Vertical or horizontal landscape elements?&lt;br /&gt;Repetition&lt;br /&gt;Pattern&lt;br /&gt;Texture&lt;br /&gt;Colour&lt;br /&gt;Light and shade&lt;br /&gt;Profiling&lt;br /&gt;Materials and design&lt;br /&gt;Choosing materials – visual neutrality and compatibility&lt;br /&gt;Reference&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;5 Types of barrier and barrier materials&lt;br /&gt;&lt;/strong&gt;Introduction&lt;br /&gt;DMRB guidelines&lt;br /&gt;Noise barrier types&lt;br /&gt;Earth mounds&lt;br /&gt;Earth mounds and planting&lt;br /&gt;Timber barriers&lt;br /&gt;Sheet-metal barriers&lt;br /&gt;Concrete barriers&lt;br /&gt;Brick barriers&lt;br /&gt;Plastic, PVC and fibreglass barriers&lt;br /&gt;Transparent barriers&lt;br /&gt;Cantilevered barriers&lt;br /&gt;Thatch barriers&lt;br /&gt;Bio-barriers&lt;br /&gt;Integrated barriers&lt;br /&gt;Barrier materials on bridges&lt;br /&gt;Barriers and solar panels&lt;br /&gt;Tunnels&lt;br /&gt;Escape routes&lt;br /&gt;Planting and barriers&lt;br /&gt;References&lt;br /&gt;&lt;strong&gt;6 Engineering, safety, environmental and cost considerations&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Engineering considerations&lt;br /&gt;Environmental considerations&lt;br /&gt;Costs&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3525586767113983484?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3525586767113983484/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3525586767113983484&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3525586767113983484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3525586767113983484'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/environmental-noise-barriers.html' title='Environmental Noise Barriers'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/STNyRpa8OTI/AAAAAAAAAyA/h3ukBEOVj5Q/s72-c/Environmental+Noise+Barriers.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-899841783135138605</id><published>2008-12-01T07:58:00.002+03:00</published><updated>2008-12-01T08:10:03.982+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Computer Aided Architectural Design Futures 2005</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/STNvfllSz7I/AAAAAAAAAx4/b-Xkd-i0WiM/s1600-h/Computer+Aided+Architectural+Design+Futures+2005.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5274682177036144562" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 212px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/STNvfllSz7I/AAAAAAAAAx4/b-Xkd-i0WiM/s320/Computer+Aided+Architectural+Design+Futures+2005.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Bob Martens &amp;amp; Andre Brown&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Springer, 2005&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 15.82 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/ktzh1dr"&gt;http://ifile.it/ktzh1dr&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Keynote Papers&lt;br /&gt;Virtual Heritage, Reconstruction and Histories&lt;br /&gt;Digital Design, Representation and Visualization&lt;br /&gt;Design Methods, Process and Creativity&lt;br /&gt;Knowledge Based Design and Generative Systems&lt;br /&gt;Human-machine Interaction: Connecting the Physical and the Virtual&lt;br /&gt;Form and Fabric: Computer Integrated Construction and Manufacturing&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Building Information Modelling and Construction Management&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Linking Education, Research and Practice&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-899841783135138605?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/899841783135138605/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=899841783135138605&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/899841783135138605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/899841783135138605'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/12/computer-aided-architectural-design.html' title='Computer Aided Architectural Design Futures 2005'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/STNvfllSz7I/AAAAAAAAAx4/b-Xkd-i0WiM/s72-c/Computer+Aided+Architectural+Design+Futures+2005.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4295194817441916196</id><published>2008-11-30T08:13:00.003+03:00</published><updated>2008-11-30T08:20:23.900+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Streets &amp; Patterns</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/STIhp3PIpnI/AAAAAAAAAxw/9EfZudqkT_k/s1600-h/Streets+&amp;amp;+Patterns.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5274315116690056818" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 221px; CURSOR: hand; HEIGHT: 230px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/STIhp3PIpnI/AAAAAAAAAxw/9EfZudqkT_k/s320/Streets+%26+Patterns.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Stephen Marshall&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, First published 2005&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 10.72 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/cwvo958"&gt;http://ifile.it/cwvo958&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Introduction&lt;/strong&gt;&lt;br /&gt;Revolution&lt;br /&gt;Counter-revolution&lt;br /&gt;Transport and urban design&lt;br /&gt;This book&lt;br /&gt;&lt;strong&gt;2 The challenge&lt;/strong&gt;&lt;br /&gt;Streets&lt;br /&gt;Highway layout&lt;br /&gt;Desired patterns&lt;br /&gt;Complexity and contradiction&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;3 Street type and hierarchy&lt;br /&gt;&lt;/strong&gt;Principles of hierarchy&lt;br /&gt;Street type and classification&lt;br /&gt;The strategic structure&lt;br /&gt;Street type revisited&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;4 Pattern type&lt;/strong&gt;&lt;br /&gt;Classification of pattern&lt;br /&gt;Developing typologies of pattern&lt;br /&gt;Quantifying pattern&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;5 Route structure&lt;br /&gt;&lt;/strong&gt;Network representation and analysis&lt;br /&gt;Route structure&lt;br /&gt;Route structure properties&lt;br /&gt;Route type&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;6 Connectivity and complexity&lt;br /&gt;&lt;/strong&gt;Example networks&lt;br /&gt;Connectivity analysis&lt;br /&gt;Complexity analysis&lt;br /&gt;Characteristic structure&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;7 The constitution of structure&lt;/strong&gt;&lt;br /&gt;Hierarchical structure&lt;br /&gt;Composition, configuration and constitution&lt;br /&gt;Constitutionally defined street type&lt;br /&gt;Types of constitutional structure&lt;br /&gt;The structure of car orientation&lt;br /&gt;The structure of disurban creation&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;8 Modes, streets and places&lt;/strong&gt;&lt;br /&gt;The modal kaleidoscope&lt;br /&gt;A new formulation for route hierarchy&lt;br /&gt;Streetspace classification&lt;br /&gt;Urban street typology&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;9 From streets to patterns&lt;br /&gt;&lt;/strong&gt;Design approaches – generative processes&lt;br /&gt;A street-based constitution&lt;br /&gt;Example patterns&lt;br /&gt;Conclusions&lt;br /&gt;&lt;strong&gt;10 Conclusions&lt;br /&gt;&lt;/strong&gt;Tottenham Court Road revisited&lt;br /&gt;Coding for streets and patterns&lt;br /&gt;Implications for practice&lt;br /&gt;The future&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4295194817441916196?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4295194817441916196/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4295194817441916196&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4295194817441916196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4295194817441916196'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/streets-patterns.html' title='Streets &amp; Patterns'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/STIhp3PIpnI/AAAAAAAAAxw/9EfZudqkT_k/s72-c/Streets+%26+Patterns.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7282764911567160196</id><published>2008-11-30T08:06:00.003+03:00</published><updated>2008-11-30T08:13:50.237+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Photovoltaics And Architecture</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/STIf6SlFo7I/AAAAAAAAAxo/szIqGvJ1Xsw/s1600-h/Photovoltaics+And+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5274313199884542898" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 223px; CURSOR: hand; HEIGHT: 315px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/STIf6SlFo7I/AAAAAAAAAxo/szIqGvJ1Xsw/s320/Photovoltaics+And+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Randall Thomas &amp;amp; Max Fordham &amp;amp; Partners&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press, First published 2001&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.07 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/o4xl9fe"&gt;http://ifile.it/o4xl9fe&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part One&lt;/strong&gt;&lt;br /&gt;1. Introduction&lt;br /&gt;2. What are photovoltaics?&lt;br /&gt;2.1 Introduction&lt;br /&gt;2.2 PVs&lt;br /&gt;2.3 How much energy do PV systems produce?&lt;br /&gt;3. PVs on buildings&lt;br /&gt;3.1 Introduction&lt;br /&gt;3.2 The brief&lt;br /&gt;3.3 Site considerations&lt;br /&gt;3.4 Building type&lt;br /&gt;3.5 Design and construction&lt;br /&gt;3.6 Forms and systems&lt;br /&gt;3.7 What difference do PVs make?&lt;br /&gt;4. Costs and sizing&lt;br /&gt;4.1 Introduction&lt;br /&gt;4.2 Costs&lt;br /&gt;4.3 Sizing the array&lt;br /&gt;4.4 The future of costs&lt;br /&gt;5. PVs in buildings&lt;br /&gt;5.1 Introduction&lt;br /&gt;5.2 Grid-connection and metering&lt;br /&gt;5.3 System considerations&lt;br /&gt;5.4 Modules and cables&lt;br /&gt;5.5 Plant rooms&lt;br /&gt;&lt;strong&gt;Part Two&lt;/strong&gt;&lt;br /&gt;6. Cambridge Botanic Garden, Cambridge, UK&lt;br /&gt;&lt;em&gt;Randall Thomas&lt;/em&gt;&lt;br /&gt;7. Solar village at Amersfoort, Holland&lt;br /&gt;&lt;em&gt;Bill Watts and Randall Thomas&lt;/em&gt;&lt;br /&gt;8. Parkmount Housing, Belfast&lt;br /&gt;&lt;em&gt;Richard Partington&lt;/em&gt;&lt;br /&gt;9. The Charter School&lt;br /&gt;&lt;em&gt;Randall Thomas&lt;/em&gt;&lt;br /&gt;10. The Solar Office: Doxford International&lt;br /&gt;&lt;em&gt;David Lloyd Jones&lt;/em&gt;&lt;br /&gt;11. The Earth Centre canopy&lt;br /&gt;&lt;em&gt;Peter Clegg&lt;/em&gt;&lt;br /&gt;12. University of Cambridge, Department of Earth Sciences, BP Institute&lt;br /&gt;&lt;em&gt;Chris Cowper and Philip Armitage&lt;/em&gt;&lt;br /&gt;13. Haileybury Imperial College&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Bill Watts&lt;br /&gt;&lt;/em&gt;14. PVs in perspective&lt;br /&gt;&lt;em&gt;Bill Dunster&lt;/em&gt;&lt;br /&gt;15. Conclusion&lt;br /&gt;&lt;em&gt;Randall Thomas&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7282764911567160196?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7282764911567160196/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7282764911567160196&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7282764911567160196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7282764911567160196'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/photovoltaics-and-architecture.html' title='Photovoltaics And Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/STIf6SlFo7I/AAAAAAAAAxo/szIqGvJ1Xsw/s72-c/Photovoltaics+And+Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-9161245741299657623</id><published>2008-11-30T08:00:00.002+03:00</published><updated>2008-11-30T08:06:18.450+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Inclusive Buildings Designing and Managing an Accessible Environment</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/STIekPzEV2I/AAAAAAAAAxg/zYqZnj3QnOg/s1600-h/Inclusive+Buildings+Designing+and+Managing+an+Accessible+Environment.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5274311721669121890" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 224px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/STIekPzEV2I/AAAAAAAAAxg/zYqZnj3QnOg/s320/Inclusive+Buildings+Designing+and+Managing+an+Accessible+Environment.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Keith Bright &amp;amp; Roberto Di Giulio&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Science Ltd, 2006&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 2 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/n2s48wx"&gt;http://ifile.it/n2s48wx&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Introduction&lt;br /&gt;How to use the CD&lt;br /&gt;Getting started&lt;br /&gt;A worked example&lt;br /&gt;Access audits&lt;br /&gt;General information on using the CD&lt;br /&gt;Useful organisations&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-9161245741299657623?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/9161245741299657623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=9161245741299657623&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/9161245741299657623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/9161245741299657623'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/inclusive-buildings-designing-and.html' title='Inclusive Buildings Designing and Managing an Accessible Environment'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/STIekPzEV2I/AAAAAAAAAxg/zYqZnj3QnOg/s72-c/Inclusive+Buildings+Designing+and+Managing+an+Accessible+Environment.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6981423986194640475</id><published>2008-11-27T08:56:00.002+03:00</published><updated>2008-11-27T09:00:11.847+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Dictionary of Islamic Architecture</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SS425h7fZII/AAAAAAAAAxY/ol1gnFL02pU/s1600-h/Dictionary+of+ISLAMIC+ARCHITECTURE.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5273212575685764226" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 278px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SS425h7fZII/AAAAAAAAAxY/ol1gnFL02pU/s320/Dictionary+of+ISLAMIC+ARCHITECTURE.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Andrew Petersen&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 1996&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.34 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/ps76bqn"&gt;http://ifile.it/ps76bqn&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6981423986194640475?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6981423986194640475/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6981423986194640475&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6981423986194640475'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6981423986194640475'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/dictionary-of-islamic-architecture.html' title='Dictionary of Islamic Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SS425h7fZII/AAAAAAAAAxY/ol1gnFL02pU/s72-c/Dictionary+of+ISLAMIC+ARCHITECTURE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8531423151088173177</id><published>2008-11-27T08:48:00.002+03:00</published><updated>2008-11-27T08:55:59.278+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Design For Assisted Living : Guidelines for Housing the Physically and Mentally Frail</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SS41QaItMnI/AAAAAAAAAxQ/9N_kWCJdph8/s1600-h/DESIGN+FOR+ASSISTED+LIVING.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5273210769707446898" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 292px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SS41QaItMnI/AAAAAAAAAxQ/9N_kWCJdph8/s320/DESIGN+FOR+ASSISTED+LIVING.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Victor Regnier&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: John Wiley &amp;amp; Sons, 2007&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 8.82 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/05eqm3y"&gt;http://ifile.it/05eqm3y&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;PART I Assisted Living Defined&lt;/strong&gt;&lt;br /&gt;Chapter 1 What Is Assisted Living?&lt;br /&gt;Chapter 2 Benchmarking Assisted Living Buildings and Residents&lt;br /&gt;Chapter 3 Defining Conceptual Frameworks for Assisted Living Environments and Services&lt;br /&gt;&lt;strong&gt;PART II 100 Critical Design Considerations&lt;/strong&gt;&lt;br /&gt;Chapter 4 Neighborhood and Site Issues&lt;br /&gt;Chapter 5 The Outdoor Landscape&lt;br /&gt;Chapter 6 Refining Design Attributes&lt;br /&gt;Chapter 7 Stimulating Social Interaction&lt;br /&gt;Chapter 8 Extending Independence&lt;br /&gt;Chapter 9 Stimulating the Senses&lt;br /&gt;Chapter 10 Creating Affect&lt;br /&gt;Chapter 11 Planning the Dwelling Unit&lt;br /&gt;Chapter 12 Engaging the Staff&lt;br /&gt;Chapter 13 Designing for Dementia&lt;br /&gt;&lt;strong&gt;PART III Case Studies&lt;/strong&gt;&lt;br /&gt;Chapter 14 Humanitas Bergweg, Rotterdam, the Netherlands&lt;br /&gt;Chapter 15 Wilhelmiina, Helsinki, Finland&lt;br /&gt;Chapter 16 Goddard House, Brookline, Massachusetts&lt;br /&gt;Chapter 17 Gyngemosegهrd, Herlev, Denmark&lt;br /&gt;Chapter 18 Sunrise of Mission Viejo, Mission Viejo, California&lt;br /&gt;Chapter 19 Crown Cove, Corona Del Mar, California&lt;br /&gt;Chapter 20 Sunrise of Bellevue, Bellevue, Washington&lt;br /&gt;Chapter 21 Sunrise of Richmond, Richmond, Virginia&lt;br /&gt;Chapter 22 Copper Ridge, Sykesville, Maryland&lt;br /&gt;Chapter 23 Virranranta, Kiruvesi, Finland&lt;br /&gt;Chapter 24 Harbour House, Greendale, Wisconsin&lt;br /&gt;Chapter 25 Ros Anders Gهrd, Vنsterhaninge, Sweden&lt;br /&gt;Chapter 26 Humlehusene, Albertslund, Denmark&lt;br /&gt;Chapter 27 Postiljonen. Hِlliviken, Sweden&lt;br /&gt;Chapter 28 Metsنtنhti, Hankasalmi, Finland&lt;br /&gt;&lt;strong&gt;PART IV Conclusions and Directives&lt;/strong&gt;&lt;br /&gt;Chapter 29 Lessons Learned from Northern European Visits&lt;br /&gt;Chapter 30 Other Lessons from Each Individual Country&lt;br /&gt;Chapter 31 20 Most Important Design Issues and Considerations&lt;br /&gt;Chapter 32 30 Future Trends&lt;br /&gt;Chapter 33 Concluding Issues&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8531423151088173177?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8531423151088173177/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8531423151088173177&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8531423151088173177'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8531423151088173177'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/design-for-assisted-living-guidelines.html' title='Design For Assisted Living : Guidelines for Housing the Physically and Mentally Frail'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SS41QaItMnI/AAAAAAAAAxQ/9N_kWCJdph8/s72-c/DESIGN+FOR+ASSISTED+LIVING.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8517720767520646077</id><published>2008-11-27T08:30:00.002+03:00</published><updated>2008-11-27T08:37:48.295+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Courtyard Housing : Past, Present and Future</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SS4wtgkpw6I/AAAAAAAAAxI/2RRD5S6YFYE/s1600-h/Courtyard+Housing.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5273205772093342626" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SS4wtgkpw6I/AAAAAAAAAxI/2RRD5S6YFYE/s320/Courtyard+Housing.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Authors&lt;/strong&gt;: Brian Edwards, Magda Sibley, Mohamad, Hakmi and Peter Land&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2006&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 10.46 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/jk32dpc"&gt;http://ifile.it/jk32dpc&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part 1 History and theory&lt;/strong&gt;&lt;br /&gt;1 The courtyard house: typological variations over space and time&lt;br /&gt;&lt;em&gt;Attilio Petruccioli&lt;/em&gt;&lt;br /&gt;2 The shared characteristics of Iranian and Arab courtyard houses&lt;br /&gt;&lt;em&gt;Gholamhossein Memarian and Frank Brown&lt;/em&gt;&lt;br /&gt;3 The courtyard houses of Syria&lt;br /&gt;&lt;em&gt;E.Mahmoud Zien Al Abidin&lt;/em&gt;&lt;br /&gt;4 The courtyard houses of Southern Algeria&lt;br /&gt;&lt;em&gt;Arrouf Abdelmalek&lt;/em&gt;&lt;br /&gt;5 The courtyard houses of North African medinas, past, present and future&lt;br /&gt;&lt;em&gt;Magda Sibley&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 2 Social and cultural dimensions&lt;/strong&gt;&lt;br /&gt;The power of the veil: gender inequality in the domestic setting of traditional courtyard houses&lt;br /&gt;&lt;em&gt;Reem Zako&lt;/em&gt;&lt;br /&gt;7 The role of privacy in the design of the Saudi Arabian courtyard house&lt;br /&gt;&lt;em&gt;Omar S.BaHammam&lt;/em&gt;&lt;br /&gt;8 The traditional courtyard house of Kuwait and the influence of Islam&lt;br /&gt;&lt;em&gt;M.Anwarul Islam and Nawal H.Al-Sanafi&lt;/em&gt;&lt;br /&gt;9 The cosmological genesis of the courtyard house&lt;br /&gt;&lt;em&gt;Faozi Ujam&lt;/em&gt;&lt;br /&gt;10 The deconstructed courtyard: dwellings of central Oman&lt;br /&gt;&lt;em&gt;Soumyen Bandyopadhyay&lt;/em&gt;&lt;br /&gt;11 The European perimeter block: the Scottish experience of courtyard housing&lt;br /&gt;&lt;em&gt;Brian Edwards&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 3 Environmental dimensions&lt;/strong&gt;&lt;br /&gt;12 Courtyards: a bioclimatic form?&lt;br /&gt;&lt;em&gt;Dana Raydan, Carlo Ratti and Koen Steemers&lt;/em&gt;&lt;br /&gt;13 The courtyard garden in the traditional Arab house&lt;br /&gt;&lt;em&gt;Maher Laffah&lt;/em&gt;&lt;br /&gt;Climatic aspects and their effect on the dimensions of courtyards in Arab buildings&lt;br /&gt;&lt;em&gt;Hani Wadah&lt;/em&gt;&lt;br /&gt;The thermal performance of the internal courtyard in the hot-dry environment in Saudi Arabia&lt;br /&gt;&lt;em&gt;Khalid A.Megren Al-Saud and Nasser A.M.Al-Hemiddi&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part 4 The contemporary dimension&lt;/strong&gt;&lt;br /&gt;16 Type as a tool: courtyard housing and the notion of continuity&lt;br /&gt;&lt;em&gt;Kevin Mitchell&lt;/em&gt;&lt;br /&gt;17 The geometry of single and multi-family courtyard housing&lt;br /&gt;&lt;em&gt;Mohamad Hakmi&lt;/em&gt;&lt;br /&gt;18 Courtyard housing in Saudi Arabia: in search of a contemporary typology&lt;br /&gt;Tarek Abdelsalam&lt;br /&gt;19 New design thinking for contemporary courtyard housing&lt;br /&gt;&lt;em&gt;Yassine Bada&lt;/em&gt;&lt;br /&gt;20 Conclusions&lt;br /&gt;21 Courtyard housing: an ‘afterthought’&lt;br /&gt;&lt;em&gt;Peter Land&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8517720767520646077?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8517720767520646077/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8517720767520646077&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8517720767520646077'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8517720767520646077'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/courtyard-housing-past-present-and.html' title='Courtyard Housing : Past, Present and Future'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SS4wtgkpw6I/AAAAAAAAAxI/2RRD5S6YFYE/s72-c/Courtyard+Housing.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7545911717692103070</id><published>2008-11-27T08:22:00.002+03:00</published><updated>2008-11-27T08:29:55.882+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Cladding of Buildings</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SS4u5rHJbwI/AAAAAAAAAxA/yRYrhqfs0ns/s1600-h/Cladding+of+Buildings.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5273203782057553666" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 230px; CURSOR: hand; HEIGHT: 230px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SS4u5rHJbwI/AAAAAAAAAxA/yRYrhqfs0ns/s320/Cladding+of+Buildings.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Alan Brookes &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: E &amp;amp; FN Spon, Third edition  1998&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 6.63 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/uoqh6c5"&gt;http://ifile.it/uoqh6c5&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Preface&lt;br /&gt;Acknowledgements&lt;br /&gt;Introduction&lt;br /&gt;The fram&lt;br /&gt;Knowledge of new material&lt;br /&gt;Principles of jointing&lt;br /&gt;Forces moving water through an opening&lt;br /&gt;Segmentation of the air space&lt;br /&gt;Air seal on inner face&lt;br /&gt;Development of ‘high tech’&lt;br /&gt;References&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Precast concrete cladding&lt;br /&gt;&lt;/strong&gt;Introduction&lt;br /&gt;Design guides&lt;br /&gt;Standardization and adjustable moulds&lt;br /&gt;Types of mould&lt;br /&gt;Casting method&lt;br /&gt;Tolerances&lt;br /&gt;Handling of units during transportation and on site&lt;br /&gt;Shape of precast concrete cladding panels&lt;br /&gt;Jointing&lt;br /&gt;Panel fixings&lt;br /&gt;Finishes&lt;br /&gt;Weathering&lt;br /&gt;References&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;2 Glass-reinforced polyester&lt;br /&gt;&lt;/strong&gt;Introduction&lt;br /&gt;GRP production&lt;br /&gt;GRP cladding in use&lt;br /&gt;Standardization of components&lt;br /&gt;Fire resistance&lt;br /&gt;Weathering&lt;br /&gt;Surface finish&lt;br /&gt;Panel stiffening&lt;br /&gt;Jointing&lt;br /&gt;Thermal expansion&lt;br /&gt;Fixings&lt;br /&gt;Conclusion&lt;br /&gt;References&lt;br /&gt;&lt;strong&gt;3 Glass-fibre-reinforced cement&lt;/strong&gt;&lt;br /&gt;The material and its advantages&lt;br /&gt;Production methods&lt;br /&gt;Insulated panels&lt;br /&gt;Finishes&lt;br /&gt;Performance characteristics&lt;br /&gt;Types of cladding&lt;br /&gt;Jointing&lt;br /&gt;Fixings&lt;br /&gt;Panel dimensions and tolerances&lt;br /&gt;Handling of units on site and storage&lt;br /&gt;Conclusion&lt;br /&gt;References and further reading&lt;br /&gt;&lt;strong&gt;4 Formed metal including profiled metal&lt;/strong&gt;&lt;br /&gt;Forming of metal&lt;br /&gt;Profiled metal cladding and roof decking&lt;br /&gt;The industry&lt;br /&gt;Design guidance&lt;br /&gt;Method of manufacture&lt;br /&gt;Relevant standards&lt;br /&gt;Finishes for metal sheeting&lt;br /&gt;Performance criteria&lt;br /&gt;Installation&lt;br /&gt;References and further reading&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;5 Sheet metal, composite metal panels, and rain screens&lt;br /&gt;&lt;/strong&gt;Introduction&lt;br /&gt;Composite metal panels&lt;br /&gt;Rolled sheet panels&lt;br /&gt;Rain screen panels&lt;br /&gt;Finishes&lt;br /&gt;Proprietary systems and their fixing&lt;br /&gt;Aspect II&lt;br /&gt;References and further reading&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;6 Curtain walling—glazing systems&lt;br /&gt;&lt;/strong&gt;Definition&lt;br /&gt;Patent glazing&lt;br /&gt;Metal box framing&lt;br /&gt;Fire resistance&lt;br /&gt;Suspended glass assemblies&lt;br /&gt;Silicone-bonded glazing&lt;br /&gt;Glass&lt;br /&gt;References and further reading&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7545911717692103070?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7545911717692103070/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7545911717692103070&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7545911717692103070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7545911717692103070'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/cladding-of-buildings.html' title='Cladding of Buildings'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SS4u5rHJbwI/AAAAAAAAAxA/yRYrhqfs0ns/s72-c/Cladding+of+Buildings.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8295243868756782440</id><published>2008-11-27T08:13:00.002+03:00</published><updated>2008-11-27T08:22:13.481+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architecturally Speaking : Practices of Art, Architecture and the Everyday</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SS4tJ57rbaI/AAAAAAAAAw4/5PMJO4qVdR8/s1600-h/Architecturally+Speaking.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5273201861890633122" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SS4tJ57rbaI/AAAAAAAAAw4/5PMJO4qVdR8/s320/Architecturally+Speaking.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Alan Read&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge,First published 2000&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 11.17 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/d2m3fz7"&gt;http://ifile.it/d2m3fz7&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Introduction&lt;/strong&gt;&lt;br /&gt;Addressing architecture, art and the everyday&lt;br /&gt;&lt;em&gt;Alan Read&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Orienting&lt;/strong&gt;&lt;br /&gt;1 Non-places&lt;br /&gt;&lt;em&gt;Marc Augé&lt;/em&gt;&lt;br /&gt;2 Thirdspace: expanding the scope of the geographical imagination&lt;br /&gt;&lt;em&gt;Edward W. Soja&lt;/em&gt;&lt;br /&gt;3 Getting lost and the localized mind&lt;br /&gt;&lt;em&gt;Franco La Cecla&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Locating&lt;/strong&gt;&lt;br /&gt;4 Space–time and the politics of location&lt;br /&gt;&lt;em&gt;Doreen Massey&lt;/em&gt;&lt;br /&gt;5 Public territory&lt;br /&gt;&lt;em&gt;muf with Katherine Shonfield&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Moving&lt;/strong&gt;&lt;br /&gt;6 Open transmission&lt;br /&gt;&lt;em&gt;Krzysztof Wodiczko&lt;/em&gt;&lt;br /&gt;7 Country dance&lt;br /&gt;&lt;em&gt;Graeme Miller&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Revealing&lt;/strong&gt;&lt;br /&gt;8 Speech sites&lt;br /&gt;&lt;em&gt;Alan Read&lt;/em&gt;&lt;br /&gt;9 Battle lines: E1027&lt;br /&gt;&lt;em&gt;Beatriz Colomina&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Conceiving&lt;br /&gt;&lt;/strong&gt;10 Six concepts&lt;br /&gt;&lt;em&gt;Bernard Tschumi&lt;/em&gt;&lt;br /&gt;11 Rappel a l’ordre: the case for the tectonic&lt;br /&gt;&lt;em&gt;Kenneth Frampton&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Constructing&lt;/strong&gt;&lt;br /&gt;12 No-man’s land&lt;br /&gt;&lt;em&gt;Lebbeus Woods&lt;/em&gt;&lt;br /&gt;13 Internal terrains&lt;br /&gt;&lt;em&gt;Zaha Hadid&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Showing&lt;/strong&gt;&lt;br /&gt;14 Hombroich&lt;br /&gt;&lt;em&gt;Oliver Kruse&lt;/em&gt;&lt;br /&gt;15 Dear Peter&lt;br /&gt;&lt;em&gt;Richard Wentworth&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Changing&lt;/strong&gt;&lt;br /&gt;16 Autopoetic architecture: the Open City, Ritoque, Chile&lt;br /&gt;&lt;em&gt;Ann M. Pendleton-Jullian&lt;/em&gt;&lt;br /&gt;17 @morphous mutations&lt;br /&gt;&lt;em&gt;François Roche&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Prospecting&lt;/strong&gt;&lt;br /&gt;18 Imagining E-Topia&lt;br /&gt;&lt;em&gt;William J. Mitchell&lt;/em&gt;&lt;br /&gt;19 Planets, comets, and dinosaurs: digital identity in virtual space&lt;br /&gt;&lt;em&gt;Anthony Vidler&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Responding&lt;/strong&gt;&lt;br /&gt;20 Spaced out&lt;br /&gt;&lt;em&gt;Alan Read&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8295243868756782440?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8295243868756782440/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8295243868756782440&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8295243868756782440'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8295243868756782440'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/architecturally-speaking-practices-of.html' title='Architecturally Speaking : Practices of Art, Architecture and the Everyday'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SS4tJ57rbaI/AAAAAAAAAw4/5PMJO4qVdR8/s72-c/Architecturally+Speaking.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-8085894481915427274</id><published>2008-11-27T08:03:00.002+03:00</published><updated>2008-11-27T08:13:44.110+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architectural Design In Steel</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SS4qmD7d1MI/AAAAAAAAAww/YUlc2Cr1odI/s1600-h/Architectural+In+Steel.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5273199047075550402" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 228px; CURSOR: hand; HEIGHT: 314px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SS4qmD7d1MI/AAAAAAAAAww/YUlc2Cr1odI/s320/Architectural+In+Steel.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Peter Trebilcock and Mark Lawson&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Spon Press,  First published 2004&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 27.95 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/pe69i0w"&gt;http://ifile.it/pe69i0w&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Introduction&lt;/strong&gt;&lt;br /&gt;1.1 Advantages of steel construction&lt;br /&gt;1.2 Opportunity for architectural expression&lt;br /&gt;1.3 Holistic approach&lt;br /&gt;1.4 Scale and ornament&lt;br /&gt;1.5 Steel ‘kit of parts’&lt;br /&gt;1.6 Tubular steelwork&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;2 Introduction to expressed structural form&lt;/strong&gt;&lt;br /&gt;2.1 Expression of bracing&lt;br /&gt;2.2 Arched and curved structures&lt;br /&gt;2.3 Tension structures&lt;br /&gt;2.4 Fabricated members&lt;br /&gt;2.5 Structure/envelope relationship&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;3 Frame design&lt;/strong&gt;&lt;br /&gt;3.1 The frame as the basic unit of construction&lt;br /&gt;3.2 Exposing the frame&lt;br /&gt;3.3 Braced versus rigid frames&lt;br /&gt;3.4 Portal-frame structures&lt;br /&gt;3.5 Expressing the connections&lt;br /&gt;3.6 Alternative forms of bracing&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;4 Types of beams, columns and trusses&lt;/strong&gt;&lt;br /&gt;4.1 Beams&lt;br /&gt;4.2 Long-span beams&lt;br /&gt;4.3 Curved beams&lt;br /&gt;4.4 Columns&lt;br /&gt;4.5 Trusses and lattice girders&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;5 Connections between I-sections&lt;br /&gt;&lt;/strong&gt;5.1 Introduction to connections&lt;br /&gt;5.2 Benefits of standardisation&lt;br /&gt;5.3 Industry-standard connections&lt;br /&gt;5.4 Beam to column connections&lt;br /&gt;5.5 Beam to beam connections&lt;br /&gt;5.6 Column splices&lt;br /&gt;5.7 Column bases&lt;br /&gt;5.8 Connections in trusses&lt;br /&gt;5.9 Bracing and tie-members&lt;br /&gt;&lt;strong&gt;6 Connections between tubular sections&lt;/strong&gt;&lt;br /&gt;6.1 Preparation of members&lt;br /&gt;6.2 Bolted and pinned connections&lt;br /&gt;6.3 Welded flange or end-plates and bolted connections&lt;br /&gt;6.4 In-line connections&lt;br /&gt;6.5 Welded nodes to columns and masts&lt;br /&gt;6.6 Pinned connections to tubular sections&lt;br /&gt;6.7 Welded tube to tube connections&lt;br /&gt;6.8 Connections in trusses and lattice construction&lt;br /&gt;6.9 Beam to column connections in tubular construction&lt;br /&gt;6.10 Special bolted connections to SHS and RHS&lt;br /&gt;&lt;strong&gt;7 Tension structures&lt;/strong&gt;&lt;br /&gt;7.1 Design opportunities for tension structures&lt;br /&gt;7.2 Different forms of tension attachments&lt;br /&gt;7.3 Fabric supported structures&lt;br /&gt;7.4 Adjustments&lt;br /&gt;7.5 Tie rod or cable connections&lt;br /&gt;7.6 Tension structures using tubular members&lt;br /&gt;&lt;strong&gt;8 Space frames&lt;/strong&gt;&lt;br /&gt;8.1 Advantages and disadvantages of space grids&lt;br /&gt;8.2 Common forms of space grids&lt;br /&gt;8.3 Support locations&lt;br /&gt;8.4 Span:depth ratios&lt;br /&gt;8.5 Commercially available systems&lt;br /&gt;&lt;strong&gt;9 Glazing interface details&lt;/strong&gt;&lt;br /&gt;9.1 Architecture&lt;br /&gt;9.2 Interfaces&lt;br /&gt;9.3 Tolerances&lt;br /&gt;9.4 Support structures&lt;br /&gt;9.5 Use of tubular members in glazing systems&lt;br /&gt;&lt;strong&gt;10 Steelwork penetrations of the external envelope&lt;/strong&gt;&lt;br /&gt;10.1 Waterproofing&lt;br /&gt;10.2 Cold bridging&lt;br /&gt;&lt;strong&gt;11 Technical characteristics of steel&lt;/strong&gt;&lt;br /&gt;11.1 Specification for structural steels&lt;br /&gt;11.2 Design standards&lt;br /&gt;11.3 Manufacturing methods for hot-rolled steel sections&lt;br /&gt;11.4 Stainless steel&lt;br /&gt;11.5 Weathering steels&lt;br /&gt;11.6 Use of cast steel&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;12 Corrosion protection&lt;br /&gt;&lt;/strong&gt;12.1 Internal steelwork&lt;br /&gt;12.2 Protective treatment specification&lt;br /&gt;12.3 Surface preparation&lt;br /&gt;12.4 Type of protection to be used&lt;br /&gt;12.5 Method and location of application&lt;br /&gt;12.6 Protection of connections&lt;br /&gt;12.7 Detailing of exposed steelwork to reduce corrosion&lt;br /&gt;12.8 Contact with other materials&lt;br /&gt;&lt;strong&gt;13 Fire protection&lt;/strong&gt;&lt;br /&gt;13.1 Forms of fire protection&lt;br /&gt;13.2 Sprayed and board protection&lt;br /&gt;13.3 Intumescent coatings&lt;br /&gt;13.4 Partial encasement by concrete&lt;br /&gt;13.5 Concrete filling of tubular sections&lt;br /&gt;13.6 Water filling of tubular sections&lt;br /&gt;13.7 Fire protection by enclosure&lt;br /&gt;13.8 Fire engineering&lt;br /&gt;13.9 External steelwork&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;14 Site installation&lt;br /&gt;&lt;/strong&gt;14.1 Bolting&lt;br /&gt;14.2 Welding&lt;br /&gt;14.3 Welding tubular sections&lt;br /&gt;14.4 Tolerances&lt;br /&gt;14.5 Deflections&lt;br /&gt;&lt;strong&gt;15 Other design considerations&lt;/strong&gt;&lt;br /&gt;15.1 Pre-contract involvement of the fabricator&lt;br /&gt;15.2 Drawing examination and approval&lt;br /&gt;15.3 Key decisions/checklists&lt;br /&gt;15.4 Fabricator’s responsibilities during erection&lt;br /&gt;15.5 Mock-ups and prototypes&lt;br /&gt;15.6 Transportation of steelwork&lt;br /&gt;&lt;strong&gt;16 References and sources of information&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-8085894481915427274?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/8085894481915427274/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=8085894481915427274&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8085894481915427274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/8085894481915427274'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/architectural-design-in-steel.html' title='Architectural Design In Steel'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SS4qmD7d1MI/AAAAAAAAAww/YUlc2Cr1odI/s72-c/Architectural+In+Steel.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-2745828931416729336</id><published>2008-11-26T08:23:00.003+03:00</published><updated>2008-11-26T08:30:13.230+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architect's Sketches : dialogue and design</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSzdpVEHN6I/AAAAAAAAAwo/wkPhefRgxHQ/s1600-h/Architect"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272832965842778018" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 223px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSzdpVEHN6I/AAAAAAAAAwo/wkPhefRgxHQ/s320/Architect%27s+Sketches.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Kendra Schank Smith&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, First published 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 8.61 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/lbzij0o"&gt;http://ifile.it/lbzij0o&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 1 Introduction and the sketch&lt;/strong&gt;&lt;br /&gt;Architectural sketches and a comparison to dialogue&lt;br /&gt;Methodology&lt;br /&gt;The nature of sketches&lt;br /&gt;Visual perception as it pertains to architectural sketches&lt;br /&gt;How architects use sketches&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;Chapter 2 Play, quickness and Festina Lente&lt;/strong&gt;&lt;br /&gt;Illusion and allusion&lt;br /&gt;A knowledge gained&lt;br /&gt;Play at work&lt;br /&gt;Quickness and Festina Lente&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;Chapter 3 Memory, imagination and fantasy&lt;/strong&gt;&lt;br /&gt;Memory&lt;br /&gt;Imagination&lt;br /&gt;Fantasy&lt;br /&gt;Bibliography&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Chapter 4 Caricature as a mode of transformation&lt;br /&gt;&lt;/strong&gt;History of caricature&lt;br /&gt;Defi nition of caricature&lt;br /&gt;Caricature evident in architectural sketches&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;Chapter 5 The grotesque sketch&lt;/strong&gt;&lt;br /&gt;History of the grotesque&lt;br /&gt;Grotesque sketches&lt;br /&gt;Bibliography&lt;br /&gt;&lt;strong&gt;Chapter 6 Observation/compendium and likeness&lt;/strong&gt;&lt;br /&gt;Digital sketches&lt;br /&gt;Likeness and the marginal&lt;br /&gt;Conclusion&lt;br /&gt;Bibliography&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-2745828931416729336?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/2745828931416729336/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=2745828931416729336&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/2745828931416729336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/2745828931416729336'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/architects-sketches-dialogue-and-design.html' title='Architect&apos;s Sketches : dialogue and design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSzdpVEHN6I/AAAAAAAAAwo/wkPhefRgxHQ/s72-c/Architect%27s+Sketches.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6903653509098848706</id><published>2008-11-26T08:18:00.002+03:00</published><updated>2008-11-26T08:22:56.648+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Analysing Architecture</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSzdDVweGGI/AAAAAAAAAwg/HQugf9J6Gzc/s1600-h/Analysing+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272832313193797730" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 230px; CURSOR: hand; HEIGHT: 297px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSzdDVweGGI/AAAAAAAAAwg/HQugf9J6Gzc/s320/Analysing+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Simon Unwin&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 1997&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.03 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/9bntdyi"&gt;http://ifile.it/9bntdyi&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;Introduction&lt;br /&gt;Acknowledgements&lt;br /&gt;Architecture as Identification of Place&lt;br /&gt;Basic Elements of Architecture&lt;br /&gt;Modifying Elements of Architecture&lt;br /&gt;Elements Doing More Than One Thing&lt;br /&gt;Using Things That Are There&lt;br /&gt;Primitive Place Types&lt;br /&gt;Architecture as Making Frames&lt;br /&gt;Temples and Cottages&lt;br /&gt;Geometry in Architecture&lt;br /&gt;Space and Structure&lt;br /&gt;Parallel Walls&lt;br /&gt;Stratification&lt;br /&gt;Transition, Hierarchy, Heart&lt;br /&gt;Postscript&lt;br /&gt;Case Studies&lt;br /&gt;Fitzwilliam College Chapel&lt;br /&gt;The Schminke House&lt;br /&gt;Merrist Wood&lt;br /&gt;The Vanna Venturi House&lt;br /&gt;The Woodland Chapel&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6903653509098848706?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6903653509098848706/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6903653509098848706&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6903653509098848706'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6903653509098848706'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/analysing-architecture.html' title='Analysing Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SSzdDVweGGI/AAAAAAAAAwg/HQugf9J6Gzc/s72-c/Analysing+Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5988920737350493561</id><published>2008-11-26T08:13:00.003+03:00</published><updated>2008-11-26T08:18:05.354+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>A Dictionary of Ancient Near Eastern Architecture</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSzboDXIipI/AAAAAAAAAwY/ErSBDFkglZM/s1600-h/A+Dictionary+of+Ancient+Near+Eastern+Architecture.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272830744887593618" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSzboDXIipI/AAAAAAAAAwY/ErSBDFkglZM/s320/A+Dictionary+of+Ancient+Near+Eastern+Architecture.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Gwendolyn Leick&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published in 1988&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 6.62 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/fvdqnik"&gt;http://ifile.it/fvdqnik&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5988920737350493561?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5988920737350493561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5988920737350493561&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5988920737350493561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5988920737350493561'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/dictionary-of-ancient-near-eastern.html' title='A Dictionary of Ancient Near Eastern Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSzboDXIipI/AAAAAAAAAwY/ErSBDFkglZM/s72-c/A+Dictionary+of+Ancient+Near+Eastern+Architecture.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-614250527314771376</id><published>2008-11-25T08:29:00.003+03:00</published><updated>2008-11-25T08:39:40.372+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Planning  And The Heritage : Policy and procedures</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSuN1PX82wI/AAAAAAAAAwQ/9H6YKw82cAo/s1600-h/PLANNING+AND+THE+HERITAGE.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272463734566869762" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSuN1PX82wI/AAAAAAAAAwQ/9H6YKw82cAo/s320/PLANNING+AND+THE+HERITAGE.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Michael Ross&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: E &amp;amp; FN Spon, Second edition 1996&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.54 MB &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/7smw23o"&gt;http://ifile.it/7smw23o&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;1 Why conserve?&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;2 The rise of the heritage&lt;/strong&gt;&lt;br /&gt;2.1 The beginnings&lt;br /&gt;2.2 The first legislation&lt;br /&gt;2.3 Recording the heritage&lt;br /&gt;2.4 Between the wars&lt;br /&gt;2.5 The Second World War&lt;br /&gt;2.6 The 1947 Act: the first survey of historic buildings&lt;br /&gt;2.7 Conservation in the ‘age of the bulldozer’&lt;br /&gt;&lt;strong&gt;3 Heritage comes of age&lt;/strong&gt;&lt;br /&gt;3.1 Conservation areas&lt;br /&gt;3.2 Legal developments 1968–74&lt;br /&gt;3.3 Environment and conservation&lt;br /&gt;3.4 European Architectural Heritage Year&lt;br /&gt;3.5 Conservation after EAHY&lt;br /&gt;3.6 The national resurvey of historic buildings&lt;br /&gt;3.7 The foundation of English Heritage&lt;br /&gt;3.8 Developments since 1986&lt;br /&gt;&lt;strong&gt;4 The main players&lt;/strong&gt;&lt;br /&gt;4.1 The Department of the Environment&lt;br /&gt;4.2 The Department of National Heritage&lt;br /&gt;4.3 English Heritage&lt;br /&gt;4.4 Arrangements in Scotland, Wales and Northern Ireland&lt;br /&gt;4.5 The Royal Commissions on Historical Monuments&lt;br /&gt;4.6 Local authorities&lt;br /&gt;4.7 The voluntary bodies&lt;br /&gt;&lt;strong&gt;5 Listed buildings&lt;/strong&gt;&lt;br /&gt;5.1 What can be listed&lt;br /&gt;5.2 The criteria for listing&lt;br /&gt;5.3 Grading&lt;br /&gt;5.4 How buildings are listed&lt;br /&gt;5.5 Building preservation notices&lt;br /&gt;5.6 The Secretary of State’s decision&lt;br /&gt;5.7 Action after the list is signed&lt;br /&gt;5.8 Appeals against listing&lt;br /&gt;5.9 Certificates of immunity from listing&lt;br /&gt;5.10 Delisting&lt;br /&gt;5.11 Conclusion&lt;br /&gt;&lt;strong&gt;6 Listed building control&lt;/strong&gt;&lt;br /&gt;6.1 Introduction&lt;br /&gt;6.2 Planning and listed building control&lt;br /&gt;6.3 Procedure for obtaining listed building consent&lt;br /&gt;6.4 Criteria for granting consent&lt;br /&gt;6.5 Problems with consent&lt;br /&gt;6.6 Conditions&lt;br /&gt;6.7 Appeals&lt;br /&gt;6.8 Demolition: the statistics&lt;br /&gt;6.9 Prosecution and enforcement&lt;br /&gt;6.10 Purchase notices and compensation&lt;br /&gt;6.11 Applications by local authorities&lt;br /&gt;6.12 The position of the churches&lt;br /&gt;6.13 The Crown and the Historic Buildings and Monuments Commission&lt;br /&gt;6.14 Conclusion&lt;br /&gt;&lt;strong&gt;7 Conservation areas&lt;/strong&gt;&lt;br /&gt;7.1 Definition&lt;br /&gt;7.2 Designation&lt;br /&gt;7.3 General principles following designation&lt;br /&gt;7.4 Article 4 directions and conservation areas&lt;br /&gt;7.5 Control of demolition in conservation areas&lt;br /&gt;7.6 Advertisement of applications in conservation areas&lt;br /&gt;7.7 Trees in conservation areas&lt;br /&gt;7.8 Advertisements in conservation areas&lt;br /&gt;7.9 Public participation: conservation area advisory committees&lt;br /&gt;7.10 Conclusion&lt;br /&gt;&lt;strong&gt;8 Ancient monuments&lt;/strong&gt;&lt;br /&gt;8.1 Definition&lt;br /&gt;8.2 How monuments are chosen&lt;br /&gt;8.3 The mechanics of scheduling&lt;br /&gt;8.4 Acquisition and guardianship&lt;br /&gt;8.5 Repairs&lt;br /&gt;8.6 Descheduling&lt;br /&gt;8.7 Scheduled monument consent&lt;br /&gt;8.8 Areas of archaeological importance&lt;br /&gt;8.9 Metal detectors&lt;br /&gt;8.10 Crown land&lt;br /&gt;8.11 Listing and scheduling&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;9 Enhancing the heritage&lt;br /&gt;&lt;/strong&gt;9.1 Repairs notices&lt;br /&gt;9.2 Grants and loans&lt;br /&gt;9.3 Tax incentives&lt;br /&gt;9.4 New uses for old buildings&lt;br /&gt;&lt;strong&gt;10 The future of the heritage&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-614250527314771376?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/614250527314771376/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=614250527314771376&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/614250527314771376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/614250527314771376'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/planning-and-heritage-policy-and.html' title='Planning  And The Heritage : Policy and procedures'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SSuN1PX82wI/AAAAAAAAAwQ/9H6YKw82cAo/s72-c/PLANNING+AND+THE+HERITAGE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3165677532537871937</id><published>2008-11-25T08:21:00.003+03:00</published><updated>2008-11-25T08:29:45.065+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Compact City : A sustainable Urban Form?</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSuLzjcLSJI/AAAAAAAAAwI/3rDtu1hQkWM/s1600-h/The+Compact+City+Asustainable+Urban+Form.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272461506570307730" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 225px; CURSOR: hand; HEIGHT: 278px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSuLzjcLSJI/AAAAAAAAAwI/3rDtu1hQkWM/s320/The+Compact+City+Asustainable+Urban+Form.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Mike Jenks, Elizabeth Burton and Katie Williams&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;:  E &amp;amp; FN Spon, First published 1996 &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Size&lt;/strong&gt;: 7.91 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;/span&gt;&lt;a href="http://ifile.it/soqbeuv"&gt;&lt;span style="font-size:100%;"&gt;http://ifile.it/soqbeuv&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#339999;"&gt;Introduction&lt;br /&gt;Compact Cities and Sustainability: An Introduction&lt;br /&gt;&lt;em&gt;Mike Jenks, Elizabeth Burton and Katie Williams&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part One Compact City Theory&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Centrists, Decentrists and Compromisers: Views on the Future of Urban Form&lt;br /&gt;&lt;em&gt;Michael Breheny&lt;/em&gt;&lt;br /&gt;In Favour of the Compact City&lt;br /&gt;&lt;em&gt;Mayer Hillman&lt;/em&gt;&lt;br /&gt;Density, Efficiency and Equality in Australian Cities&lt;br /&gt;&lt;em&gt;Hugh Stretton&lt;/em&gt;&lt;br /&gt;The Compact City: A Successful, Desirable and Achievable Urban Form?&lt;br /&gt;&lt;em&gt;Louise Thomas and Will Cousins&lt;/em&gt;&lt;br /&gt;How Compact is Sustainable—How Sustainable is Compact?&lt;br /&gt;&lt;em&gt;Ernie Scoffham and Brenda Vale&lt;/em&gt;&lt;br /&gt;The Search for a Sustainable Urban Form&lt;br /&gt;&lt;em&gt;Michael Welbank&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;Achieving the Compact City through Intensification: An Acceptable Option?&lt;br /&gt;&lt;em&gt;Katie Williams, Elizabeth Burton and Mike Jenks&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part Two Social and Economic Issues&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Running the Gauntlet: A Compact City within a Doughnut of Decay&lt;br /&gt;&lt;em&gt;Hedley Smyth&lt;/em&gt;&lt;br /&gt;Economic and Social Issues&lt;br /&gt;&lt;em&gt;Christopher Knight&lt;/em&gt;&lt;br /&gt;The Compact City and the Market: The Case of Residential Development&lt;br /&gt;&lt;em&gt;Charles Fulford&lt;/em&gt;&lt;br /&gt;The Compact City and the Quality of Life&lt;br /&gt;&lt;em&gt;Martin Crookston, Patrick Clarke and Joanna Averley&lt;/em&gt;&lt;br /&gt;Not Compact Cities but Sustainable Regions&lt;br /&gt;&lt;em&gt;Ray Green&lt;/em&gt;&lt;br /&gt;Urban Consolidation and the Family&lt;br /&gt;&lt;em&gt;Patrick N.Troy&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part Three Environment and Resources&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;The Transport Dimension&lt;br /&gt;&lt;em&gt;George Barrett&lt;/em&gt;&lt;br /&gt;Travel Behaviour and Local Accessibility to Services and Facilities&lt;br /&gt;&lt;em&gt;Stuart Farthing, John Winter and Tessa Coombes&lt;/em&gt;&lt;br /&gt;Sustainable Transport in a Compact City&lt;br /&gt;&lt;em&gt;Peter Nijkamp and Sytze A.Rienstra&lt;/em&gt;&lt;br /&gt;Environmental Stress and Urban Policy&lt;br /&gt;&lt;em&gt;Patrick N.Troy&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part Four Measuring and Monitoring&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;The Precautionary Principle and the Compact City&lt;br /&gt;&lt;em&gt;Elizabeth Wilson&lt;/em&gt;&lt;br /&gt;The Compact City and Urban Sustainability: Conflicts and Complexities&lt;br /&gt;&lt;em&gt;Elizabeth Burton, Katie Williams and Mike Jenks&lt;/em&gt;&lt;br /&gt;Environmental Capacity of a Historic City: The Chester Experience&lt;br /&gt;&lt;em&gt;Peter Drummond and Corinne Swain&lt;/em&gt;&lt;br /&gt;City Space and Pollution Dispersion: A Modelling and Monitoring Excercise&lt;br /&gt;&lt;em&gt;Caitríona Ní Riain, Ben Croxford, John Littler and Alan Penn&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part Five Implementation&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Who Will Care for Compact Cities?&lt;br /&gt;&lt;em&gt;Richard Pratt and Peter Larkham&lt;/em&gt;&lt;br /&gt;Repairing Our Much Abused Cities: The Way to Sustainable Living&lt;br /&gt;&lt;em&gt;Harley Sherlock&lt;/em&gt;&lt;br /&gt;Urban Footprints: Making Best Use of Urban Land Resources– A Rural Perspective&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;em&gt;Michael Breheny, Adrian Gurney and James Strike&lt;br /&gt;&lt;/em&gt;Sustainability in Scottish Cities: Two Case Studies of Local Management&lt;br /&gt;&lt;em&gt;Jim Johnson&lt;/em&gt;&lt;br /&gt;A New Compact City Form: Concepts in Practice&lt;br /&gt;&lt;em&gt;Louise Thomas and Will Cousins&lt;/em&gt;&lt;br /&gt;Conclusion&lt;br /&gt;A Question of Sustainable Urban Form: Conclusion&lt;br /&gt;&lt;em&gt;Mike Jenks, Katie Williams and Elizabeth Burton&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3165677532537871937?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3165677532537871937/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3165677532537871937&amp;isPopup=true' title='24 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3165677532537871937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3165677532537871937'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/compact-city-sustainable-urban-form.html' title='The Compact City : A sustainable Urban Form?'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSuLzjcLSJI/AAAAAAAAAwI/3rDtu1hQkWM/s72-c/The+Compact+City+Asustainable+Urban+Form.jpg' height='72' width='72'/><thr:total>24</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-3197792281346006228</id><published>2008-11-25T08:08:00.003+03:00</published><updated>2008-11-25T08:20:43.696+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>New Museum Theory and Practice, An Introduction</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSuI7dpo0FI/AAAAAAAAAwA/5ahUIIJ4MnA/s1600-h/New+Museum+Theory+and+Practice.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272458343920226386" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 280px; CURSOR: hand; HEIGHT: 280px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSuI7dpo0FI/AAAAAAAAAwA/5ahUIIJ4MnA/s320/New+Museum+Theory+and+Practice.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Editor&lt;/strong&gt;: Janet Marstine &lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Blackwell Publishing, 2006&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.78 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/h89xj0o"&gt;http://ifile.it/h89xj0o&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part I Defining New Museum Theory&lt;/strong&gt;&lt;br /&gt;A Surveys and Groundwork&lt;br /&gt;1 Editor’s Introduction&lt;br /&gt;THE ARCHITECTURE IS THE MUSEUM&lt;br /&gt;&lt;em&gt;Michaela Giebelhausen&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;2 Editor’s Introduction&lt;br /&gt;FEMINIST CURATORIAL STRATEGIES AND PRACTICES SINCE&lt;br /&gt;THE 1970s&lt;br /&gt;&lt;em&gt;Katy Deepwell&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;3 Editor’s Introduction&lt;br /&gt;NEW ART, NEW CHALLENGES: THE CHANGING FACE OF CONSERVATION IN THE TWENTY-FIRST CENTURY&lt;br /&gt;&lt;em&gt;Rachel Barker and Patricia Smithen&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;B Case Studies in Contemporary Practice&lt;br /&gt;4 Editor’s Introduction&lt;br /&gt;HOW WE STUDY HISTORY MUSEUMS: OR CULTURAL STUDIES AT MONTICELLO&lt;br /&gt;&lt;em&gt;Eric Gable&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;5 Editor’s Introduction&lt;br /&gt;SPECTACLE AND DEMOCRACY: EXPERIENCE MUSIC PROJECT AS A POST-MUSEUM&lt;br /&gt;&lt;em&gt;Chris Bruce&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;6 Editor’s Introduction&lt;br /&gt;REVEALING AND CONCEALING: MUSEUMS, OBJECTS, AND THE TRANSMISSION OF KNOWLEDGE IN ABORIGINAL AUSTRALIA&lt;br /&gt;&lt;em&gt;Moira G. Simpson&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;7 Editor’s Introduction&lt;br /&gt;RESTRUCTURING SOUTH AFRICAN MUSEUMS: REALITY AND RHETORIC WITHIN CAPE TOWN&lt;br /&gt;&lt;em&gt;Julie L. McGee&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;&lt;strong&gt;Part II Looking to the Future: Theory into Practice&lt;/strong&gt;&lt;br /&gt;8 Editor’s Introduction&lt;br /&gt;THE CRITICAL MUSEUM VISITOR&lt;br /&gt;&lt;em&gt;Margaret Lindauer&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;9 Editor’s Introduction&lt;br /&gt;VISITING THE VIRTUAL MUSEUM: ART AND EXPERIENCE ONLINE&lt;br /&gt;&lt;em&gt;Lianne McTavish&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;10 Editor’s Introduction&lt;br /&gt;REFRAMING STUDIO ART PRODUCTION AND CRITIQUE&lt;br /&gt;&lt;em&gt;Helen Klebesadel&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;11 Editor’s Introduction&lt;br /&gt;THE UNIVERSITY MUSEUM AND GALLERY: A SITE FOR INSTITUTIONAL CRITIQUE AND A FOCUS OF THE CURRICULUM&lt;br /&gt;&lt;em&gt;Lyndel King and Janet Marstine&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;br /&gt;12 Editor’s Introduction&lt;br /&gt;MUSEUM ARCHIVES AS RESOURCES FOR SCHOLARLY RESEARCH AND INSTITUTIONAL IDENTITY&lt;br /&gt;&lt;em&gt;Lois Marie Fink&lt;/em&gt;&lt;br /&gt;Questions for Discussion&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-3197792281346006228?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/3197792281346006228/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=3197792281346006228&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3197792281346006228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/3197792281346006228'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/new-museum-theory-and-practice.html' title='New Museum Theory and Practice, An Introduction'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSuI7dpo0FI/AAAAAAAAAwA/5ahUIIJ4MnA/s72-c/New+Museum+Theory+and+Practice.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-125891419244872713</id><published>2008-11-24T08:11:00.002+03:00</published><updated>2008-11-24T08:19:36.309+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Interventions Advances in Art and Urban Futures Volume 4</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo35tdgBKI/AAAAAAAAAv4/VtTXIZLKWXY/s1600-h/Interventions+Advances+in+Art+and+Urban+Futures+Volume+4.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5272087778385986722" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 226px; CURSOR: hand; HEIGHT: 296px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo35tdgBKI/AAAAAAAAAv4/VtTXIZLKWXY/s320/Interventions+Advances+in+Art+and+Urban+Futures+Volume+4.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Editors&lt;/strong&gt;: Malcolm Miles and Tim Hall&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Intellect Ltd, First Published in 2005&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 8.61MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/cfjqdk7"&gt;http://ifile.it/cfjqdk7&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="color:#339999;"&gt;&lt;strong&gt;Part One – Policies and Strategies&lt;/strong&gt;&lt;br /&gt;Cultural Ambiguity in an Urban Development Master Plan: Deception or Miscalculation?&lt;br /&gt;&lt;em&gt;Tania Carson&lt;/em&gt;&lt;br /&gt;Opening up the Symbolic Economy of Contemporary Mumbai&lt;br /&gt;&lt;em&gt;Andrew Harris&lt;/em&gt;&lt;br /&gt;Monuments and Monkey Puzzles: Public Art in Bristol&lt;br /&gt;&lt;em&gt;Alastair Snow&lt;/em&gt;&lt;br /&gt;BürgerMeister: New Tactics for Shrinking Cities&lt;br /&gt;&lt;em&gt;Friedrich von Borries and Matthias Böttger&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part Two – Projects&lt;/strong&gt;&lt;br /&gt;Urban Image and Legibility in Kings Cross&lt;br /&gt;&lt;em&gt;Ben Campkin&lt;/em&gt;&lt;br /&gt;Cargo&lt;br /&gt;&lt;em&gt;Esther Salamon&lt;/em&gt;&lt;br /&gt;On the Edge: the Visual Arts in Remote Rural Contexts of Northern Scotland&lt;br /&gt;&lt;em&gt;Anne Douglas&lt;/em&gt;&lt;br /&gt;I Fail to Agree&lt;br /&gt;&lt;em&gt;Andy Hewitt and Mel Jordan&lt;/em&gt;&lt;br /&gt;Going Public: Strategies of Intervention in Lithuania&lt;br /&gt;&lt;em&gt;Laima Kreivyte&lt;/em&gt;&lt;br /&gt;Instruments&lt;br /&gt;&lt;em&gt;Laurie Palmer&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Part Three – Evaluations&lt;/strong&gt;&lt;br /&gt;A Comparative Evaluation: Projects in Exeter, Barcelona, London,Tyneside&lt;br /&gt;&lt;em&gt;Sarah Bennett, John Butler, Nicola Kirkham and Malcolm Miles&lt;/em&gt;&lt;br /&gt;Public Art in the City: Meanings,Values, Attitudes and Roles&lt;br /&gt;&lt;em&gt;Tim Hall and Chereen Smith&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-125891419244872713?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/125891419244872713/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=125891419244872713&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/125891419244872713'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/125891419244872713'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/interventions-advances-in-art-and-urban.html' title='Interventions Advances in Art and Urban Futures Volume 4'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSo35tdgBKI/AAAAAAAAAv4/VtTXIZLKWXY/s72-c/Interventions+Advances+in+Art+and+Urban+Futures+Volume+4.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4567089841982688354</id><published>2008-11-23T12:31:00.002+03:00</published><updated>2008-11-23T12:37:58.221+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Briefing And Design Guide Laboratories</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSkjgB0vtgI/AAAAAAAAAvo/5MPZjesia7Y/s1600-h/Briefing+And+Design+Guide+Laboratories.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5271783871966328322" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 221px; CURSOR: hand; HEIGHT: 303px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSkjgB0vtgI/AAAAAAAAAvo/5MPZjesia7Y/s320/Briefing+And+Design+Guide+Laboratories.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Walter Main&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: E &amp;amp; FN Spon, First edition 1995&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 4.2 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/qi853dz"&gt;http://ifile.it/qi853dz&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;1 Introduction&lt;br /&gt;2 Laboratory spaces&lt;br /&gt;3 Fitting out laboratory spaces&lt;br /&gt;4 Laboratory equipment&lt;br /&gt;5 Laboratory services&lt;br /&gt;6 The building fabric&lt;br /&gt;7 The design team&lt;br /&gt;Technical supplements&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4567089841982688354?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4567089841982688354/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4567089841982688354&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4567089841982688354'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4567089841982688354'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/briefing-and-design-guide-laboratories.html' title='Briefing And Design Guide Laboratories'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSkjgB0vtgI/AAAAAAAAAvo/5MPZjesia7Y/s72-c/Briefing+And+Design+Guide+Laboratories.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6748171839186397496</id><published>2008-11-23T12:17:00.003+03:00</published><updated>2008-11-23T12:31:37.560+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Human Factors In Lighting</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSkhWHtfQtI/AAAAAAAAAvg/6NXtW672Ato/s1600-h/Human+Factors+in+Lighting.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5271781502724555474" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 275px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSkhWHtfQtI/AAAAAAAAAvg/6NXtW672Ato/s320/Human+Factors+in+Lighting.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Peter R. Boyce&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Taylor &amp;amp; Francis, First published 2003&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 9.89 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/rl0kzn3"&gt;http://ifile.it/rl0kzn3&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;PART I Fundamentals&lt;/strong&gt;&lt;br /&gt;1 Light&lt;br /&gt;2 The visual system&lt;br /&gt;3 The circadian system&lt;br /&gt;PART II Generalities&lt;br /&gt;4 Lighting and work&lt;br /&gt;5 Lighting and visual discomfort&lt;br /&gt;6 Lighting and the perception of spaces and objects&lt;br /&gt;&lt;strong&gt;PART III Specifics&lt;/strong&gt;&lt;br /&gt;7 Lighting for offices&lt;br /&gt;8 Lighting for industry&lt;br /&gt;9 Escape lighting&lt;br /&gt;10 Lighting for driving&lt;br /&gt;11 Lighting and crime&lt;br /&gt;12 Lighting for the elderly&lt;br /&gt;13 Light and health&lt;br /&gt;14 Codes and consequences&lt;br /&gt;15 The way ahead&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6748171839186397496?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6748171839186397496/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6748171839186397496&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6748171839186397496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6748171839186397496'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/human-factors-in-lighting.html' title='Human Factors In Lighting'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSkhWHtfQtI/AAAAAAAAAvg/6NXtW672Ato/s72-c/Human+Factors+in+Lighting.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4902306015539242374</id><published>2008-11-23T08:33:00.003+03:00</published><updated>2008-11-23T08:40:52.917+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Light For Art's Sake : Lighting for Artworks and Museum Displays</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSjrvPNOsvI/AAAAAAAAAvY/InLhOzGOEBA/s1600-h/Light+For+Art"&gt;&lt;img id="BLOGGER_PHOTO_ID_5271722560605565682" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 224px; CURSOR: hand; HEIGHT: 285px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSjrvPNOsvI/AAAAAAAAAvY/InLhOzGOEBA/s320/Light+For+Art%27s+Sake.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Christopher Cuttle&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Elsevier Ltd., First edition 2007&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 18.69 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/d1ze5ut"&gt;http://ifile.it/d1ze5ut&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;&lt;strong&gt;1 A philosophy for the presentation of art&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;2 Revealing visual attributes&lt;br /&gt;&lt;/strong&gt;Light and illumination&lt;br /&gt;Human response to light&lt;br /&gt;Light levels in museums&lt;br /&gt;Revealing with light&lt;br /&gt;&lt;strong&gt;3 Light-induced damage to objects&lt;/strong&gt;&lt;br /&gt;Photochemical reactions&lt;br /&gt;Radiant heating effect&lt;br /&gt;Material response to exposure&lt;br /&gt;Limiting exposure&lt;br /&gt;&lt;strong&gt;4 Daylighting typologies&lt;br /&gt;&lt;/strong&gt;The aesthetics of daylight&lt;br /&gt;Side-lit rooms&lt;br /&gt;Monitor skylights&lt;br /&gt;Central skylight picture galleries&lt;br /&gt;Overall daylight-diffusing ceilings&lt;br /&gt;Restricted daylight-diffusing ceilings&lt;br /&gt;Polar-oriented skylights&lt;br /&gt;Wall-lighting picture galleries&lt;br /&gt;The presence of daylight&lt;br /&gt;&lt;strong&gt;5 Daylighting controls&lt;/strong&gt;&lt;br /&gt;Light transmission&lt;br /&gt;Light distribution&lt;br /&gt;Ultraviolet transmission&lt;br /&gt;Solar heat gain&lt;br /&gt;Thermal transmission&lt;br /&gt;&lt;strong&gt;6 Electric lighting typologies&lt;br /&gt;&lt;/strong&gt;The aesthetics of electric lighting&lt;br /&gt;Room surface lighting&lt;br /&gt;Lighting three-dimensional objects&lt;br /&gt;Lighting two-dimensional objects&lt;br /&gt;Case lighting&lt;br /&gt;Supplementing daylight&lt;br /&gt;Self-luminous art objects&lt;br /&gt;&lt;strong&gt;7 Electric lighting controls&lt;/strong&gt;&lt;br /&gt;Light output control&lt;br /&gt;Luminaire optical control&lt;br /&gt;Luminaire directional control&lt;br /&gt;Lighting control systems&lt;br /&gt;&lt;strong&gt;8 Lighting strategies&lt;/strong&gt;&lt;br /&gt;Ambient illumination&lt;br /&gt;A sequence of visual experiences&lt;br /&gt;Minimal-exposure displays&lt;br /&gt;The great space&lt;br /&gt;Visual connections&lt;br /&gt;&lt;strong&gt;9 Procedures for practice&lt;/strong&gt;&lt;br /&gt;A museum lighting pro forma&lt;br /&gt;Setting up lighting for a new exhibition&lt;br /&gt;Maintaining lighting during the life of an exhibition&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4902306015539242374?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4902306015539242374/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4902306015539242374&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4902306015539242374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4902306015539242374'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/light-for-arts-sake-lighting-for.html' title='Light For Art&apos;s Sake : Lighting for Artworks and Museum Displays'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SSjrvPNOsvI/AAAAAAAAAvY/InLhOzGOEBA/s72-c/Light+For+Art%27s+Sake.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-1001204286634354204</id><published>2008-11-23T08:28:00.004+03:00</published><updated>2008-11-23T08:41:39.392+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Magazine'/><title type='text'>Hotel Design April 2008</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSjql9rDKdI/AAAAAAAAAvQ/NidSMY83Ig8/s1600-h/Hotel+Design+April+2008.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5271721301768350162" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 220px; CURSOR: hand; HEIGHT: 261px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSjql9rDKdI/AAAAAAAAAvQ/NidSMY83Ig8/s320/Hotel+Design+April+2008.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 20.69MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf &lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/v0gicw7"&gt;http://ifile.it/v0gicw7&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-1001204286634354204?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/1001204286634354204/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=1001204286634354204&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1001204286634354204'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1001204286634354204'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/hotel-design-april-2008.html' title='Hotel Design April 2008'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SSjql9rDKdI/AAAAAAAAAvQ/NidSMY83Ig8/s72-c/Hotel+Design+April+2008.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7629558629332584611</id><published>2008-11-20T10:19:00.002+03:00</published><updated>2008-11-20T10:27:15.360+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architecture in Words : Theatre, language and the sensuous space of architecture</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSUQCZZc1OI/AAAAAAAAAvA/56dceESrNaU/s1600-h/Architecture+in+Words.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270636572270449890" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 188px; CURSOR: hand; HEIGHT: 282px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSUQCZZc1OI/AAAAAAAAAvA/56dceESrNaU/s320/Architecture+in+Words.JPG" border="0" /&gt;&lt;/a&gt;  &lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Louise Pelletier&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2006&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 5.42 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/gjcqpf4"&gt;http://ifile.it/gjcqpf4&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 1: Character and expression: staging an architectural theory&lt;br /&gt;&lt;/strong&gt;1 Architecture as an expressive language&lt;br /&gt;Character theory and the language of architecture&lt;br /&gt;Le Camus de Mézières and the metaphor of the theatre&lt;br /&gt;2 Character theory in theatrical staging&lt;br /&gt;Servandoni, the master of special effects&lt;br /&gt;The modulation of light and darkness&lt;br /&gt;Unity of place and the perfecting of an illusion&lt;br /&gt;3 Rules of expression and the paradox of acting&lt;br /&gt;Le Brun’s theory of expression&lt;br /&gt;The paradox of the actor&lt;br /&gt;&lt;strong&gt;Part 2: Play-acting and the culture of entertainment: architecture as theatre&lt;/strong&gt;&lt;br /&gt;4 Theatre as the locus of public and social expression&lt;br /&gt;The rules of civility and conventions at the theatre&lt;br /&gt;Louis XV and the new taste for private performances&lt;br /&gt;Society theatre and Diderot’s drame bourgeois&lt;br /&gt;The staging of a play&lt;br /&gt;5 Theatre architecture and the role of the proscenium arch&lt;br /&gt;Rethinking the space of the auditorium&lt;br /&gt;The beginning of a new tradition and the relocation of the spectator&lt;br /&gt;The theatricality of the marketplace&lt;br /&gt;&lt;strong&gt;Part 3: Language and personal imagination: an architecture for the senses&lt;/strong&gt;&lt;br /&gt;6 Taste, talent, and genius in eighteenth-century aesthetics&lt;br /&gt;Theatre theory and the decadence of taste&lt;br /&gt;Genius and the complex relationship between rules and talent&lt;br /&gt;Génie and the Encyclopédie&lt;br /&gt;7 Newtonian empirical sciences and the order of nature&lt;br /&gt;The expression of nature in architectural theory&lt;br /&gt;Newtonian empirical science and the role of tradition&lt;br /&gt;8 Empirical philosophy and the nature of sensations&lt;br /&gt;ةtienne Bonnot de Condillac and the nature of imagination&lt;br /&gt;Edmund Burke and the materiality of light and shadow&lt;br /&gt;Denis Diderot and the importance of language&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 4: Plotting an architectural program: the space of desire&lt;br /&gt;&lt;/strong&gt;9 Staging an architecture in words&lt;br /&gt;The space of seduction&lt;br /&gt;The Genius of Architecture and the distribution of an hôtel particulier&lt;br /&gt;10 The narrative space of desire&lt;br /&gt;Aabba, a romance&lt;br /&gt;Chantilly, a picturesque garden&lt;br /&gt;Conclusion: the temporality of human experience &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7629558629332584611?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7629558629332584611/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7629558629332584611&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7629558629332584611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7629558629332584611'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/architecture-in-words-theatre-language.html' title='Architecture in Words : Theatre, language and the sensuous space of architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SSUQCZZc1OI/AAAAAAAAAvA/56dceESrNaU/s72-c/Architecture+in+Words.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6100787772916474452</id><published>2008-11-20T10:12:00.003+03:00</published><updated>2008-11-20T10:19:25.315+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architectural Principles in the Age of Cybernetics</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSUOGXE2bcI/AAAAAAAAAu4/KwKcZ4gF9nI/s1600-h/Architectural+Principles+in+the+Age+of+Cybernetics.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270634441343397314" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 210px; CURSOR: hand; HEIGHT: 315px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSUOGXE2bcI/AAAAAAAAAu4/KwKcZ4gF9nI/s320/Architectural+Principles+in+the+Age+of+Cybernetics.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Christopher Hight&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2008&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.99 MB&lt;br /&gt;Format: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/5kehn90"&gt;http://ifile.it/5kehn90&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Chapter 1. INTRODUCTION&lt;br /&gt;&lt;/strong&gt;Prologue: Infernal Returns&lt;br /&gt;The Body of Architectural Knowledge&lt;br /&gt;The Structure of the Book&lt;br /&gt;&lt;strong&gt;Chapter 2. THE PHENOMENAL ORIGIN OF ARCHITECTURE&lt;/strong&gt;&lt;br /&gt;Primal Identification&lt;br /&gt;The Home of Man&lt;br /&gt;The Decay of Modern Architecture&lt;br /&gt;The Pathos of Phenomenology&lt;br /&gt;&lt;strong&gt;Chapter 3. THE STRUCTURAL CONTINUITIES OF CLASSICISM&lt;/strong&gt;&lt;br /&gt;Classical Systems of Knowledge and Subjects&lt;br /&gt;Gendered Bodies of Architecture&lt;br /&gt;The Hidden Interior of Architecture&lt;br /&gt;Modernity as “The End of the Classical”&lt;br /&gt;The Paradoxes of Not-Modern Architecture&lt;br /&gt;Post-Structural Problems&lt;br /&gt;&lt;strong&gt;Chapter 4. MODULOR RESIDUES OF HISTORY&lt;/strong&gt;&lt;br /&gt;Recalling the Modulor&lt;br /&gt;The Residual Historicity of the Modulor&lt;br /&gt;The Modulor as “One Example”&lt;br /&gt;The Modulor as Vitruvius’s Heir&lt;br /&gt;Unfinished Business&lt;br /&gt;&lt;strong&gt;Chapter 5. A MID-CENTURY RENAISSANCE&lt;/strong&gt;&lt;br /&gt;Wittkower’s Renaissance&lt;br /&gt;A Paradigm Shift?&lt;br /&gt;The Architectural Principles of the Modulor&lt;br /&gt;Points of Emergence&lt;br /&gt;The Rowe Effect&lt;br /&gt;Diagrams of Discoursivity&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6100787772916474452?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6100787772916474452/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6100787772916474452&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6100787772916474452'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6100787772916474452'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/architectural-principles-in-age-of.html' title='Architectural Principles in the Age of Cybernetics'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSUOGXE2bcI/AAAAAAAAAu4/KwKcZ4gF9nI/s72-c/Architectural+Principles+in+the+Age+of+Cybernetics.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5858173142745089162</id><published>2008-11-20T08:18:00.003+03:00</published><updated>2008-11-20T08:24:05.433+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>RIBA Book of British Housing</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSTzyRmhYiI/AAAAAAAAAuw/3jMEzV2SQXM/s1600-h/RIBA+Book+of+British+Housing.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270605508974305826" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 214px; CURSOR: hand; HEIGHT: 280px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSTzyRmhYiI/AAAAAAAAAuw/3jMEzV2SQXM/s320/RIBA+Book+of+British+Housing.JPG" border="0" /&gt;&lt;/a&gt;  &lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Ian Colquhoun&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, Second edition 2008&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 64.91 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/gkt0mjl"&gt;http://ifile.it/gkt0mjl&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;color:#339999;"&gt;&lt;strong&gt;Chapter 1 British Housing: 1900 to the Present Day&lt;/strong&gt;&lt;br /&gt;The early years: 1900–1918&lt;br /&gt;Homes fit for heroes: 1918–1939&lt;br /&gt;Years of hope: 1945–1951&lt;br /&gt;In pursuit of an ideal: 1951–1979&lt;br /&gt;New directions: 1979–1997&lt;br /&gt;From 1997 into a new century&lt;br /&gt;&lt;strong&gt;Chapter 2 London&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Chapter 3 The English Regions&lt;/strong&gt;&lt;br /&gt;Eastern England&lt;br /&gt;The Midlands&lt;br /&gt;North-east England&lt;br /&gt;North-west England&lt;br /&gt;Southern England&lt;br /&gt;South-west England&lt;br /&gt;Yorkshire and Humberside&lt;br /&gt;&lt;strong&gt;Chapter 4 Wales&lt;br /&gt;Chapter 5 Scotland&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Inter-war years policies&lt;br /&gt;Years of ambition: 1945–1979&lt;br /&gt;Post 1979: a new culture&lt;br /&gt;&lt;strong&gt;Chapter 6 Northern Ireland&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;Projects&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5858173142745089162?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5858173142745089162/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5858173142745089162&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5858173142745089162'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5858173142745089162'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/riba-book-of-british-housing.html' title='RIBA Book of British Housing'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SSTzyRmhYiI/AAAAAAAAAuw/3jMEzV2SQXM/s72-c/RIBA+Book+of+British+Housing.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-1494531378357474995</id><published>2008-11-20T08:10:00.002+03:00</published><updated>2008-11-20T08:17:48.303+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>On Span and Space : exploring structures in architecture</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSTyH3RxV2I/AAAAAAAAAuo/tVS4VIqkIUs/s1600-h/On+Span+and+Space.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270603680841815906" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 205px; CURSOR: hand; HEIGHT: 291px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSTyH3RxV2I/AAAAAAAAAuo/tVS4VIqkIUs/s320/On+Span+and+Space.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Bjørn Normann Sandaker&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2008&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 7.55 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/mj7qyxa"&gt;http://ifile.it/mj7qyxa&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;Part 1 PHILOSOPHY&lt;/strong&gt;&lt;br /&gt;Fundamental aspects of structures&lt;br /&gt;Defi ning structures&lt;br /&gt;Aspects of structural form&lt;br /&gt;Culture and construction&lt;br /&gt;Explanation vs. interpretation of structural form&lt;br /&gt;&lt;strong&gt;Part 2 PRAGMATICS&lt;/strong&gt;&lt;br /&gt;Structural form and some mechanical problems&lt;br /&gt;Three basic concepts&lt;br /&gt;Structural materials and form&lt;br /&gt;Mechanical effi ciency and the economy of means&lt;br /&gt;Structural scale&lt;br /&gt;&lt;strong&gt;Part 3 AESTHETICS&lt;/strong&gt;&lt;br /&gt;An aesthetics of structures&lt;br /&gt;An aesthetic qualifi cation: the freedom to choose&lt;br /&gt;Aesthetics and structures&lt;br /&gt;The aesthetic experience&lt;br /&gt;Aesthetics of the mechanical function&lt;br /&gt;Aesthetics of the spatial function&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-1494531378357474995?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/1494531378357474995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=1494531378357474995&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1494531378357474995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/1494531378357474995'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/on-span-and-space-exploring-structures.html' title='On Span and Space : exploring structures in architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSTyH3RxV2I/AAAAAAAAAuo/tVS4VIqkIUs/s72-c/On+Span+and+Space.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-767195475325884051</id><published>2008-11-19T10:01:00.004+03:00</published><updated>2008-11-19T10:14:39.526+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Writing Urbanism : a design reader</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSO6eY5UwFI/AAAAAAAAAug/WYZy4Pijk3g/s1600-h/writing+urbanism.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270261020195340370" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 208px; CURSOR: hand; HEIGHT: 259px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_yu1gYz6PiBk/SSO6eY5UwFI/AAAAAAAAAug/WYZy4Pijk3g/s320/writing+urbanism.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: DOUGLAS KELBAUGH &amp;amp; KIT KRANKEL McCULLOUGH&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2008&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.63 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/dp5vo0x"&gt;http://ifile.it/dp5vo0x&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="color:#339999;"&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;I URBAN PROCESS&lt;br /&gt;&lt;/strong&gt;Introduction&lt;br /&gt;&lt;em&gt;Kit Krankel McCullough&lt;/em&gt;&lt;br /&gt;Observations&lt;br /&gt;The virtues of cities&lt;br /&gt;Alex Krieger&lt;br /&gt;Working cities: Density, risk, spontaneity&lt;br /&gt;&lt;em&gt;J. Max Bond, Jr.&lt;/em&gt;&lt;br /&gt;Meaningful urban design: Teleological/catalytic/relevant&lt;br /&gt;&lt;em&gt;Aseem Inam&lt;/em&gt;&lt;br /&gt;Mathematics of the ideal roadtrip&lt;br /&gt;&lt;em&gt;Christopher Monson&lt;/em&gt;&lt;br /&gt;City walking: Laying claim to Manhattan&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Ben Jacks&lt;br /&gt;&lt;/em&gt;Preservation, re-use, and sustainability&lt;br /&gt;Green Manhattan&lt;br /&gt;&lt;em&gt;David Owen&lt;/em&gt;&lt;br /&gt;Stewardship of the built environment: The emerging synergies from sustainability and historic preservation&lt;br /&gt;&lt;em&gt;Robert A. Young&lt;/em&gt;&lt;br /&gt;DROSS; Re-genesis of diverse matter&lt;br /&gt;&lt;em&gt;Lydia Kallipoliti&lt;/em&gt;&lt;br /&gt;The shared global ideology of the big and the green&lt;br /&gt;&lt;em&gt;David Gissen&lt;/em&gt;&lt;br /&gt;Community&lt;br /&gt;Levittown retrofitted: An urbanism beyond the property line&lt;br /&gt;&lt;em&gt;Teddy Cruz&lt;/em&gt;&lt;br /&gt;The mnemonic city: Duality, invisibility, and memory in American urbanism&lt;br /&gt;&lt;em&gt;Craig Evan Barton&lt;/em&gt;&lt;br /&gt;Mapping East Los Angeles: Aesthetics and cultural politics in an other L.A.&lt;br /&gt;&lt;em&gt;José Gámez&lt;/em&gt;&lt;br /&gt;Celebrating the city&lt;br /&gt;&lt;em&gt;Alan J. Plattus&lt;/em&gt;&lt;br /&gt;Skid Row, Los Angeles&lt;br /&gt;&lt;em&gt;Camilo José Vergara&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;II URBAN FORM&lt;/strong&gt;&lt;br /&gt;Introduction: Further thoughts on the three urbanisms&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;em&gt;Douglas Kelbaugh&lt;br /&gt;&lt;/em&gt;Everyday urbanism, landscape urbanism, and infrastructure&lt;br /&gt;Everyday urban design: Towards default urbanism and/or  urbanism by design?&lt;br /&gt;&lt;em&gt;John Kaliski&lt;/em&gt;&lt;br /&gt;Without end: Mats, holes, and the promise of landscape urbanism&lt;br /&gt;&lt;em&gt;Karen M’Closkey&lt;/em&gt;&lt;br /&gt;Boston’s New Urban Ring: An antidote to urban fragmentation&lt;br /&gt;&lt;em&gt;George Thrush&lt;/em&gt;&lt;br /&gt;Infrastructure for the new social compact&lt;br /&gt;&lt;em&gt;William R. Morrish and Catherine R. Brown&lt;/em&gt;&lt;br /&gt;New urbanism&lt;br /&gt;Whatever happened to modernity?&lt;br /&gt;&lt;em&gt;Daniel Solomon&lt;/em&gt;&lt;br /&gt;The town of Seaside: Designed in 1978–1983 by Duany Plater-Zyberk &amp;amp; Co.&lt;br /&gt;&lt;em&gt;Andrés Duany and Elizabeth Plater-Zyberk&lt;/em&gt;&lt;br /&gt;The impact of ideology on American town planning&lt;br /&gt;&lt;em&gt;Tony Schuman and Elliott Sclar&lt;/em&gt;&lt;br /&gt;New Urbanism as a counter-project to post-industrialism&lt;br /&gt;&lt;em&gt;Ellen Dunham-Jones&lt;/em&gt;&lt;br /&gt;Integrating urbanisms: Growing places between New Urbanism and Post-Urbanism&lt;br /&gt;&lt;em&gt;Carl Giometti&lt;/em&gt;&lt;br /&gt;Post urbanism&lt;br /&gt;Rem Koolhaas’s writing on cities: Poetic perception and gnomic fantasy&lt;br /&gt;&lt;em&gt;William S. Saunders&lt;/em&gt;&lt;br /&gt;“Bigness” in context: Some regressive tendencies in Rem Koolhaas’ urban theory&lt;br /&gt;&lt;em&gt;Jorge Otero-Pailos&lt;/em&gt;&lt;br /&gt;Habraken and Koolhaas: Two Dutchmen flying over Bijlmermeer&lt;br /&gt;&lt;em&gt;June P. Williamson&lt;/em&gt;&lt;br /&gt;Heterotopias and Urban Design&lt;br /&gt;&lt;em&gt;David Grahame Shane&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;III URBAN SOCIETY&lt;/strong&gt;&lt;br /&gt;Introduction&lt;br /&gt;&lt;em&gt;Douglas Kelbaugh&lt;/em&gt;&lt;br /&gt;The public realm&lt;br /&gt;Big Brother is charging you&lt;br /&gt;&lt;em&gt;Michael Sorkin&lt;/em&gt;&lt;br /&gt;Communitas and the American public realm&lt;br /&gt;&lt;em&gt;Spiro Kostof&lt;/em&gt;&lt;br /&gt;Contesting the public realm: Struggles over public space in Los Angeles&lt;br /&gt;&lt;em&gt;Margaret Crawford&lt;/em&gt;&lt;br /&gt;Action space&lt;br /&gt;&lt;em&gt;Richard Scherr&lt;/em&gt;&lt;br /&gt;The inscription of “public” and “civic” realms in the contemporary city&lt;br /&gt;&lt;em&gt;Michael E. Gamble&lt;/em&gt;&lt;br /&gt;Globalism and local identity&lt;br /&gt;Zone&lt;br /&gt;&lt;em&gt;Keller Easterling&lt;/em&gt;&lt;br /&gt;Dis-assembling the urban: The variable interactions of spatial form and content&lt;br /&gt;&lt;em&gt;Saskia Sassen&lt;/em&gt;&lt;br /&gt;Tropical Lewis Mumford: The first critical regionalist urban planner&lt;br /&gt;&lt;em&gt;Liane Lefaivre and Alexander Tzonis&lt;/em&gt;&lt;br /&gt;The luxury of languor&lt;br /&gt;Michael A. McClure and Ursula Emery McClure Technology&lt;br /&gt;Technoscience and environmental culture: A provisional critique&lt;br /&gt;&lt;em&gt;Kenneth Frampton&lt;/em&gt;&lt;br /&gt;Technology, place, and the nonmodern thesis&lt;br /&gt;&lt;em&gt;Steven A. Moore&lt;/em&gt;&lt;br /&gt;Immanent domain: Pervasive computing and the public realm&lt;br /&gt;&lt;em&gt;Dana Cuff&lt;/em&gt;&lt;br /&gt;City of dreams: Virtual space/public space&lt;br /&gt;&lt;em&gt;Eugenia Victoria Ellis&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-767195475325884051?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/767195475325884051/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=767195475325884051&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/767195475325884051'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/767195475325884051'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/writing-urbanism-design-reader.html' title='Writing Urbanism : a design reader'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_yu1gYz6PiBk/SSO6eY5UwFI/AAAAAAAAAug/WYZy4Pijk3g/s72-c/writing+urbanism.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-4565771565328051018</id><published>2008-11-19T09:48:00.003+03:00</published><updated>2008-11-19T09:57:26.177+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Roman Building : Materials And techniques</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSO3e7Sd6EI/AAAAAAAAAuY/ZvMKWUq7JVA/s1600-h/roman+building.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270257730892720194" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 165px; CURSOR: hand; HEIGHT: 224px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSO3e7Sd6EI/AAAAAAAAAuY/ZvMKWUq7JVA/s320/roman+building.JPG" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Jean-Pierre Adam&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 1994&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 42.83 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/xw0hkeb"&gt;http://ifile.it/xw0hkeb&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;1 SURVEYING&lt;br /&gt;2 MATERIALS&lt;br /&gt;3 CONSTRUCTION USING LARGE STONE BLOCKS&lt;br /&gt;4 STRUCTURES OF MIXED CONSTRUCTION&lt;br /&gt;5 MASONRY CONSTRUCTION&lt;br /&gt;6 ARCHES AND VAULTS&lt;br /&gt;7 CARPENTRY&lt;br /&gt;8 WALL COVERING&lt;br /&gt;9 FLOORS&lt;br /&gt;10 CIVIL ENGINEERING&lt;br /&gt;11 DOMESTIC AND COMMERCIAL ARCHITECTURE&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-4565771565328051018?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/4565771565328051018/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=4565771565328051018&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4565771565328051018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/4565771565328051018'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/roman-building-materials-and-techniques.html' title='Roman Building : Materials And techniques'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SSO3e7Sd6EI/AAAAAAAAAuY/ZvMKWUq7JVA/s72-c/roman+building.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-6899978213990113002</id><published>2008-11-19T08:40:00.002+03:00</published><updated>2008-11-19T08:46:01.052+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Space And Muslim Urban Life</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSOnNG4Dh9I/AAAAAAAAAuQ/hQ5BWLPqiJA/s1600-h/Space+And+The+Muslim+Urban+Life.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270239832579475410" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 215px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_yu1gYz6PiBk/SSOnNG4Dh9I/AAAAAAAAAuQ/hQ5BWLPqiJA/s320/Space+And+The+Muslim+Urban+Life.JPG" border="0" /&gt;&lt;/a&gt;  &lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Simon O’Meara&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Routledge, First published 2007&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 1.69 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/gtpfods"&gt;http://ifile.it/gtpfods&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;color:#339999;"&gt;1 Premodern Fez&lt;br /&gt;2 Social and Religious Dimensions of Walls&lt;br /&gt;3 Legal Dimensions of Walls: The Book of Walls&lt;br /&gt;4 The Juridic Basis of The Book of Walls&lt;br /&gt;5 Shame and the Significance of Walls&lt;br /&gt;6 Zef/Fez&lt;br /&gt;Conclusion&lt;br /&gt;Appendix: A Representative Sample of Cases and Case Titles from The Book of Walls&lt;br /&gt;Glossary&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-6899978213990113002?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/6899978213990113002/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=6899978213990113002&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6899978213990113002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/6899978213990113002'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/space-and-muslim-urban-life.html' title='Space And Muslim Urban Life'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_yu1gYz6PiBk/SSOnNG4Dh9I/AAAAAAAAAuQ/hQ5BWLPqiJA/s72-c/Space+And+The+Muslim+Urban+Life.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5910715248167424552</id><published>2008-11-19T08:23:00.002+03:00</published><updated>2008-11-19T08:40:21.501+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>The Classical Orders Of Architecture</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SSOlM2HnMFI/AAAAAAAAAuI/s-SDSIdEmzs/s1600-h/The+Classical+Orders+Of+Architecture.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5270237629058068562" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 208px; CURSOR: hand; HEIGHT: 299px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SSOlM2HnMFI/AAAAAAAAAuI/s-SDSIdEmzs/s320/The+Classical+Orders+Of+Architecture.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Robert Chitham&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Publisher&lt;/strong&gt;: Architectural Press, Second edition 2005&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Size&lt;/strong&gt;: 12.12 MB&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/xn1l6pv"&gt;http://ifile.it/xn1l6pv&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;/div&gt;&lt;div&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;color:#339999;"&gt;HISTORICAL BACKGROUND&lt;br /&gt;THE ORDERS IN DETAIL&lt;br /&gt;JAMES GIBBS AND THE AMERICAN CLASSICAL TRADITION&lt;br /&gt;THE 96-PART ORDERS&lt;br /&gt;USE OF THE ORDERS&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-5910715248167424552?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/5910715248167424552/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=5910715248167424552&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5910715248167424552'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/5910715248167424552'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/classical-orders-of-architecture.html' title='The Classical Orders Of Architecture'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_yu1gYz6PiBk/SSOlM2HnMFI/AAAAAAAAAuI/s-SDSIdEmzs/s72-c/The+Classical+Orders+Of+Architecture.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-7793667850023484459</id><published>2008-11-17T10:39:00.003+03:00</published><updated>2008-11-19T08:46:56.056+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Recording Studio Design</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSEgVRxtOwI/AAAAAAAAAuA/vyrhq8d7wTg/s1600-h/Recording+Studio+Design.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269528588921420546" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 213px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_yu1gYz6PiBk/SSEgVRxtOwI/AAAAAAAAAuA/vyrhq8d7wTg/s320/Recording+Studio+Design.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Author&lt;/strong&gt;: Philip Newell&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;:Focal Press, Second Edition 2008&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 24.3 MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/jlue3rs"&gt;http://ifile.it/jlue3rs&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:85%;color:#339999;"&gt;Chapter 1 General requirements and common errors&lt;br /&gt;Chapter 2 Sound, decibels and hearing&lt;br /&gt;Chapter 3 Sound isolation&lt;br /&gt;Chapter 4 Room acoustics and means of control&lt;br /&gt;Chapter 5 Designing neutral rooms&lt;br /&gt;Chapter 6 Rooms with characteristic acoustics&lt;br /&gt;Chapter 7 Variable acoustics&lt;br /&gt;Chapter 8 Room combinations and operational considerations&lt;br /&gt;Chapter 9 The studio environment&lt;br /&gt;Chapter 10 Limitations to design predictions&lt;br /&gt;Chapter 11 Loudspeakers in rooms&lt;br /&gt;Chapter 12 Flattening the room response&lt;br /&gt;Chapter 13 Control rooms&lt;br /&gt;Chapter 14 The behaviour of multiple loudspeakers in rooms&lt;br /&gt;Chapter 15 Studio monitoring: the principal objectives&lt;br /&gt;Chapter 16 The Non-Environment control room&lt;br /&gt;Chapter 17 The Live-End, Dead-End approach&lt;br /&gt;Chapter 18 Response disturbances due to mixing consoles and studio furniture&lt;br /&gt;Chapter 19 Objective measurement and subjective evaluations&lt;br /&gt;Chapter 20 Studio monitoring systems&lt;br /&gt;Chapter 21 Surround sound and control rooms&lt;br /&gt;Chapter 22 Human factors&lt;br /&gt;Chapter 23 A mobile control room&lt;br /&gt;Chapter 24 Foldback&lt;br /&gt;Chapter 25 Main supplies and earthing systems&lt;br /&gt;Chapter 26 Analogue audio interfacing&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4241318148819067983-7793667850023484459?l=discuss-tect.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://discuss-tect.blogspot.com/feeds/7793667850023484459/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4241318148819067983&amp;postID=7793667850023484459&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7793667850023484459'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4241318148819067983/posts/default/7793667850023484459'/><link rel='alternate' type='text/html' href='http://discuss-tect.blogspot.com/2008/11/recording-studio-design.html' title='Recording Studio Design'/><author><name>وائل عجام</name><uri>http://www.blogger.com/profile/17782523324312777473</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_yu1gYz6PiBk/SSEgVRxtOwI/AAAAAAAAAuA/vyrhq8d7wTg/s72-c/Recording+Studio+Design.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4241318148819067983.post-5874317663788387482</id><published>2008-11-17T10:08:00.004+03:00</published><updated>2008-11-19T08:48:01.327+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='e-book'/><title type='text'>Architectural Accoustics</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_yu1gYz6PiBk/SSEYj2hJ1TI/AAAAAAAAAt4/PRtjQjf6iUk/s1600-h/Architectural+Accoustics.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269520043209250098" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 216px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_yu1gYz6PiBk/SSEYj2hJ1TI/AAAAAAAAAt4/PRtjQjf6iUk/s320/Architectural+Accoustics.jpg" border="0" /&gt;&lt;/a&gt;&lt;strong&gt;Author&lt;/strong&gt;: Marshall Long&lt;br /&gt;&lt;strong&gt;Publisher&lt;/strong&gt;:Elsevier Academic Press, 2006&lt;br /&gt;&lt;strong&gt;Size&lt;/strong&gt;: 29.36MB&lt;br /&gt;&lt;strong&gt;Format&lt;/strong&gt;: SFXed pdf&lt;br /&gt;&lt;strong&gt;Link&lt;/strong&gt;: &lt;a href="http://ifile.it/r7bijvm"&gt;http://ifile.it/r7bijvm&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Password&lt;/strong&gt;: www.discuss-tect.blogspot.com&lt;br /&gt;&lt;strong&gt;Contents&lt;/strong&gt;:&lt;br /&gt;&lt;span style="font-size:85%;color:#339999;"&gt;1 HISTORICAL INTRODUCTION &lt;/span&gt;&lt;span style="color:#339999;"&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;1.1 GREEK AND ROMAN PERIOD (650 bc–ad 400)&lt;br /&gt;1.2 EARLY CHRISTIAN PERIOD (ad 400–800)&lt;br /&gt;1.3 ROMANESQUE PERIOD (800–1100)&lt;br /&gt;1.4 GOTHIC PERIOD (1100–1400)&lt;br /&gt;1.5 RENAISSANCE PERIOD (1400–1600)&lt;br /&gt;1.6 BAROQUE PERIOD (1600–1750)&lt;br /&gt;1.7 ORIGINS OF SOUND THEORY&lt;br /&gt;1.8 CLASSICAL PERIOD (1750–1825)&lt;br /&gt;1.9 ROMANTIC PERIOD (1825–1900)&lt;br /&gt;1.10 BEGINNINGS OF MODERN ACOUSTICS&lt;br /&gt;1.11 TWENTIETH CENTURY&lt;br /&gt;2 FUNDAMENTALS OF ACOUSTICS&lt;br /&gt;2.1 FREQUENCY AND WAVELENGTH&lt;br /&gt;2.2 SIMPLE HARMONIC MOTION&lt;br /&gt;2.3 SUPERPOSITION OF WAVES&lt;br /&gt;2.4 SOUND WAVES&lt;br /&gt;2.5 ACOUSTICAL PROPERTIES&lt;br /&gt;2.6 LEVELS&lt;br /&gt;2.7 SOURCE CHARACTERIZATION&lt;br /&gt;3 HUMAN PERCEPTION AND REACTION TO SOUND&lt;br /&gt;3.1 HUMAN HEARING MECHANISMS&lt;br /&gt;3.2 PITCH&lt;br /&gt;3.3 LOUDNESS&lt;br /&gt;3.4 INTELLIGIBILITY&lt;br /&gt;3.5 ANNOYANCE&lt;br /&gt;3.6 HEALTH AND SAFETY&lt;br /&gt;3.7 OTHER EFFECTS&lt;br /&gt;4 ACOUSTIC MEASUREMENTS AND NOISE METRICS&lt;br /&gt;4.1 MICROPHONES&lt;br /&gt;4.2 SOUND LEVEL METERS&lt;br /&gt;4.3 FIELD MEASUREMENTS&lt;br /&gt;4.4 BROADBAND NOISE METRICS&lt;br /&gt;4.5 BAND LIMITED NOISE METRICS&lt;br /&gt;4.6 SPECIALIZED MEASUREMENT TECHNIQUES&lt;br /&gt;5 ENVIRONMENTAL NOISE&lt;br /&gt;5.1 NOISE CHARACTERIZATION&lt;br /&gt;5.2 BARRIERS&lt;br /&gt;5.3 ENVIRONMENTAL EFFECTS&lt;br /&gt;5.4 TRAFFIC NOISE MODELING&lt;br /&gt;5.5 RAILROAD NOISE&lt;br /&gt;5.6 AIRCRAFT NOISE&lt;br /&gt;6 WAVE ACOUSTICS&lt;br /&gt;6.1 RESONANCE&lt;br /&gt;6.2 WAVE EQUATION&lt;br /&gt;6.3 SIMPLE SOURCES&lt;br /&gt;6.4 COHERENT PLANAR SOURCES&lt;br /&gt;6.5 LOUDSPEAKERS&lt;br /&gt;7 SOUND AND SOLID SURFACES&lt;br /&gt;7.1 PERFECTLY REFLECTING INFINITE SURFACES&lt;br /&gt;7.2 REFLECTIONS FROM FINITE OBJECTS&lt;br /&gt;7.3 ABSORPTION&lt;br /&gt;7.4 ABSORPTION MECHANISMS&lt;br /&gt;7.5 ABSORPTION BY NONPOROUS ABSORBERS&lt;br /&gt;7.6 ABSORPTION BY RESONANT ABSORBERS&lt;br /&gt;8 SOUND IN ENCLOSED SPACES&lt;br /&gt;8.1 STANDING WAVES IN PIPES AND TUBES&lt;br /&gt;8.2 SOUND PROPAGATION IN DUCTS&lt;br /&gt;8.3 SOUND IN ROOMS&lt;br /&gt;8.4 DIFFUSE-FIELD MODEL OF ROOMS&lt;br /&gt;8.5 REVERBERANT FIELD EFFECTS&lt;br /&gt;9 SOUND TRANSMISSION LOSS&lt;br /&gt;9.1 TRANSMISSION LOSS&lt;br /&gt;9.2 SINGLE PANEL TRANSMISSION LOSS THEORY&lt;br /&gt;9.3 DOUBLE PANEL TRANSMISSION LOSS THEORY&lt;br /&gt;9.4 TRIPLE-PANEL TRANSMISSION LOSS THEORY&lt;br /&gt;9.5 STRUCTURAL CONNECTIONS&lt;br /&gt;10 SOUND TRANSMISSION IN BUILDINGS&lt;br /&gt;10.1 DIFFUSE FIELD SOUND TRANSMISSION&lt;br /&gt;10.2 STC RATINGS OF VARIOUS WALL TYPES&lt;br /&gt;10.3 DIRECT FIELD SOUND TRANSMISSION&lt;br /&gt;10.4 EXTERIOR TO INTERIOR NOISE TRANSMISSION&lt;br /&gt;11 VIBRATION AND VIBRATION ISOLATION&lt;br /&gt;11.1 SIMPLE HARMONIC MOTION&lt;br /&gt;11.2 SINGLE DEGREE OF FREEDOM SYSTEMS&lt;br /&gt;11.3 VIBRATION ISOLATORS&lt;br /&gt;11.4 SUPPORT OF VIBRATING EQUIPMENT&lt;br /&gt;11.5 TWO DEGREE OF FREEDOM SYSTEMS&lt;br /&gt;11.6 FLOOR VIBRATIONS&lt;br /&gt;12 NOISE TRANSMISSION IN FLOOR SYSTEMS&lt;br /&gt;12.1 TYPES OF NOISE TRANSMISSION&lt;br /&gt;12.2 AIRBORNE NOISE TRANSMISSION&lt;br /&gt;12.3 FOOTFALL NOISE&lt;br /&gt;12.4 STRUCTURAL DEFLECTION&lt;br /&gt;12.5 FLOOR SQUEAK&lt;br /&gt;13 NOISE IN MECHANICAL SYSTEMS&lt;br /&gt;13.1 MECHANICAL SYSTEMS&lt;br /&gt;13.2 NOISE GENERATED BY HVAC EQUIPMENT&lt;br /&gt;13.3 NOISE GENERATION IN FANS&lt;br /&gt;13.4 NOISE GENERATION IN DUCTS&lt;br /&gt;13.5 NOISE FROM OTHER MECHANICAL EQUIPMENT&lt;br /&gt;14 SOUND ATTENUATION IN DUCTS&lt;br /&gt;14.1 SOUND PROPAGATION THROUGH DUCTS&lt;br /&gt;14.2 SOUND PROPAGATION THROUGH PLENUMS&lt;br /&gt;14.3 SILENCERS&lt;br /&gt;14.4 BREAKOUT&lt;br /&gt;14.5 BREAK-IN&lt;br /&gt;14.6 CONTROL OF DUCT BORNE NOISE&lt;br /&gt;15 DESIGN AND CONSTRUCTION OF MULTIFAMILY DWELLINGS&lt;br /&gt;15.1 CODES AND STANDARDS&lt;br /&gt;15.2 PARTY WALL CONSTRUCTION&lt;br /&gt;15.3 PARTY FLOOR-CEILING SEPARATIONS&lt;br /&gt;15.4 PLUMBING AND PIPING NOISE&lt;br /&gt;15.5 MECHANICAL EQUIPMENT&lt;br /&gt;15.6 APPLIANCES AND OTHER SOURCES OF NOISE&lt;br /&gt;16 DESIGN AND CONSTRUCTION OF OFFICE BUILDINGS&lt;br /&gt;16.1 SPEECH PRIVACY IN OPEN OFFICES&lt;br /&gt;16.2 SPEECH PRIVACY IN CLOSED OFFICES&lt;br /&gt;16.3 MECHANICAL EQUIPMENT&lt;br /&gt;17 DESIGN OF ROOMS FOR SPEECH&lt;br /&gt;17.1 GENERAL ACOUSTICAL REQUIREMENTS&lt;br /&gt;17.2 SPEECH INTELLIGIBILITY&lt;br /&
